"Four unforgettable characters are tested during a war between Rome and Etruscan Veii. Caecilia has long been torn between her birthplace of Rome and her adopted city of Veii. Yet faced with mounting danger to her husband, children, and Etruscan freedoms, will her call to destroy Rome succeed? Pinna has clawed her way from prostitute to the concubine of the Roman general Camillus. Deeply in love, can she exert her own power to survive the threat of exposure by those who know her sordid past? Semni, a servant, seeks forgiveness for a past betrayal. Will she redeem herself so she can marry the man she loves? Marcus, a Roman tribune, is tormented by unrequited love for another soldier. Can he find strength to choose between his cousin Caecilia and his fidelity to Rome? Who will overcome the treachery of mortals and gods?"--

A collection of bite-size stories of varying styles all based in the world of ancient Rome. 12 tales of the ancient world, plus a bonus tale to finish.

One of History’s Most Sacred Treasures. . . An Age-Old Secret Conspiracy. . . Now the Truth Is Revealed. . . . Marco Valoni, chief of Italy’s Art Crimes Department, is convinced that a fire in the Cathedral of Turin that leaves a strangely mutilated, unidentifiable body on the scene was no accident. It is only the last in a long line of mishaps, going back over a hundred years, that have occurred in the church – which happens to be home to what millions of the faithful believe is that authentic burial shroud of Jesus Christ. Valoni and his crack team of specialists embark on an investigation that soon leads them into dangerous territory, territory controlled by some of the most powerful men in the world. Not only do they discover evidence of a secret Christian sect that traces its priests to the very disciples of Jesus himself, but also that the Knights Templar – supposedly destroyed forever when Philip the Fair of France watched their last Grand Master, Jacques de Molay, burn at the stake in 1314 – may not have disappeared at all, and may indeed be very much alive and active in the 21st century. Julia Navarro skillfully weaves the Italians’ thrilling present-day investigation with the spine-tingling history of the Holy Shroud itself, and with a chilling tale of ancient rivals, equally devoted to the relic, and equally willing to sacrifice anything – perhaps even their immortal souls–to possess it. From communities of the Middle East founded by Jesus himself, to medieval Byzantium, to the highest councils of the Vatican and the boardrooms that run the world today, The Brotherhood of the Holy Shroud is a provocative page-turner of the highest order – one that will challenge you to believe. "The screams of the tortured men echoed within the thick walls of the dungeons. How many days had passed since they were arrested? The Templars had lost count. . . . A man, his face concealed by a hood, watched the suffering of the knights from the shadows, these knights who had once wielded their swords and risked their very lives to defend the Cross. Reveling in their torment, sick with avarice and cruelty, Philippe signaled the torturers to go on…. Broken and bloodied, Jacques de Molay could hardly see, but he sensed who it was beneath the hood. A smile came to the Grand Master’s lips when the king demanded that he confess where he had hidden the holy shroud of Jesus. At last Philippe saw that it was futile to continue. De Molay would not yield…. Fire began to burn the Templars’ ravaged flesh. Jacques de Molay’s eyes remained fixed on Philippe, and before him and the people of Paris the Grand Master proclaimed his innocence and called down divine justice on the king of France and Pope Clement, summoning them to stand with him before the judgment of God within the year. A shiver ran down Philippe’s spine as de Molay’s words rang out. No, God could not be on the side of these Templars, these heretics. He, Philippe, king of France, was obeying the laws of the Church. But was he obeying the laws of God?" —From The Brotherhood of the Holy Shroud

A detailed, finely researched and profusely illustrated history of clothing and fashion in the Roman Empire.

