In 1930s England, an encounter on a train leads to an illicit affair, in this novel of “spare, poetic prose” by the author of Invitation to the Waltz (Joyce Carol Oates). Just ten years ago, Olivia Curtis attended her first dance. Now she is divorced and living with her cousin in London. When she gets a call notifying her that her father is gravely ill, she makes preparations to return to Tulverton, in the English countryside—and on the railway journey home, she runs into Rollo Spencer, her girlhood crush. He and Olivia once shared a fleeting, magical moment on a moonlit terrace that she has never forgotten. Now, fate has thrown them together again, and in spite of the fact that Rollo is married, they embark on a clandestine affair. The Weather in the Streets charts the tempestuous course of Olivia and Rollo’s forbidden relationship, from the first throes of passion through the toll of their deception on Olivia as she confronts the harsh reality of being the other woman. A novel ahead of its time that touched on a variety of taboo subjects, it is an enduring classic by an author who “has always written brilliantly of women in love” (Margaret Drabble).

Ten years separate these two poignant novels featuring the same young woman, by the New York Times–bestselling “novelist in the grand tradition” (Anita Brookner). British novelist Rosamond Lehmann “has always written brilliantly of women in love” (Margaret Drabble). In her pair of novels featuring Olivia Curtis—a shy, romantic, and hopeful seventeen-year-old looking forward to her first dance, and later, a sadder young woman in her twenties who still longs to capture lost passion—Lehmann creates “a completely compelling intimacy” that lingers long after the stories are over (Hermione Lee, The Guardian). Invitation to the Waltz: Seventeen-year-old Olivia Curtis has been invited to her first dance. She is thrilled and terrified. In her diary, she confides her hopes, doubts, and fears—about her pretty, confident older sister, Kate; her precocious baby brother, James; her eccentric country neighbors; and of course, the upcoming party, which she is sure will be the crowning event of her life. Divided into three parts—Olivia’s birthday, the day leading up to the dance, and the event itself—Invitation to the Waltz beautifully captures the conflicting emotions of a teenager on the threshold of womanhood. “Utterly charming and so desperately true that it almost hurts.” —The New York Times The Weather in the Streets: Ten years older with a failed marriage behind her, Olivia runs into Rollo Spencer, her girlhood crush from the ball, on a train, and is swept up in a heated but clandestine affair, since Rollo is married. Lehmann’s “honest” and “powerful” novel charts the tempestuous course of Olivia and Rollo’s forbidden relationship, from the first throes of passion through the toll of their deception on Olivia as she confronts the harsh reality of being the other woman (Kirkus Reviews). “A vividly realized, painfully convincing story of a love affair, written in Lehmann’s characteristic spare, poetic prose.” —Joyce Carol Oates

Learn to “see” the forecast in the hidden weather signs all around you—from the New York Times–bestselling author of How to Read a Tree and The Lost Art of Reading Nature’s Signs In The Secret World of Weather, bestselling author Tristan Gooley turns his gaze up to the sky, bringing his signature brand of close observation and eye-opening deduction to the fascinating world of weather. Every cloud, every change in temperature, every raindrop, every sunbeam, every breeze reveals something about our weather—if you know what to look for. Before you know it, you’ll be able to forecast impending storms, sunny days, and everything in between, all without needing to consult your smartphone. But The Secret World of Weather goes far beyond mere weather prediction, changing the very way we think about weather itself. Weather is not something that blankets an area; rather, it changes constantly as you walk through woods or turn down a street. The weather is never identical on two sides of a tree—or even beneath it. Take, for example, Gooley’s remarkable discovery that breezes accelerate beneath a tree. To Gooley, this is “weather,” a tiny microclimate that explains why people sit beneath a tree to cool down—not only for the shade but, subconsciously, for cooler breeze. And so Gooley shows us not only what the weather will be like five days from now, but also what to expect about the weather around every corner. By carefully observing the subtle interplay of wind, cloud, fog, temperature, rain and many other phenomena, we not only form a deeper understanding of weather patterns, but also unlock secrets about our environment. Weather forms our landscape, and landscape forms our weather. Everything we see in the sky reflects where we are. When we learn to read weather’s signs, Gooley shows us, the weather becomes our map, revealing to us how it has made our towns, cities, woods, and hills what they are. You’ll never see your surroundings the same way again.

