This follow-up to the bestselling The Weekend Novelist will guide writers of all levels through the next phase in crafting their novel: the rewrite. You’ve finished your first draft—congratulations! Think it’s ready for publication? Think again. The next stage is all about revising and reworking your manuscript—fine-tuning the plot, adding or improving subplots, and fleshing out characters; in short, addressing important structural issues that make or break a novel. Robert J. Ray, who helped thousands of writers get from blank page to first draft in The Weekend Novelist, now guides the same audience through a series of seventeen weekend revision exercises designed to fit into any busy lifestyle, focusing on everything from rewriting scenes to developing sound flashbacks to refining characters’ back stories. Throughout the book, Ray illustrates his lessons with examples from such great works of literature as Jane Eyre, Gorky Park, and The Great Gatsby so that writers may more easily identify how and why a certain technique or structural element helps or hinders their own work. Also included are checklists, timed exercises, plot diagrams, and charts—all aimed to get you rewriting and revising your draft with confidence. Whether you’re an amateur novelist, a seasoned writer who’s hit a mental block, or a creative writing teacher looking for proven exercises for better instruction, The Weekend Novelist Rewrites the Novel provides the tools to transform first drafts into successful novels.

This follow-up to the bestselling The Weekend Novelist will guide writers of all levels through the next phase in crafting their novel: the rewrite. You’ve finished your first draft—congratulations! Think it’s ready for publication? Think again. The next stage is all about revising and reworking your manuscript—fine-tuning the plot, adding or improving subplots, and fleshing out characters; in short, addressing important structural issues that make or break a novel. Robert J. Ray, who helped thousands of writers get from blank page to first draft in The Weekend Novelist, now guides the same audience through a series of seventeen weekend revision exercises designed to fit into any busy lifestyle, focusing on everything from rewriting scenes to developing sound flashbacks to refining characters’ back stories. Throughout the book, Ray illustrates his lessons with examples from such great works of literature as Jane Eyre, Gorky Park, and The Great Gatsby so that writers may more easily identify how and why a certain technique or structural element helps or hinders their own work. Also included are checklists, timed exercises, plot diagrams, and charts—all aimed to get you rewriting and revising your draft with confidence. Whether you’re an amateur novelist, a seasoned writer who’s hit a mental block, or a creative writing teacher looking for proven exercises for better instruction, The Weekend Novelist Rewrites the Novel provides the tools to transform first drafts into successful novels.

Who doesn't dream of writing a novel while holding on to a day job? Robert J. Ray and coauthor Bret Norris can help readers do just that, with this proven practical and accessible step-by-step guide to completing a novel in just a year's worth of weekends. The Weekend Novelist shows writers of all levels how to divide their writing time into weekend work sessions, and how to handle character, scene, and plot. This new, revised version is far more skills-based than its predecessor, and includes both classic and contemporary literature models, contains a sample "Novel in Progress," and at the end offers readers the choice to rewrite their novel, draft a memoir, or turn their rough draft into a screenplay. Readers for a decade have been instructed and inspired by The Weekend Novelist. This new edition will help many more strive to realize their writing potential. • Offers a practical, structured approach to finishing a novel • Ray has taught more than 10,000 students over 25 years and continues to teach new classes that attract new readers to his books

Like Agatha Christie and Raymond Chandler, Sara Paretsky and Thomas Harris, you, too, can learn the trade secrets of quality detective fiction. It's true. Just one year from now, you can deliver a completed mystery novel to a publisher--by writing only on weekends. Authors Robert J. Ray and Jack Remick guide you through the entire mystery-writing process, from creating a killer to polishing off the final draft. Each weekend you'll focus on a specific task--learning the basics of novel-writing, the special demands of mystery-writing, and the secrets professionals use to create stories one scene at a time, building to a shivery, satisfying climax. Using Agatha Christie's The Body in the Library as a model for the classical mystery tale and Martin Cruz Smith's Gorky Park for the hard-boiled mystery, this unique step-by-step program gives you all the information you need to reach your ultimate goal: a finished book in just 52 weeks! Let two successful masters of the genre show you how... Discover: Why you must create your killer first The tricks to writing dialogue that does it all--moves your plot, involves your reader, and makes your style sizzle How to "bury" information (and corpses) for your reader to find Why you should NOT build your book around chapters Special techniques for clearing writer's block Plus: examples from Sue Grafton, Dashiell Hammett, Patricia Cornwell, Thomas Harris, Raymond Chandler, and more.

Told in their separate voices, sixteen-year-old Prince Oliver, who wants to break free of his fairy-tale existence, and fifteen-year-old Delilah, a loner obsessed with Prince Oliver and the book in which he exists, work together to seek his freedom.

