This edition of Walter Van Tilburg Clark’s collection of short stories—which includes “Hook,” Clark’s most renowned story—makes these pieces available again to a new generation of readers. Critic John R. Milton once said that Walter Van Tilburg Clark "did perhaps more than anyone else to define (in his fiction) the mode of perception, the acquisition of knowledge, and the style which we tend to call Western." In 1950, Walter Van Tilburg Clark, author of the acclaimed novel The Ox-Bow Incident, published a collection of short stories that had already won distinction in various national magazines. The collection was well received by reviewers, and subsequent critics have noted that these stories reflect both Clark’s literary power and the major concerns of his novels: the interior and intuitive complexities of good and evil, and the fragile, intricate web that connects humankind to the rest of the natural world. A foreword by Ann Ronald, one of the West’s most astute literary critics, sets the stories into the context of Clark’s oeuvre and illuminates the way they reveal crucial characteristics of this writer’s imagination.

Esteemed critic Blanche Gelfant's brilliant companion gathers together lucid essays on major writers and themes by some of the best literary critics in the United States. Part 1 is comprised of articles on stories that share a particular theme, such as "Working Class Stories" or "Gay and Lesbian Stories." The heart of the book, however, lies in Part 2, which contains more than one hundred pieces on individual writers and their work, including Fitzgerald, Hemingway, Richard Ford, Raymond Carver, Eudora Welty, Andre Debus, Zora Neal Hurston, Anne Beattie, Bharati Mukherjee, J. D. Salinger, and Jamaica Kincaid, as well as engaging pieces on the promising new writers to come on the scene.

The historic lakeside village of Cazenovia in the scenic Finger Lakes region is one of the jewels of Central New York, and yet very few books have told its story. Cazenovia is a town founded by wealthy men, and much of what has been written about it has focused on the elite and the grand lakeshore mansions in which they lived. In contrast, Barnes and Emerson’s new book chronicles the story of everyday Cazenovia: the fascinating people, places, and history of this 225-year-old community. The Bear Tree and Other Stories from Cazenovia’s History explores the unheralded, inaccurately told, and long-forgotten tales of the town. Readers will encounter historical characters such as elephant and lion tamer Lucia Zora Card, “The Bravest Woman in the World”; educator Susan Blow, "The Mother of American Kindergarten"; and World War I soldier Cecil Donovan, whose letters home vividly depicted the experience of war for those awaiting his return in Cazenovia.

A comprehensive study guide offering in-depth explanation, essay, and test prep for Walter Van Tilburg Clark’s The Ox-Bow Incident, said to be one of the greatest Western novels ever written. As a classic novel set in 1885 but written in 1938, The Ox-Bow Incident draws parallels between Nazi brutality and the vigilantes showcased in the novel in order to communicate unjust violence can occur anywhere at any time. Moreover, the novel serves as a great example of realism, having been written during the realist movement. This Bright Notes Study Guide explores the context and history of Clark’s classic work, helping students to thoroughly explore the reasons it has stood the literary test of time. Each Bright Notes Study Guide contains: - Introductions to the Author and the Work - Character Summaries - Plot Guides - Section and Chapter Overviews - Test Essay and Study Q&As The Bright Notes Study Guide series offers an in-depth tour of more than 275 classic works of literature, exploring characters, critical commentary, historical background, plots, and themes. This set of study guides encourages readers to dig deeper in their understanding by including essay questions and answers as well as topics for further research.