A “gripping” behind-the-scenes look at New York’s sanitation workers by an anthropologist who joined the force (Robert Sullivan, author of Rats). America’s largest city generates garbage in torrents—11,000 tons from households each day on average. But New Yorkers don’t give it much attention. They leave their trash on the curb or drop it in a litter basket, and promptly forget about it. And why not? On a schedule so regular you could almost set your watch by it, someone always comes to take it away. But who, exactly, is that someone? And why is he—or she—so unknown? In Picking Up, the anthropologist Robin Nagle introduces us to the men and women of New York City’s Department of Sanitation and makes clear why this small army of uniformed workers is the most important labor force on the streets. Seeking to understand every aspect of the Department’s mission, Nagle accompanied crews on their routes, questioned supervisors and commissioners, and listened to story after story about blizzards, hazardous wastes, and the insults of everyday New Yorkers. But the more time she spent with the DSNY, the more Nagle realized that observing wasn’t quite enough—so she joined the force herself. Driving the hulking trucks, she obtained an insider’s perspective on the complex kinships, arcane rules, and obscure lingo unique to the realm of sanitation workers. Nagle chronicles New York City’s four-hundred-year struggle with trash, and traces the city’s waste-management efforts from a time when filth overwhelmed the streets to the far more rigorous practices of today, when the Big Apple is as clean as it’s ever been. “An intimate look at the mostly male work force as they risk injury and endure insult while doing the city’s dirty work [and] a fascinating capsule history of the department.” —Publishers Weekly “[Nagle’s] passion for the subject really comes to life.” —The New York Times “Evokes the physical and psychological toll of this dangerous, filthy, necessary work.” —Nature “Nagle joins the likes of Jane Jacobs and Jacob Riis, writers with the chutzpah to dig deep into the Rube Goldberg machine we call the Big Apple and emerge with a lyrical, clear-eyed look at how it works.” — Mother Jones

Two sisters fall for the same man in this New York Times–bestselling novel of WWII-era England by an “immensely readable” author (Elizabeth Jane Howard). Rickie Masters is married to Madeleine, who is sitting out the war in the country with their children. Their domestic serenity is shattered when Rickie falls in love with Madeleine’s sister, Dinah, and they begin a clandestine, guilt-ridden affair. When Madeleine discovers their infidelity, accusations are hurled and hard choices are made. Then, a year before the war officially ends, tragedy strikes, and it is only after an estrangement of fifteen years that Madeleine and Dinah will begin to struggle toward some kind of reconciliation. Shifting between the three characters’ viewpoints, and shuttling seamlessly between past and present, The Echoing Grove is a story of life: messy, unpredictable, and unstoppable. It is about family, the things that hold us accountable, the events that lead to life-altering decisions, and the emotions that make us human. And above all it is about love: romantic love, married love, familial love, and illicit love. The heart wants what it wants, regardless of the cost.

From the crashing boom of a thunderstorm to a gentle breeze on a sunny afternoon, the weather has a way of fascinating us every day. Nothing captures the magic of weather better than poetry. Young meteorologists and poets alike will love this collection of poems that capture the natural phenomena of weather. Even reluctant readers will be intrigued by the gorgeous illustrations that accompany the poems and enrich the text. Fun and accessible, this carefully selected collection is the perfect introduction to poetry, making this book an excellent tool for any language arts curriculum.

A New York Times Book Review Editor’s Choice, Travels with Lizbeth: Three Years on the Road and on the Streets is Lars Eighner’s account of his descent into homelessness and his adventures on the streets that has moved, charmed, and amused generations of readers. Selected by the New York Times as one of the 50 Best Memoirs of the Past 50 Years “When I began writing this account I was living under a shower curtain in a stand of bamboo in a public park. I did not undertake to write about homelessness, but wrote what I knew, as an artist paints a still life, not because he is especially fond of fruit, but because the subject is readily at hand.” Containing the widely anthologized essay “On Dumpster Diving,” Travels with Lizbeth is a beautifully written account of one man’s experience of homelessness, a story of physical survival, and the triumph of the artistic spirit in the face of enormous adversity. In his unique voice—dry, disciplined, poignant, comic—Eighner celebrates the companionship of his dog, Lizbeth, and recounts their ongoing struggle to survive on the streets of Austin, Texas, and hitchhiking along the highways to Southern California and back. “Lars Eighner is the Thoreau of the Dumpsters. Comparisons to Defoe’s Robinson Crusoe and Hamsun’s Hunger leap to mind. A classic of down-and-out literature.”—Phillip Lopate, author of Bachelorhood: Tales of the Metropolis “Eighner’s memoir contains the finest first-person writing we have about the experience of being homeless in America. Yet it’s not a dirge or a Bukowski-like scratching of the groin but an offbeat and plaintive hymn to life. It’s the sort of book that releases the emergency brake on your soul...A literate and exceedingly humane document.”—The New York Times

