In the tradition of epic fantasy fiction comes a breathtaking adventure peopled by unforgettable characters - in a mythical world threatened by an unspeakable secret. The world is drying. Twelve-year-old Tad - who is only a few inches tall - doesn’t even notice it at first. Busy practicing with his new spear, arguing with his sister, Birdie, and living the normal life of a youngling of the Fisher Tribe, he thinks little of a stream slowed to a trickle here, a pond suddenly dwindling there. But Tad begins to have strange flashbacks - glimpses of the past that he knows can’t possibly be his own. With these "rememberings" haunting him, he and Birdie begin an adventure marked by great sorrows, fierce battles, and unbreakable friendships. In this remarkable rite of passage, Tad grows to know who he really is and what his destiny holds. For only he can restore the water and save the forests and animals and Tribes. Only he can retrieve the Waterstone.

Drawing up alternate ways to “make a living” beyond capitalism To live in this world is to be conditioned by capital. Once paired with Western democracy, unfettered capitalism has led to a shrinking economic system that squeezes out billions of people—creating a planet of surplus populations. Wageless Life is a manifesto for building a future beyond the toxic failures of late-stage capitalism. Daring to imagine new social relations, new modes of economic existence, and new collective worlds, the authors provide skills and tools for perceiving—and living in— a post-capitalist future. Forerunners: Ideas First Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead

A signature Jeffery Deaver. A cat and mouse chase that will leave you breathless.

Alex Rider does battle with a charity broker con artist who has invested millions of dollars in a form of genetically modified corn that can release an airborne strain of virus capable of knocking out an entire country in one day.

This “thought-provoking and . . . unabashedly entertaining . . . novel defies conventional expectations and exists, brilliantly and defiantly, on its own terms” (Sarah Lotz, New York Times Book Review). Lake Geneva, 1816. Nineteen-year-old Mary Shelley is inspired to write a story about a scientist who creates a new life-form. In Brexit Britain, a young transgender doctor called Ry is falling in love with Victor Stein, a celebrated professor leading the public debate around AI and carrying out some experiments of his own in a vast underground network of tunnels. Meanwhile, Ron Lord, just divorced and living with his mom again, is set to make his fortune launching a new generation of sex dolls. Across the Atlantic, in Phoenix, Arizona, a cryogenics facility houses dozens of bodies of men and women who are medically and legally dead . . . but waiting to return to life. Since her astonishing debut Oranges Are Not the Only Fruit, Jeanette Winterson has achieved worldwide acclaim as “one of the most daring and inventive writers of our time” (Elle). In Frankissstein, she shares an audacious love story that weaves together disparate lives into an exploration of transhumanism, artificial intelligence, and queer love. Longlisted for the Booker Prize

The New York Times-bestselling collection of poems from the award-winning writer Ocean Vuong "Take your time with these poems, and return to them often.” —The Washington Post How else do we return to ourselves but to fold The page so it points to the good part In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother’s death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with personal loss, the meaning of family, and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, Vuong’s poems circle fragmented lives to find both restoration as well as the epicenter of the break. The author of the critically acclaimed poetry collection Night Sky With Exit Wounds, winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize, and a 2019 MacArthur fellow, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we perennially live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging forth all at once.

Spring 1540 I am afraid. You are in grave danger. Mother, will you run away with me if I can free you? The servants call it the Lady Tower: the isolated part of the castle where Eleanor's mother is imprisoned after a terrible accusation. For four years Eleanor's only comfort has been their secret notes to one another. A chance discovery reveals a plot to murder her mother. Now Eleanor must free her before it is too late. But with danger and betrayal at every turn, she can trust no one. Especially not her father. Eleanor must use all her cunning to survive. For she soon realises that it is not just her mother she needs to save . . . but also herself.

'A breath-taking writer of singular voice' Patrick Flanery, author of Absolution 'I have seen ghosts. They will not rest. The whispers of the past are all around...' Sweeping from the bustling beaches of contemporary Lima to local ceviche bars crammed with fishermen, music and folklore; from the rise and fall of the Inca Empire to a civil war that will devastate a nation, The Dust Never Settles is a love letter to Peru. And running through it all, like the warm smell of orange blossom she remembers from her childhood, is Anaïs, who has returned to the country she loves after seven years abroad. Her beloved grandparents have passed away, and the time has come for her to sell the 'yellow house on the hill'. As Anaïs prepares to say a final goodbye, she is haunted by memories. Dark truths of previous generations are hidden behind these crumbling walls – secrets that threaten to overwhelm her...

___________________________________ 'A singular achievement.' Michael Donkor, Guardian 'Heartbreaking, important and original.' Christie Watson, author of THE LANGUAGE OF KINDNESS 'Derek Owusu's writing is honest, moving, delicate, but tough. Once you lock on to his words, it is hard to break eye contact. A beautiful meditation on childhood, coming of age, the now, and the media. This work is heartfelt.' Benjamin Zephaniah 'Honest and beautiful.' Guy Gunaratne, author of IN OUR MAD AND FURIOUS CITY 'When writing is this honest, it soars. What an incredible use of language and truth.' Yrsa Daley-Ward ___________________________________ Anansi, your four gifts raised to nyame granted you no power over the stories I tell... This is the story of K. K is sent into care before a year marks his birth. He grows up in fields and woods, and he is happy, he thinks. When K is eleven, the city reclaims him. He returns to an unknown mother and a part-time father, trading the fields for flats and a community that is alien to him. Slowly, he finds friends. Eventually, he finds love. He learns how to navigate the city. But as he grows, he begins to realise that he needs more than the city can provide. He is a man made of pieces. Pieces that are slowly breaking apart That Reminds Me is the story of one young man, from birth to adulthood, told in fragments of memory. It explores questions of identity, belonging, addiction, sexuality, violence, family and religion. It is a deeply moving and completely original work of literature from one of the brightest British writers of today.

In Old Scratch Wood on Dartmoor quarrelling cousins Matt and Tilda find a buried skull. From that moment black things begin to happen. Birds and animals turn bad and there are rumours of the return of an ancient curse known as the gabbleratchet. But what can Matt and Tilda do to stop it…? This chilling, nail-biting ghost story set in the wild landscape of Dartmoor thrillingly blends the supernatural with contemporary children’s voices.