Part autobiography, part anti-colonial history, originally published in 1966 Cheddi Jagan's The West on Trial: My Fight for Guyana's Freedom chronicles Dutch, French, and British rivalry for social, political, and economic control of Guyana, as well as the fight for self-determination and independence from colonial rule. Chronicled in these illuminating pages is life on the sugar plantations; the painful experience of caste hierarchy and racism; the devastation of World War; peace, colonialism, and the struggle for independence from imperialism. Subtly and concisely, Jagan outlines the corporate and economic interests involved in attempting to perpetuate colonial subjugation in British Guiana. Larger in scope than Jagan's Forbidden Freedom (also available from International Publishers), The West on Trial provides important historical context that enables readers to grasp the pivotal post-World War II period of anti-colonial, national liberation movements and the role of British and U.S. imperialism throughout the 1950s and 1960s in destabilizing democratically elected popular governments. For students of decolonization, the Cold War, and the struggle for independence, Cheddi Jagan's The West on Trial: My Fight for Guyana's Freedom is required reading.

Featuring five famous trials, this book examines the way our right to a fair trial can be threatened, when people are tempted to abandon their principles in the name of safety. Trials included are the Salem Witch Trials, the Haymarket Affair Trial, the Scopes "Monkey" Trial, the trial of Alger Hiss, and the trial of Zacarias Moussaoui--the latter not yet covered extensively in any book.

Based on interviews with camp survivors and new archival research, an account of the relocation of Japanese Americans to internment camps during World War II offers a new perspective on a tragic episode in contemporary American history.

"Erika Gottlieb explores a selection of about thirty works in the dystopian genre from East and Central Europe between 1920 and 1991 in the USSR and between 1948 and 1989 in Poland, Hungary, and Czechoslovakia.

Captivated by the hit ITV true crime drama DES? Uncover the truth behind the trial of Rosemary West, another of Britain's most infamous serial killers. 'Anyone reading this brilliant book will wonder whether justice was really done.' Evening Standard In 1994, Frederick West was arrested and accused of murdering twelve young women. But it was the trial of his wife, Rosemary West, that became Britain's serial-killer trial of the century... Detained for the murder of the twelve women found at 25 Cromwell Street, Gloucester, Frederick West hung himself on New Year's Day 1995. The case had enraged the nation, and the subsequent trial of Rosemary for the same crimes caused a media sensation. How are ordinary human beings driven to become serial killers? How did this psychopath ensnare so many women? And how much was Rosemary truly involved? Brian Masters attended the Rosemary West trial on a daily basis. In "She Must Have Known" he produces a penetrating study of the sexual obsession that led to a series of horrifying and measured killings, ultimately leaving the reader to make up their own mind on the guilt of Rosemary West. _______________________ 'By far the most interesting book on the subject... profound and illuminating.' Sunday Telegraph 'Another serious, compelling account of a serial killer.' The Sunday Times 'A classic of criminological literature.' Spectator

The Classical Athenians were the first to articulate and implement the notion that ordinary citizens of no particular affluence or education could make responsible political decisions. For this reason, reactions to Athenian democracy have long provided a prime Rorschach test for political thought. Whether praising Athens's government as the legitimizing ancestor of modern democracies or condemning it as mob rule, commentators throughout history have revealed much about their own notions of politics and society. In this book, Jennifer Roberts charts responses to Athenian democracy from Athens itself through the twentieth century, exploring a debate that touches upon historiography, ethics, political science, anthropology, sociology, philosophy, gender studies, and educational theory.

Cold Warriors: Manliness on Trial in the Rhetoric of the West returns to familiar cultural forces—the West, anticommunism, and manliness—to show how they combined to suppress dissent and dominate the unruliness of literature in the name of a national identity after World War II. Few realize how much the domination of a “white male” American literary canon was a product not of long history, but of the Cold War. Suzanne Clark describes here how the Cold War excluded women writers on several levels, together with others—African American, Native American, poor, men as well as women—who were ignored in the struggle over white male identity. Clark first shows how defining national/individual/American identity in the Cold War involved a brand new configuration of cultural history. At the same time, it called upon the nostalgia for the old discourses of the West (the national manliness asserted by Theodore Roosevelt) to claim that there was and always had been only one real American identity. By subverting the claims of a national identity, Clark finds, many male writers risked falling outside the boundaries not only of public rhetoric but also of the literary world: men as different from one another as the determinedly masculine Ernest Hemingway and the antiheroic storyteller of the everyday, Bernard Malamud. Equally vocal and contentious, Cold War women writers were unwilling to be silenced, as Clark demonstrates in her discussion of the work of Mari Sandoz and Ursula Le Guin. The book concludes with a discussion of how the silencing of gender, race, and class in Cold War writing maintained its discipline until the eruptions of the sixties. By questioning the identity politics of manliness in the Cold War context of persecution and trial, Clark finds that the involvement of men in identity politics set the stage for our subsequent cultural history.