WITH A NEW INTRODUCTION FROM NEW YORK TIMES BEST-SELLING AUTHOR TAYARI JONES “How can a novel’s social criticism be so unflinching and clear, yet its plot moves like a house on fire? I am tempted to describe Petry as a magician for the many ways that The Street amazes, but this description cheapens her talent . . . Petry is a gifted artist.” — Tayari Jones, from the Introduction The Street follows the spirited Lutie Johnson, a newly single mother whose efforts to claim a share of the American Dream for herself and her young son meet frustration at every turn in 1940s Harlem. Opening a fresh perspective on the realities and challenges of black, female, working-class life, The Street became the first novel by an African American woman to sell more than a million copies.

“This is a sensory history and a sensual story told from street level . . . a clear and powerful account of the transformation of street life in Europe.” —Leora Auslander, author of Taste and Power Merchants’ shouts, jostling strangers, aromas of fresh fish and flowers, plodding horses, and friendly chatter long filled the narrow, crowded streets of the European city. As they developed over many centuries, these spaces of commerce, communion, and commuting framed daily life. At its heyday in the 1800s, the European street was the place where social worlds connected and collided. Brian Ladd recounts a rich social and cultural history of the European city street, tracing its transformation from a lively scene of trade and crowds into a thoroughfare for high-speed transportation. Looking closely at four major cities—London, Paris, Berlin, and Vienna—Ladd uncovers both the joys and the struggles of a past world. The story takes us up to the twentieth century, when the life of the street was transformed as wealthier citizens withdrew from the crowds to seek refuge in suburbs and automobiles. As demographics and technologies changed, so did the structure of cities and the design of streets, significantly shifting our relationships to them. In today’s world of high-speed transportation and impersonal marketplaces, Ladd leads us to consider how we might draw on our history to once again build streets that encourage us to linger. By unearthing the vivid descriptions recorded by amused and outraged contemporaries, Ladd reveals the changing nature of city life, showing why streets matter and how they can contribute to public life. “[A] dazzlingly kaleidoscopic overview of city life, city living, and city dying.” —Judith Flanders, author of The Invention of Murder

Bringing Up Bébé meets Last Child in the Woods in this “fascinating exploration of the importance of the outdoors to childhood development” (Kirkus Reviews) from a Swedish-American mother who sets out to discover if the nature-centric parenting philosophy of her native Scandinavia holds the key to healthier, happier lives for her American children. Could the Scandinavian philosophy of “There’s no such thing as bad weather, only bad clothes” hold the key to happier, healthier lives for American children? When Swedish-born Linda Åkeson McGurk moved to Indiana, she quickly learned that the nature-centric parenting philosophies of her native Scandinavia were not the norm. In Sweden, children play outdoors year-round, regardless of the weather, and letting babies nap outside in freezing temperatures is common and recommended by physicians. Preschoolers spend their days climbing trees, catching frogs, and learning to compost, and environmental education is a key part of the public-school curriculum. In the US, McGurk found the playgrounds deserted, and preschoolers were getting drilled on academics with little time for free play in nature. And when a swimming outing at a nearby creek ended with a fine from a park officer, McGurk realized that the parenting philosophies of her native country and her adopted homeland were worlds apart. Struggling to decide what was best for her family, McGurk embarked on a six-month journey to Sweden with her two daughters to see how their lives would change in a place where spending time in nature is considered essential to a good childhood. Insightful and lively, There’s No Such Thing as Bad Weather is a fascinating personal narrative that illustrates how Scandinavian culture could hold the key to raising healthy, resilient, and confident children in America.