Naranjo presents a comprehensive panorama of the classical forms of meditation along with a theoretical and interdisciplinary account of the domain.

Across the world anxiety, stress and depression are on the increase, a trend which looks set to continue as austerity measures bite. The official response tells people that unhappiness is just a personal problem, rather than a social one. This book offers a concise, accessible and critical overview of the world of psychological practice in Britain and the USA. Paul Moloney argues that much therapy is geared towards compliance and acceptance of the status quo, rather than attempting to facilitate social change. This book fundamentally challenges our conceptions of happiness and wellbeing. Moloney argues that therapeutic and applied psychology have little basis in science, that their benefits are highly exaggerated and they prosper because they serve the interests of power.

This book is the first comprehensive treatment in recent decades of silence and silencing in psychoanalysis from clinical and research perspectives, as well as in philosophy, theology, linguistics, and musicology. The book approaches silence and silencing on three levels. First, it provides context for psychoanalytic approaches to silence through chapters about silence in phenomenology, theology, linguistics, musicology, and contemporary Western society. Its central part is devoted to the position of silence in psychoanalysis: its types and possible meanings (a form of resistance, in countertransference, the foundation for listening and further growth), based on both the work of the pioneers of psychoanalysis and on clinical case presentations. Finally, the book includes reports of conversation analytic research of silence in psychotherapeutic sessions and everyday communication. Not only are original techniques reported here for the first time, but research and clinical approaches fit together in significant ways. This book will be of interest to all psychologists, psychoanalysts, and social scientists, as well as applied researchers, program designers and evaluators, educators, leaders, and students. It will also provide valuable insight to anyone interested in the social practices of silence and silencing, and the roles these play in everyday social interactions.

Liza Long, the author of “I Am Adam Lanza’s Mother"—as seen in the documentaries American Tragedy and HBO®'s A Dangerous Son—speaks out about mental illness. Like most of the nation, Liza Long spent December 14, 2012, mourning the victims of the Newtown shooting. As the mother of a child with a mental illness, however, she also wondered: “What if my son does that someday?” The emotional response she posted on her blog went viral, putting Long at the center of a passionate controversy. Now, she takes the next step. Powerful and shocking, The Price of Silence looks at how society stigmatizes mental illness—including in children—and the devastating societal cost. In the wake of repeated acts of mass violence, Long points the way forward.

As a kid growing up in Queens, Mike Feder identified with Scheherazade of The Thousand and One Nights: "The idea of someone having to tell a new tale every night to prevent their head getting chopped off seemed sadly familiar to me." Back then, the author's audience was his mentally ill mother, who used to stay in the house all day with the shades drawn, and then insist that her son tell her stories so that she might vicariously experience the world outside. Eventually she committed suicide, and Feder grew up to be a relentless, comic storyteller on the radio. The Talking Cure tells the story of his ridiculous jobs, first failed marriage, the string of psychiatrists, and the misery of reluctant fatherhood; throughout he maintains a kind of bizarre balancing act--hilariousness and deep seriousness, conventionality and strangeness. An ironist and a comic, Feder looks unflinchingly at his own foibles and frailties, enabling him to connect to other people's stories. The reader emerges from this book with a sense of forgiveness for the human condition, and awe at the mystery of human life. Deeply funny, and at the same time breathtakingly dark, this is a book to provoke, amuse and, in some strange way, reassure: God loves a challenge.

In this book, an eminent psychoanalytic theoretician, clinician, educator, and researcher investigates the similarities and differences, and the evolving relationship between psychoanalysis and the dynamic psychotherapies. This book is the most systematic study of the theory and practice of psychoanalytic psychotherapy that I know, and at the same time a profound and original review of leading contemporary developments of controversies in the field of psychoanalysis at large.-Otto F. Kernberg, M.D. The author's depth of experience and intimate knowledge of both psychotherapy and psychoanalysis have led him to produce a brilliant and illuminating history of their interaction. It is a fascinating book to read and indispensable as a reference work-everyone in the field should possess and absorb this lucid and scholarly work.-Joseph Sandler, PH.D, M.D., Emeritus Professor of Psychoanalysis, University of London Wallerstein's book stands alongside Reuben Fine's The History of Psychoanalysis as a major contribution. For informed readers.-Library Journal Wallerstein presents a comprehensive, precise, scholarly, and well-documented historical review and study of the theory and practice of psychoanalysis and psychoanalytically oriented psychotherapy...The work includes a good review of leading contemporary developments, including attention to social constructivist paradigms, and recognizes that disputes are extant and far from being settled. An important and well-referenced book, it is the best systematic study of the theory and practice of psychoanalysis available.-Choice

This book constitutes a significant contribution to political discourse analysis and to the study of silence, both from the point of view of discourse analysis as well as pragmatics, and it is also relevant for those interested in politics and media studies. It promotes the empirical study of silence by analysing metadiscourse about politicians’ silence and by systematically conceptualising the communicativeness of silence in the interplay between intention (to be silent), expectation (of speech) and relevance (of the unsaid). Three cases of sustained metadiscourse about silent politicians from Germany are analysed to exemplify this approach, based on media texts and protocols of parliamentary inquiries. Ideals of political transparency and communicative openness are identified as a basis for (disappointed) expectations of speech which trigger and determine metadiscourse about politicians’ silences. Finally, the book deals critically with the role of those who act as advocates of ‘the public’s’ demand to speak out.

Scandalous Bodies is an impassioned scholarly study both of literature by diasporic writers and of the contexts within which it is produced. It explores topics ranging from the Canadian government’s multiculturalism policy to media representations of so-called minority groups, from the relationship between realist fiction and history to postmodern constructions of ethnicity, from the multicultural theory of the philosopher Charles Taylor to the cultural responsibilities of diasporic critics such as Kamboureli herself. Smaro Kamboureli proposes no neat or comforting solutions to the problems she addresses. Rather than adhere to a single method of reading or make her argument follow a systematic approach, she lets the texts and the socio-cultural contexts she examines give shape to her reading. In fact, methodological issues, and the need to revisit them, become a leitmotif in the book. Theoretically rigorous and historically situated, this study also engages with close reading—not the kind that views a text as a sovereign world, but one that opens the text in order to reveal the method of its making. Her practice of what she calls negative pedagogy—a self-reflexive method of learning and unlearning, of decoding the means through which knowledge is produced—allows her to avoid the pitfalls of constructing a narrative of progress. Her critique of Canadian multiculturalism as a policy that advocates what she calls “sedative politics” and of the epistemologies of ethnicity that have shaped, for example, the first wave of ethnic anthologies in Canada are the backdrop against which she examines the various discourses that inform the diasporic experience in Canada. Scandalous Bodies was first published in 2000 and received the Gabrielle Roy Prize for Canadian Criticism.

This book is written to accompany a BBC 2 TV series about the Tavistock Clinic, an NHS mental health institute which treats patients and trains professionals. The programmes of the series are about therapy — talking — as a way of dealing with difficulties that life can entail.