Conspirata is “a portrait of ancient politics as a blood sport,” raves The New York Times. As he did with Imperium, Robert Harris again turns Roman history into a gripping thriller as Cicero faces a new power struggle in a world filled with treachery, violence, and vengeance. On the eve of Cicero’s inauguration as consul of Rome, a grisly discovery sends fear rippling through a city already racked by unrest. A young slave boy has been felled by a hammer, his throat slit and his organs removed, apparently as a human sacrifice. For Cicero, the ill omens of this hideous murder only increase his dangerous situation: elected leader by the people but despised by the heads of the two rival political camps. Caught in a shell game that leaves him forever putting out fires only to have them ignite elsewhere, Cicero plays for the future of the republic…and his life. There is a plot to assassinate him, abetted by a rising young star of the Roman senate named Gaius Julius Caesar—and it will take all the embattled consul’s wit, strength, and force of will to stop the plot and keep Rome from becoming a dictatorship.

Centuries have passed and secularism seems to have a stronghold on our world view, but the Vatican still rules the practices and doctrines of more than a third of the earth`s people with arguably the same iron fist it always has. After all this time, the all-powerful Vatican remains a complete mystery to all those outside its walls. Until now. A small group of Vatican prelates felt they could not participate in the code of silence that has allowed corruption and hypocrisy to flourish within the seat of power of one of the world`s biggest, most influential religions. This group, which has referred to itself as the Millenarians, has preferred anonymity for fear of repercussions from the publication of this book. One of the group, Luigi Marinelli, was compelled to step forward, and his livelihood and life have been threatened in the balance. "The book was an act of love for the Church," Marinelli has been quoted as saying. He and his fellow Millenarians strongly believe that the Church they love cannot survive if the ruling powers are mired in bureaucracy, rampant careerism, corruption and lack of accountability. The anecdotal evidence they provide is shocking, at the very least.

A profound and controversial investigation of a complex theme - the war that led to the fall of Jerusalem and the creation of the Christian religion. The religious and political battle between the people of Judea and the Jewish and Roman aristocracies is presented in an unconventional narrative, which investigates ancient evidence, quotes from the work of respected authorities on the subject, and states controversial opinions openly. Its main conclusion is that the New Testament (the new law) was created by a powerful senatorial family called the Calpurnius Pisos, who had the full support of their relatives, the Herodian royal family (the family of ‘Herod the Great’), and the Flavian emperors, with the Piso family hiding their name within the Koine Greek scriptures. The result is a book that is both provocative and compelling. Using valuable feedback from Cambridge and Oxford University professors, Henry Davis explains why the supposed Jewish Historian, Flavius Josephus, never existed, how the Book of Revelation presents the name of the Piso family member who oversaw the creation of the Christian scripture, and the reason the number 666 was changed to 616. Davis also explains the facts behind the personal and political reasons that led to the Roman and Jewish royal families creating a new religion, and how the Piso family used the literary techniques of the aristocracy to insert their names into the scriptures. '... I found his selection of evidence to be both interesting and compelling...' Creating Christianity: A Weapon Of Ancient Rome is a thoughtful work of historical non-fiction by author Henry Davis. Anyone with a knowledge of the history of the Roman Empire knows that its conversion from a pagan belief system to widespread Christianity was a significant political and military move for the Empire as much as it was a religious decision, and this book focuses on the specific details and clues as to how that really came about. Davis searches for the real identity of the Christian Messiah and argues for a potentially Roman author of the modern NewTestament, one who had a view to creating a new religion for his own reasons as much as those of Rome. - Readers’ Favorite ★★★★★

Drawing from a rich corpus of art works, including sarcophagi, tomb paintings, and floor mosaics, Patrick R. Crowley investigates how something as insubstantial as a ghost could be made visible through the material grit of stone and paint. In this fresh and wide-ranging study, he uses the figure of the ghost to offer a new understanding of the status of the image in Roman art and visual culture. Tracing the shifting practices and debates in antiquity about the nature of vision and representation, Crowley shows how images of ghosts make visible structures of beholding and strategies of depiction. Yet the figure of the ghost simultaneously contributes to a broader conceptual history that accounts for how modalities of belief emerged and developed in antiquity. Neither illustrations of ancient beliefs in ghosts nor depictions of afterlife, these images show us something about the visual event of seeing itself. The Phantom Image offers essential insight into ancient art, visual culture, and the history of the image.