What if you woke up to discover everyone thought you were somebody else? Pregnant and abandoned, all Helen Georgesson has is five dollars and a one-way ticket to San Francisco. Then she is involved in a train crash, and regains consciousness only to discover that she has given birth - and, in a bizarre twist of fate, has been mistaken for somebody else. Helen decides to claim this opportunity to make a new life for herself and her son. But eventually her past will catch up with her, in terrible ways...

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.

Revised Edition Divorce and children, sexuality and well-being, perversions and affairs, sacrifice and individuation-these are only some of the emotional and psychological issues that Adolf Guggenbuhl-Craig examines with his customary vigor and deceptively easy prose style. This brilliant Swiss psychiatrist (famous for his book Power in the Helping Professions and his expertise on psychopathy) examines marriage against the background of individuals and their search for soul, thereby questioning and radicalizing our controversial notions of what constitutes a "happy marriage," or even if happiness in a marriage is necessary to be successful.

THE FINAL NOVEL IN THE #1 NEW YORK TIMES BESTSELLING SOOKIE STACKHOUSE SERIES—the inspiration for the HBO® original series True Blood. When a shocking murder rocks the small town of Bon Temps, Louisiana, psychic cocktail waitress Sookie Stackhouse learns that she has more than one enemy waiting to get vengeance for the past. Beacuse nothing is ever clear-cut in Bon Temps. What passes for truth is only a convenient lie. What passes for justice is more spilled blood. And what passes for love is never enough...

A mysterious death in respectable society: a brilliant historical true crime story In 1849, a woman called Ellen Langley died in Nenagh, Co. Tipperary. She was the wife of a prosperous local doctor. So why was she buried in a pauper's coffin? Why had she been confined to the grim attic of the house she shared with her husband, and then exiled to a rented dwelling-room in an impoverished part of the famine-ravaged town? And why was her husband charged with murder? Following every twist and turn of the inquest into Ellen Langley's death and the trial of her husband, The Doctor's Wife is Dead tells the story of an unhappy marriage, of a man's confidence that he could get away with abusing his wife, and of the brave efforts of a number of ordinary citizens to hold him to account. Andrew Tierney has produced a tour de force of narrative nonfiction that shines a light on the double standards of Victorian law and morality and illuminates the weave of money, sex, ambition and respectability that defined the possibilities and limitations of married life. It is a gripping portrait of a marriage, a society and a shocking legal drama. 'An astonishing book ... a vivid chronicle of the unspeakable cruelty perpetrated by a husband on his spouse at a time when, in law, a wife was a man's chattel' Damian Corless, Irish Independent 'Opens in gripping style and rarely falters ... fascinating and well researched' Mary Carr, Irish Mail on Sunday (5 stars) 'Truly illuminating ... Tierney's exploration of the case's influence on Irish and English lawmaking and literature is particularly intriguing, drawing comparisons with Kate Summerscale's similar work in The Suspicions of Mr Whicher' Jessica Traynor, Sunday Times 'Riveting ... meticulously researched and deftly told' Irish Examiner 'A nonfiction work with the pulse of a courtroom drama ... Tierney's book is a moving account of Ellen Langley's squalid last days, but it's also a study of Famine-era Irish society. Men dominate, be they grimly professional gents in tall hats and grey waistcoats or feckless scoundrels using women as chattel' Peter Murphy, Irish Times 'A dark tale of spousal abuse, illicit sex and uncertain justice, set against a backdrop of poverty and privilege, marital inequality and the deep religious divide between Catholics and Protestants. Tierney is an archaeologist, and his skill in unearthing the past is on display as he digs deep into the historical record of a murder case so shocking and controversial that it was debated in parliament. ... Tierney writes with passion ... and deftly weaves a plot that's filled with surprising twists and turns' History Ireland

