In this thought-provoking collection, Sri Lankan immigrants grapple with events that challenge perspectives and alter lives. A volunteer faces memories of wartime violence when she meets a cantankerous old lady on a Meals on Wheels route. A lonely widow obsessed with an impending apocalypse meets an oddly inspiring man. A maidservant challenges class divisions when she becomes an American professor’s wife. An angry tenant fights suspicion when her landlord is burgled. Hardened inmates challenge a young jail psychiatrist’s competence. A father wonders whether to expose his young son’s bully at a basketball game. A student facing poverty courts a benefactor. And in the depths of an isolated Wyoming winter, a woman tries to resist a con artist. These and other tales explore the immigrant experience with a piercing authenticity.

Constantinople, 1919. Joshua Connor, an Australian farmer, arrives in Turkey to fulfil a pledge made on his wife's grave - to find the bodies of their three sons, lost in Gallipoli, and bring them home. In the enemy city Connor meets Orhan, a mischievous Turkish boy, and his mother Ayshe, who is struggling to keep her family hotel afloat and rebuild her life after the war. Connor can trace life-giving water under the earth, but finding his sons at Gallipoli seems impossible when faced with the gruesome landscape of sun-bleached bones and rotting uniforms. But a Turkish officer gives the broken father hope where there was none. - Connor's eldest son may be alive. As Connor risks his life travelling into the heart of Anatolia one question haunts him: If his son is alive why hasn't he come home? This novel tells the complete story of The Water Diviner and is based on the original screenplay by Andrew Anastasios and Andrew Knight. It is inspired by true events found within personal accounts and official records from the Great War.

"The alumni of an international boarding school have gathered at a campground in rural New Jersey when a scream breaks the silence of the woods. Classmates are shocked to find journalist Angie Osborne suddenly dead. The medical examiner's report isn't what anyone expects. Oddly, the death scene reminds anthropologist Duncan McCloud of a thovile, a Sri Lankan ritual he's spent years studying. When Duncan's new employer, a pharmaceutical giant, sends him overseas under shadowy pretenses, and his wife, Dr. Grace McCloud, starts to receive anonymous warnings to doubt everyone and everything, the threads of a sweeping conspiracy begin to unravel. Risking more than their own lives, Duncan and Grace embark on a treacherous journey through occult ceremonies and their own hidden pasts to discover a secret worth killing for"--Amazon.com.

At the heart of the stories in Everything Flirts are some of life's trickiest questions: Why is it so hard to make the first move on a date? How do we find the person we will love? If you finally find a person to love, how do you convince them to love you back? With a mixture of humor and reverence, Sharon Wahl hijacks classic works of philosophy and turns their focus to love. The sublime and the ridiculous come together to playfully examine why love just might be a topic too hard for philosophers to explain.

The characters in these stories have been forced into conditions of life that they find unbearable, and the stories chart their often tragically misguided attempts to relieve their suffering via connections with other people or through the pursuit of addictive attachments (to opiates in one story, to sleep in another). This collection encompasses diverse genres, from ecologically informed realism to a Kafkaesque fairy tale, from fabulist “weird fiction” to an episode from The Odyssey that becomes a meditation on what distinguishes human beings from animals. These stories invite the reader to reconsider moral and ideological certainties, to take a fresh look at such issues as fracking and drone warfare. In one story, a petroleum engineer discovers that one of his wastewater wells may be causing earthquakes, and in another the pilot of an Air Force drone seeks to reconcile his conflicting roles as protector and executioner, husband and soldier. The scientist and the serviceman are both presented with problems that have no easy or obvious solutions, situations that force them to confront the messy, compromising complexity of being human.

Thirteen stories deal with three sisters, a young woman's dashed hopes, failed love, life's dissatisfactions, missed opportunities, and the search for identity.

The Lightning Jar is about lonely children. It may be more about lonely children than any other book. These children are good at making imaginary friends but have trouble keeping them. For instance, there’s the Morra, who plunges the world into eternal winter. But she also teaches Mons the meaning of love and helps him burn down his house after some Gypsies turn it into a middle school. Then there’s the Gorbel. Amanda invented it to scare the Guest, but it ended up liking him best. A bit like a cat but more like a spider, it turned out a lot cuter than she’d intended. And the Wisps—they’re pretty unhappy about being dead. Karl accidentally turned his smallest cousin into a Wisp. They were trying to catch some lightning in a jar, but they caught the smallest cousin’s ghost instead. Karl had to drown it for its own good. Something similar happened with his grandma Astrid and a rock named Melisande. But the loneliest character is probably Christian. He insists on being from Jämtland, where Karl and Amanda live. When his cousin Eskild got married, Christian rewrote their past so it’s like The Little Mermaid, except Eskild drowns and Christian doesn’t earn a soul. In the spirit of Tove Jansson, William Blake, and Calvin & Hobbes, The Lightning Jar contains a volatile mix of innocence and experience, faith and doubt, nostalgia and a sense of all there is to gain by accepting reality on fresh terms.