Literary fiction meets the otherworldly in this “wonderfully weird and entertaining” urban fantasy for Millennial fans of Victor LaValle (Esquire). “An utterly charming, silly, and heartily entertaining coming-of-age story about a man-boy who learns to believe in himself by reckoning with evil.” —Boston Globe What do you do when you wake up hung over and late for work only to find a stranger on your couch? And what if that stranger turns out to be an Adversarial Manifestation—like Satan, say—who has brewed you a fresh cup of fair-trade coffee? And what if he offers you your life’s goal of making the bestseller list if only you find his missing Lucky Cat and, you know, sign over your soul? If you’re Billy Ridgeway, you take the coffee.

Literary fiction meets the otherworldly in this “wonderfully weird and entertaining” urban fantasy for Millennial fans of Victor LaValle (Esquire). “An utterly charming, silly, and heartily entertaining coming-of-age story about a man-boy who learns to believe in himself by reckoning with evil.” —Boston Globe What do you do when you wake up hung over and late for work only to find a stranger on your couch? And what if that stranger turns out to be an Adversarial Manifestation—like Satan, say—who has brewed you a fresh cup of fair-trade coffee? And what if he offers you your life’s goal of making the bestseller list if only you find his missing Lucky Cat and, you know, sign over your soul? If you’re Billy Ridgeway, you take the coffee.

How all philosophical explanations of human consciousness and the fundamental structure of the cosmos are bizarre—and why that’s a good thing Do we live inside a simulated reality or a pocket universe embedded in a larger structure about which we know virtually nothing? Is consciousness a purely physical matter, or might it require something extra, something nonphysical? According to the philosopher Eric Schwitzgebel, it’s hard to say. In The Weirdness of the World, Schwitzgebel argues that the answers to these fundamental questions lie beyond our powers of comprehension. We can be certain only that the truth—whatever it is—is weird. Philosophy, he proposes, can aim to open—to reveal possibilities we had not previously appreciated—or to close, to narrow down to the one correct theory of the phenomenon in question. Schwitzgebel argues for a philosophy that opens. According to Schwitzgebel’s “Universal Bizarreness” thesis, every possible theory of the relation of mind and cosmos defies common sense. According to his complementary “Universal Dubiety” thesis, no general theory of the relationship between mind and cosmos compels rational belief. Might the United States be a conscious organism—a conscious group mind with approximately the intelligence of a rabbit? Might virtually every action we perform cause virtually every possible type of future event, echoing down through the infinite future of an infinite universe? What, if anything, is it like to be a garden snail? Schwitzgebel makes a persuasive case for the thrill of considering the most bizarre philosophical possibilities.

An exploration of the emergence of a new psychedelic spirituality in the work of Philip K. Dick, Terence McKenna, and Robert Anton Wilson. A study of the spiritual provocations to be found in the work of Philip K. Dick, Terence McKenna, and Robert Anton Wilson, High Weirdness charts the emergence of a new psychedelic spirituality that arose from the American counterculture of the 1970s. These three authors changed the way millions of readers thought, dreamed, and experienced reality—but how did their writings reflect, as well as shape, the seismic cultural shifts taking place in America? In High Weirdness, Erik Davis—America's leading scholar of high strangeness—examines the published and unpublished writings of these vital, iconoclastic thinkers, as well as their own life-changing mystical experiences. Davis explores the complex lattice of the strange that flowed through America's West Coast at a time of radical technological, political, and social upheaval to present a new theory of the weird as a viable mode for a renewed engagement with reality.

“With The Insides, Jeremy P. Bushnell doesn’t so much mash genres together as slice them apart to find the filets. It’s a literary urban fantasy with sharp things to say about the way we live now, darkened by a touch of Scandinavian thriller: rich and urgent and weird, a novel that defies categorization but demands to be consumed.” —Robin Sloan, author of Mr. Penumbra's 24-Hour Bookstore “The Insides begins with all the freewheeling magic and humor of The Weirdness, then ups the ante with danger, suspense, and rich emotional resonance. If you love fierce, witchy leading ladies, facing down evil, and traveling to strange realms that will explain your life before they haunt you forever, this is the book for you.” —Alyssa Harad, author of Coming to My Senses Ollie Krueger’s days as a punk kid practicing street magic are are mostly behind her. Now she’s a butcher at Carnage, a high-end restaurant offering deconstructed takes on meat. On busy nights Ollie and her partner, Guychardson, race to see who can produce the most finished cuts. Ollie’s the better butcher, but somehow Guychardson always wins ... and Ollie thinks maybe it’s because the mysterious knife he uses is magic. Before she knows it, Ollie’s interest in the knife has thrown her square in the path of a dangerous ex-marine called “Pig” and his hired psychic, Maja, who are on the hunt for the knife too—who want it so badly, in fact, that they might kill for it. Now, magic is back in Ollie’s life and she’s being chased through New York City, with the fabric of space-time tattering around her and weird inter-dimensional worms squirming their way into her kitchen. And before it's all over she’s going to need to face up to the Possible Consequences of some bad decisions, to look at the uncomfortable truths that she stuffed away long ago, deep down ... inside . . .