A dazzling collection of short stories about North American outdoor life—both classic and contemporary—from James Fenimore Cooper and Jack London to Margaret Atwood and Anthony Doerr and many more. The North American landscape, in its rich and rugged variety, has inspired an equally wide and deep range of fiction over the past centuries. Diana Fuss has gathered a rich collection of timeless classics and contemporary discoveries summoning up our close and imagined encounters with all things wild. From the nineteenth century’s Washington Irving (“Rip Van Winkle”) to the twenty-first century’s Ted Chiang (“The Great Silence”)—a panoramic view of wilderness fiction, from Gothic tales of mystery and suspense (“The Heroic Slave” by Frederick Douglass), to tales of danger and survival (“Walking Out” by David Quammen); from modern tales of retreat and solitude (“Happiness” by Ron Carlson), to never-before-told tales of our new reality—of environment and extinction (“the river” by adrienne maree brown): these are stories that reveal the many ways in which the American literary landscape has shaped—and is shaped by—our conceptions of the wild. Diana Fuss nimbly shows, in her introductory text and commentary throughout, the development of the wilderness story, from its emergence in the work of Nathaniel Hawthorne (“Young Goodman Brown”) and James Fenimore Cooper (“A Panther Tale”), to the height of its popularity in the stories of Jack London (“To Build a Fire”), to the environmentally conscious writing of T. C. Boyle (“After the Plague”) and Karen Russell (“St. Lucy’s Home for Girls Raised by Wolves”). Among those whose work appears in the collection: Wallace Stegner, Annie Proulx, Ambrose Bierce, Ernest Hemingway, William Faulkner, L. Frank Baum, Margaret Atwood, Tommy Orange, Walter Van Tilburg Clark, and Ray Bradbury.

In 1510 a Spanish romancer described an island called California, "very close to the side of the Terrestrial Paradise." It was inhabited by Amazons, and even the harnesses of the beasts they rode were gold. Thus began the rich literature of California. In a place that boasts so many claims to one's attention, short fiction has flourished. Great California Stories trumpets the immense short story tradition developed by visitors like Mark Twain and Ambrose Bierce but mostly by natives like Jack London and John Steinbeck. The twenty-one stories in this anthology go back to the oral tradition of the American Indians and recall the Hispanic settlement, the gold rush of the 1850s, the agricultural epoch, the growth of cities like San Francisco and Los Angeles, the foibles of early Hollywood, and the rise of ghettos. The ethnic diversity of California is reflected in a cast of story characters including Indians, mission fathers, Asians, Mexican Americans, African Americans, and forty-niners and landseekers from the eastern states. California's varied scenery is drawn on in stories with a strong sense of place, whether Steinbeck's Salinas Valley or Raymond Chandler's Los Angeles. Besides Steinbeck and Chandler, authors represented are Theodora Kroeber, Bret Harte, Gertrude Atherton, Mark Twain, Ambrose Bierce, Edwin Cone, Jack London, Idwal Jones, Walter Van Tilburg Clark, Dashiel Hammett, Eugene Burdick, Janet Lewis, Wallace Stegner, and Danny Santiago. For them California is a memorable background, sometimes a fabulous character, always a distinctive quality.

The Western, though a singularly American art form, is one of the great genres of world literature with a truly global readership. It is also durable despite being often unfairly maligned. Ever since James Fenimore Cooper transformed frontier yarns into a distinct literary form, the Western has followed two paths: one populist - what Time magazine famously billed 'the American Morality Play' - capable of taking many points of view, from red to redneck, but always populist, with a sentimental attachment to the misfit; the other literary - eschewing heroism, debunking with unsettling candour many of the myths of the West. It can sometimes be difficult to draw a sure line between the two forms, but both are represented in this outstanding collection which includes stories by Rick Bass, Walter Van Tilburg Clark, Larry McMurtry, Mari Sandoz, Christopher Tilghman, and Mark Twain, among many others.

This volume of correspondence, the last in a three-volume edition, spans a pivotal moment in American history: the mid-twentieth century, from the beginning of World War II, through the years of rebuilding and uneasy peace that followed, to the election of President John F. Kennedy. Robinson Jeffers published four important books during this period—Be Angry at the Sun (1941), Medea (1946), The Double Axe (1948), and Hungerfield (1954). He also faced changes to his hometown village of Carmel, experienced the rewards of being a successful dramatist in the United States and abroad, and endured the loss of his wife Una. Jeffers' letters, and those of Una written in the decade prior to her death, offer a vivid chronicle of the life and times of a singular and visionary poet.

Literary histories, of course, do not have a reason for being unless there exists the literature itself. This volume, perhaps more than others of its kind, is an expression of appreciation for the talented and dedicated literary artists who ignored the odds, avoided temptations to write for popularity or prestige, and chose to write honestly about the American West, believing that experiences long knowns to be of historical importance are also experiences that need and deserve a literature of importance.