Aubrey Price is in the final months of her undergraduate degree at the University of Toronto. Bright, witty, and fiercely independent, Aubrey works part-time for the college dean and has her sights set on graduating with distinction. When she meets Dean Grant's son, Daniel, the TA in her senior Shakespearean studies course, a shared love of the Bard's works and an instant mutual attraction draw Aubrey and Daniel together. Unfortunately, a strict anti-fraternizing policy--made more perilous by a black mark on Daniel's record--keeps them apart. Against this academic backdrop, Aubrey and Daniel navigate their way through a steamy courtship, their forbidden romance aided, abetted, and sometimes thwarted by a colorful cast of friends, family, and classmates.

Sticks and stones will break my bones, but names will never hurt me? This lie has been taught to children for years. We claim it strengthens them. Allows them to let the harsh words of other children roll off their backs. But the truth is that words have power. Power to encourage. Power to heal. But also power to intimidate, power to scourge, and power to wound.How are you using the power of words? What we say has both spiritual and physical implications. Revelation 21:8 tells us that liars have their place in the Lake of Fire. And we all have seen the devastation wreaked by rumors on innocent reputations. Yet with the same intensity, kind words can soothe a broken spirit and restore shattered relationships. Your words also say a lot about you. Jesus said, 'For out of the overflow of the heart the mouth speaks' (Matthew 12:34). If our hearts are not in tune with God, neither will be our words. In The Weight of Your Words, Joseph Stowell shares the truth about the tongue straight from the Bible, God's Word to His people. He challenges us to not allow our mouths to be controlled by our anger or our circumstances, but rather, to be controlled by the Holy Spirit and His work in our lives. Take inventory of your words and your heart attitude with Joseph Stowell in The Weight of Your Words.

Ten authors have created a series of narratives, each inspired by one of McKean's paintings.

Weight and war, pounds and politics—the world balances uneasily on these two thorns. Humans are caught in a food vice that might seem tangential to catastrophe and global mayhem. In The Weight of Words author Sandra Humble Johnson suggests solutions for taking pounds off and keeping them off. At the same time, she reveals her own jagged adjustment against the backdrop of a city perfumed, wealthy, and safe. Johnson, who traveled from a quiet Ohio Mennonite town to glamorous and outrageous Dubai on the Arabian Peninsula, deals firsthand with physical and cultural displacement. As a university professor hired to help establish a college of arts and sciences for Emirati women, she understands that words alter lives. Language shapes us. After losing weight and then maintaining her new shape, Johnson reshaped images of dangerous Arabs in desert tents into the upscale, burgeoning glitz of Dubai. The Weight of Words narrates this adventure of mind and body. Americans and Middle Easterners are obsessed with what they consume. With obesity and mistrust playing havoc with survival on this small planet, The Weight of Words provides help where it’s needed most.

2009 Caldecott Honor Book An ALA Notable Book A New York Times Best Illustrated Children’s Book A Charlotte Zolotow Honor Book NCTE Notable Children’s Book When he wrote poems, he felt as free as the Passaic River as it rushed to the falls. Willie’s notebooks filled up, one after another. Willie’s words gave him freedom and peace, but he also knew he needed to earn a living. So he went off to medical school and became a doctor -- one of the busiest men in town! Yet he never stopped writing poetry. In this picture book biography of William Carlos Williams, Jen Bryant’s engaging prose and Melissa Sweet’s stunning mixed-media illustrations celebrate the amazing man who found a way to earn a living and to honor his calling to be a poet.

*Selected as One of the Best Books of the 21st Century by The New York Times* *Named a Best Book of the Year by The New York Times, Publishers Weekly, NPR, Broadly, BuzzFeed (Nonfiction), The Undefeated, Library Journal (Biography/Memoirs), The Washington Post (Nonfiction), Southern Living (Southern), Entertainment Weekly, and The New York Times Critics* In this powerful, provocative, and universally lauded memoir—winner of the Andrew Carnegie Medal and finalist for the Kirkus Prize—genre-bending essayist and novelist Kiese Laymon “provocatively meditates on his trauma growing up as a black man, and in turn crafts an essential polemic against American moral rot” (Entertainment Weekly). In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to time in New York as a college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. Heavy is a “gorgeous, gutting…generous” (The New York Times) memoir that combines personal stories with piercing intellect to reflect both on the strife of American society and on Laymon’s experiences with abuse. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, he asks us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free. “A book for people who appreciated Roxane Gay’s memoir Hunger” (Milwaukee Journal Sentinel), Heavy is defiant yet vulnerable, an insightful, often comical exploration of weight, identity, art, friendship, and family through years of haunting implosions and long reverberations. “You won’t be able to put [this memoir] down…It is packed with reminders of how black dreams get skewed and deferred, yet are also pregnant with the possibility that a kind of redemption may lie in intimate grappling with black realities” (The Atlantic).