The ongoing publication of Heidegger's complete works has called into question the interpretive and translative practices that have historicized Heidegger's thinking through the adaptation of categories and mind-sets inherited from metaphysics. Ivo De Gennaro argues that the posthumous treatises in particular - many of which have yet to be translated into English - show that the "other onset of thinking" that Being and Time inaugurated and which those historicizing accounts have interpreted and translated away, has already taken place. This book, on the other hand, speaks solely from that other onset, that of being itself. While arguing the "one-pointedness" of Heidegger's entire path of thinking, De Gennaro draws mainly on the posthumous treatises to offer both a provisional exploration of, and an introduction to, a thinking whose sense and implications have barely begun to emerge. This challenging and original interpretation marks an important contribution to Heidegger scholarship.

Few revolutions in science have been more far-reaching--but less understood--than the quantum revolution in physics. Everyday experience cannot prepare us for the sub-atomic world, where quantum effects become all-important. Here, particles can look like waves, and vice versa; electrons seem to lose their identity and instead take on a shifting, unpredictable appearance that depends on how they are being observed; and a single photon may sometimes behave as if it could be in two places at once. In the world of quantum mechanics, uncertainty and ambiguity become not just unavoidable, but essential ingredients of science--a development so disturbing that to Einstein "it was as if God were playing dice with the universe." And there is no one better able to explain the quantum revolution as it approaches the century mark than David Lindley. He brings the quantum revolution full circle, showing how the familiar and trustworthy reality of the world around us is actually a consequence of the ineffable uncertainty of the subatomic quantum world--the world we can't see.

Man vs. Child is a funny, fresh take on the parenting guide, written from the dad’s perspective. It’s about the absurdity of being a dad today: from your blissful pre-baby days through when your kid is off at school, probably complaining about you. It’s a companion to help you through the hard times, like when you need something to read on the toilet and your phone is dead. NAMED ONE OF AMAZON’S BEST HUMOR BOOKS OF 2017 Balancing relatable humor with heartfelt advice, Man vs. Child will appeal to any dad looking for both laughs and real guidance from a man who has had--and survived--these experiences himself. A perfect Father's Day gift or present for a first-time dad! PRAISE FOR MAN VS. CHILD: “Doug Moe has written a delightful and helpful book that gives real advice about the Wild West world of raising children.” - Amy Poehler, actress, comedian, and NYT bestselling author of Yes, Please “Moe ‘describes the awed affection new fathers may have for their children with relatable humor and genuine insight, offering a promising resource for the curious and the clueless.’” - The New Yorker “From tackling toddler meltdowns to bringing up baby in any conversation, comedian Doug Moe’s irreverent take on the absurdity of fatherhood is a refreshing read for new dads. It feels like you’re chatting with a friend who admittedly doesn’t know everything, but does know exactly what you’re going through.” - Pregnancy & Newborn Magazine “Wow is it terrific -- funny, smart, relatable, and actually filled with some very good tips, from handling sleepless nights for tips to get rid of your kids’ weird friends on playdates.” - Cool Mom Picks “Yes, it’s just one man’s point of view, but we have a feeling your guy will find more than enough in common with this hilarious dad-in-training.” - PureWow

Weird meets weird—and the rest is history! This is a book about weird couples and the tiny two-person universes they create. It’s about accidentally wearing the exact same outfit. It’s about made-up songs. It’s about your rules for the thermostat. It’s about breakfast rituals, and funny nicknames, and long hugs, and that voice you pretend the cat has. If you’re half of a weird couple, or if you have a favorite weird couple, or if you just love love, this book is for you. Includes 1 sheet of temporary tattoos!

This enhanced eBook includes video, audio, photographic, and linked content, as well as a bonus short story. Hear TAMMY talk. Learn the origins of Minor Universe 31. See the TM-31. Take a trip in it. Photos and illustrations appear as hyperlinked endnotes. Video and audio are embedded directly in text. *Video and audio may not play on all readers. Check your user manual for details. National Book Foundation 5 Under 35 Award winner Charles Yu delivers his debut novel, a razor-sharp, ridiculously funny, and utterly touching story of a son searching for his father . . . through quantum space–time. Minor Universe 31 is a vast story-space on the outskirts of fiction, where paradox fluctuates like the stock market, lonely sexbots beckon failed protagonists, and time travel is serious business. Every day, people get into time machines and try to do the one thing they should never do: change the past. That’s where Charles Yu, time travel technician—part counselor, part gadget repair man—steps in. He helps save people from themselves. Literally. When he’s not taking client calls or consoling his boss, Phil, who could really use an upgrade, Yu visits his mother (stuck in a one-hour cycle of time, she makes dinner over and over and over) and searches for his father, who invented time travel and then vanished. Accompanied by TAMMY, an operating system with low self-esteem, and Ed, a nonexistent but ontologically valid dog, Yu sets out, and back, and beyond, in order to find the one day where he and his father can meet in memory. He learns that the key may be found in a book he got from his future self. It’s called How to Live Safely in a Science Fictional Universe, and he’s the author. And somewhere inside it is the information that could help him—in fact it may even save his life. Wildly new and adventurous, Yu’s debut is certain to send shock waves of wonder through literary space–time.