“I adored stepping into to the world of the Prines through tough-as-rawhide Mary Pearl. Light Changes Everything is a novel as gritty and authentic as the women of the Arizona Territory. Nancy E. Turner brings the west and its people fully to life.” –Lisa Wingate, #1 New York Times bestselling author of Before We Were Yours Bestselling author Nancy E. Turner returns to the world of Sarah Agnes Prine through the wide-eyes of her irrepressible young niece, Mary Pearl. It’s the summer of 1907 and the sun is scorching down on Mary Pearl in the Arizona Territory. Mary Pearl and her sister Esther take their minds off the heat by sneaking banned Jane Austen novels from Aunt Sarah Elliot’s lively bookshelf. Whispered read alouds preoccupy their nights, and reveries of getting hitched to their own Mr. Darcy à la Pride and Prejudice swirl through their day dreams. In walks old-fashioned old-money suitor Aubrey Hanna, here to whisk seventeen year old Mary Pearl off her feet with a forbidden kiss and hasty engagement. With the promise of high society outings and a rich estate, Aubrey’s lustful courtship quickly creates petty tension among the three generations of Prine women. As autumn approaches all too quickly, Mary Pearl’s Wheaton College acceptance counters quick marriage preparations. Days of travel by horse and by train carry her deep into a sophisticated new world of Northern girls’ schooling. Seeking friendship but finding foes, Mary Pearl not only learns how to write, read, and draw, but also how to act, dress, and be a woman. Light Changes Everything is the story of a resilient young feminist a century ahead of her time. Full of gumption and spirit, Mary Pearl’s evocative coming of age tale is destined to be the next American classic.

The beloved New York Times bestselling author reflects on home, family, friendships and writing in this deeply personal collection of essays. "The elegance of Patchett’s prose is seductive and inviting: with Patchett as a guide, readers will really get to grips with the power of struggles, failures, and triumphs alike." —Publisher's Weekly “Any story that starts will also end.” As a writer, Ann Patchett knows what the outcome of her fiction will be. Life, however, often takes turns we do not see coming. Patchett ponders this truth in these wise essays that afford a fresh and intimate look into her mind and heart. At the center of These Precious Days is the title essay, a surprising and moving meditation on an unexpected friendship that explores “what it means to be seen, to find someone with whom you can be your best and most complete self.” When Patchett chose an early galley of actor and producer Tom Hanks’ short story collection to read one night before bed, she had no idea that this single choice would be life changing. It would introduce her to a remarkable woman—Tom’s brilliant assistant Sooki—with whom she would form a profound bond that held monumental consequences for them both. A literary alchemist, Patchett plumbs the depths of her experiences to create gold: engaging and moving pieces that are both self-portrait and landscape, each vibrant with emotion and rich in insight. Turning her writer’s eye on her own experiences, she transforms the private into the universal, providing us all a way to look at our own worlds anew, and reminds how fleeting and enigmatic life can be. From the enchantments of Kate DiCamillo’s children’s books (author of The Beatryce Prophecy) to youthful memories of Paris; the cherished life gifts given by her three fathers to the unexpected influence of Charles Schultz’s Snoopy; the expansive vision of Eudora Welty to the importance of knitting, Patchett connects life and art as she illuminates what matters most. Infused with the author’s grace, wit, and warmth, the pieces in These Precious Days resonate deep in the soul, leaving an indelible mark—and demonstrate why Ann Patchett is one of the most celebrated writers of our time.

‘What a story!!! I loved it all .... The characters, the settings, I felt like I was just there seeing it all take place. Wonderful!’ Reader review ⭐⭐⭐⭐⭐

“A lush mystery-within-a-coming-of-age-tale-within-a-Southern-Gothic.” —NPR Books “A richly textured portrait of small-town dysfunction and murder . . . Secrets abound, imaginations run wild.” —The Atlanta Journal-Constitution Welcome to Spencerville, Virginia, 1977. Eight-year-old Rocky worships his older brother, Paul. Sixteen and full of rebel cool, Paul spends his days cruising in his Chevy Nova blasting Neil Young, cigarette dangling from his lips, arm slung around his beautiful, troubled girlfriend. Paul is happy to have his younger brother as his sidekick. Then one day, in an act of vengeance against their father, Paul picks up Rocky from school and nearly abandons him in the woods. Afterward, Paul disappears. Seven years later, Rocky is a teenager himself. He hasn’t forgotten being abandoned by his boyhood hero, but he’s getting over it, with the help of the wealthy neighbors’ daughter, ten years his senior, who has taken him as her lover. Unbeknownst to both of them, their affair will set in motion a course of events that rains catastrophe on both their families. After a mysterious double murder brings terror and suspicion to their small town, Rocky and his family must reckon with the past and find out how much forgiveness their hearts can hold.

From the best-selling author of The Wind-Up Bird Chronicle and After Dark, a rich and revelatory memoir about writing and running, and the integral impact both have made on his life. In 1982, having sold his jazz bar to devote himself to writing, Haruki Murakami began running to keep fit. A year later, he’d completed a solo course from Athens to Marathon, and now, after dozens of such races, not to mention triathlons and a slew of critically acclaimed books, he reflects upon the influence the sport has had on his life and—even more important—on his writing. Equal parts training log, travelogue, and reminiscence, this revealing memoir covers his four-month preparation for the 2005 New York City Marathon and includes settings ranging from Tokyo’s Jingu Gaien gardens, where he once shared the course with an Olympian, to the Charles River in Boston among young women who outpace him. Through this marvellous lens of sport emerges a cornucopia of memories and insights: the eureka moment when he decided to become a writer, his greatest triumphs and disappointments, his passion for vintage LPs and the experience, after the age of fifty, of seeing his race times improve and then fall back. By turns funny and sobering, playful and philosophical, What I Talk About When I Talk About Running is both for fans of this masterful yet guardedly private writer and for the exploding population of athletes who find similar satisfaction in distance running.