Roger Priddy’s Big Board First 100 Words is a perfect children’s book offering simple everyday words for infants and toddlers to develop their vocabulary. Featuring 100 beautiful color photographs, this tough board book introduces words and phrases of animals, toys, vehicles, and items used for mealtimes, bathtimes, and bedtimes that are ideal for children aged 2 and up to learn how to read and identify objects.

From typographic illustrator Marian Bantjes, I Wonder will make you think in new ways about art, design, beauty, and popular culture. This unique presentation features the elaborately crafted word pictures of Marian Bantjes, the most inventive and creative typographic illustrator of our time. Whether intricately hand-drawn or using computer illustration software, Bantjes's work crosses the boundaries of time, style, and technology. There is, however, another side to Bantjes's visual work: her thoughtful treatises on art, design, beauty, and popular culture that add a deeper dimension to the decorative nature of her best-known work. These reflections cover the cult of Santa, road-side advertising, photography and memory, the alphabet's letterforms, heraldry, and stars. Bantjes's writing style ranges from the playful to the confrontational, but it is always imbued with perspicacity, insight, and a sense of fun. Intended to inspire creatives of any persuasion, this is more than a collection of ideas: Bantjes has meticulously illustrated every page of the book in her inimitable style to create an accessible work of art that is far greater than the sum of its parts. Quirky, poignant, astute, funny--this beautiful book presents a compelling collection of observations on visual culture and design. In Stefan Sagmeister's telling words, Bantjes's work is his "favorite example of beauty facilitating the communication of meaning." This paperback edition is expanded with a new essay from the author.

Written by the renowned British historian who has been described as both utterly thorough and humanely delicate, Jeremy Black offers a guided tour through the mind of Agatha Christie and life during the Great World Wars. His incomparable treatment of literary craft developing alongside global military engagement nearly overshadows the natural draw of the crime drama that is the subject of his book. Indeed, the "prurience and sensationalism" of crime is not as exciting as Black's aptitude for drawing the reality from the fiction (and periphery sources), giving Christie a much louder voice than she might ever have dreamed. If Christie is also moralist and mirror to her times, Black here plays his part as the detective and reveals layers of previously unmined truths in her stories. Hercule Poirot as a character is masterfully imagined, but Black shows us how he is inseparable from Christie's turbulent and changing world. He also illuminates significant social commentary in Christie's fiction, and in so doing Black often uses his authority to vindicate Christie's work from hastily, at times stupidly, applied labels and interpretations. He is especially magnificent in his chapters, "Xenophobia" and "The Sixties." Black nevertheless gives due recognition to Christie's critics when they have something relevant and reasonable to say, and hence the reader finds yet another service in Black's comprehensive review of the reviewers over the expanse of Christie's writing career. For all this, Black proves himself to be a worthy history-teller because he can aptly 'detect' the meaning of stories that seeks to answer the past and guide the present. His erudition runs much deeper than his ability to navigate the stores of resources available on the subject, and the reader gets a glimpse of this early on when in the introduction he proffers his own defense for writing about the importance of a Hercule Poirot. Black writes, "the notion of crime had a moral component from the outset, and notably so in terms of the struggle between Good and Evil, and in the detection of the latter. Indeed, it is this detection that is the basis of the most powerful strand of detection story, because Evil disguises its purposes. It has to do so in a world and humanity made fundamentally benign and moral by God." The Golden Age of detective novels represents much more than a triumph of a literary genre. It is in its own right a story of how the challenge to address the problem of evil was accepted. Its convergence with the plot-rich narrative of the twentieth century in the modern age renders Black's account a thrilling masterpiece, seducing historians to read fiction and crime junkies to read more history.