NEW YORK TIMES BESTSELLER • A finger in a wedding cake is only the beginning in this deliciously shocking mystery featuring Flavia de Luce, “the world’s greatest adolescent British chemist/busybody/sleuth” (The Seattle Times). Although it is autumn in the small English town of Bishop’s Lacey, the chapel is decked with exotic flowers. Yes, Flavia de Luce’s sister Ophelia is at last getting hitched, like a mule to a wagon. “A church is a wonderful place for a wedding,” muses Flavia, “surrounded as it is by the legions of the dead, whose listening bones bear silent witness to every promise made at the altar.” Flavia is not your normal twelve-year-old girl. An expert in the chemical nature of poisons, she has solved many mysteries, sharpening her considerable detection skills to the point where she had little choice but to turn professional. So Flavia and dependable Dogger, estate gardener and sounding board extraordinaire, set up shop at the once-grand mansion of Buckshaw, eager to serve—not so simple an endeavor with her odious little moon-faced cousin, Undine, constantly underfoot. But Flavia and Dogger persevere. Little does she know that their first case will be extremely close to home, beginning with an unwelcome discovery in Ophelia’s wedding cake: a human finger. Praise for The Golden Tresses of the Dead “Delightful . . . The mysteries in Mr. Bradley’s books are engaging, but the real lure is Ms. de Luce, the irreverent youngster.”—The Wall Street Journal “A ghoulish question is at the heart of Bradley’s excellent tenth Flavia de Luce novel. . . . Bradley, who has few peers at combining fair-play clueing with humor and has fun mocking genre conventions, shows no sign of running out of ideas.”—Publishers Weekly (starred review)

What Does Dead Mean? is a beautifully illustrated book that guides children gently through 17 of the 'big' questions they often ask about death and dying. Questions such as 'Is being dead like sleeping?', 'Why do people have to die?' and 'Where do dead people go?' are answered simply, truthfully and clearly to help adults explain to children what happens when someone dies. Prompts encourage children to explore the concepts by talking about, drawing or painting what they think or feel about the questions and answers. Suitable for children aged 4+, this is an ideal book for parents and carers to read with their children, as well as teachers, therapists and counsellors working with young children.

Winner of the 2021 National Jewish Book Award for Con­tem­po­rary Jew­ish Life and Prac­tice Finalist for the 2021 Kirkus Prize in Nonfiction A New York Times Notable Book of the Year A Wall Street Journal, Chicago Public Library, Publishers Weekly, and Kirkus Reviews Best Book of the Year A startling and profound exploration of how Jewish history is exploited to comfort the living. Renowned and beloved as a prizewinning novelist, Dara Horn has also been publishing penetrating essays since she was a teenager. Often asked by major publications to write on subjects related to Jewish culture—and increasingly in response to a recent wave of deadly antisemitic attacks—Horn was troubled to realize what all of these assignments had in common: she was being asked to write about dead Jews, never about living ones. In these essays, Horn reflects on subjects as far-flung as the international veneration of Anne Frank, the mythology that Jewish family names were changed at Ellis Island, the blockbuster traveling exhibition Auschwitz, the marketing of the Jewish history of Harbin, China, and the little-known life of the "righteous Gentile" Varian Fry. Throughout, she challenges us to confront the reasons why there might be so much fascination with Jewish deaths, and so little respect for Jewish lives unfolding in the present. Horn draws upon her travels, her research, and also her own family life—trying to explain Shakespeare’s Shylock to a curious ten-year-old, her anger when swastikas are drawn on desks in her children’s school, the profound perspective offered by traditional religious practice and study—to assert the vitality, complexity, and depth of Jewish life against an antisemitism that, far from being disarmed by the mantra of "Never forget," is on the rise. As Horn explores the (not so) shocking attacks on the American Jewish community in recent years, she reveals the subtler dehumanization built into the public piety that surrounds the Jewish past—making the radical argument that the benign reverence we give to past horrors is itself a profound affront to human dignity. Now including a reading group guide.