‘Harrower's greatest novel [is] The Watch Tower (1966), the bitter story of two sisters, Laura and Clare, who lose their parents and fall under the sway of Felix Shaw, an abusive and controlling drunk...[It is] her masterpiece.’ James Wood, New Yorker After Laura and Clare are abandoned by their mother, Felix is there to help, even to marry Laura if she will have him. Little by little the two sisters grow complicit with his obsessions, his cruelty, his need to control. Set in the leafy northern suburbs of Sydney during the 1940s, The Watch Tower is a novel of relentless and acute psychological power. Elizabeth Harrower was born in Sydney in 1928 and moved to London in 1951. She travelled extensively and began to write fiction. Her first novel Down in the City was published in 1957, and was followed by The Long Prospect a year later. In 1959 she returned to Sydney where she began working for the ABC and as a book reviewer for the Sydney Morning Herald. In 1960 she published The Catherine Wheel, the story of an Australian law student in London, her only novel not set in Sydney. The Watch Tower appeared in 1966. No further novels were published until May 2014 when Harrower's 'lost' novel, In Certain Circles, was released. Her work is austere, intelligent, ruthless in its perceptions about men and women. She was admired by many of her contemporaries, including Patrick White and Christina Stead, and is without doubt among the most important writers of the postwar period in Australia. Elizabeth Harrower died in Sydney on 7 July 2020 at the age of ninety-two. 'Haunting and delicate.' Kirkus Reviews 'This is a harrowing novel, relentless in its depiction of marital enslavement, spiritual self-destruction and the exploited condition of women in a masculinist society...It is a brilliant achievement.' Washington Post 'Haunting...Harrower captures brilliantly the struggle to retain a self.' Guardian ‘Each of Harrower’s four novels is concerned with entrapment of one sort or another, through family or youth or love. But The Watch Tower, her last novel, is almost like a distillation in its vision of the forces of good and evil. Something runs clear and strong through this wonderful, painful novel, the dark and the light. The victim and the survivor. Suffering and joy. The knowledge of both. Reality.’ Joan London, Lit Hub 'Elizabeth Harrower's thrilling 1966 novel The Watch Tower comes rampaging back from decades of disgraceful neglect: a wartime Sydney story of two abandoned sisters and the arrival in their lives of Felix, one of literature's most ferociously realised nasty pieces of work.' Helen Garner, Australian 'A superb psychological novel that will creep into your bones.' Michelle de Kretser, The Monthly 'I read The Watch Tower with a mixture of fascination and horror. It was impossible to put down...Her acute psychological assessments are made from gestures, language and glances and she is brilliant on power, isolation and class.' Ramona Koval, Australian ‘To create a monster as continually credible, comic and nauseating as Felix is a feat of a very high order. But to control that creation, as Miss Harrower does, so that Clare remains the centre of interest is an achievement even more rare. The Watch Tower is a triumph of art over virtuosity...a dense, profoundly moral novel of our time.’ H.G. Kippax, Sydney Morning Herald, 19 November 1966 ‘As gripping and terrifying as any horror story...An astonishing book.’ Guardian

Breaking their poses like trees snapping branches, the women urgently regarded each other, cleared away all signs of work in an instant, examined their souls for defects, in a sense crossed themselves, and waited. After Laura and Clare are abandoned by their mother, Felix is there to help, even to marry Laura if she will have him. Little by little the two sisters grow complicit with his obsessions, his cruelty, his need to control. Set in the leafy northern suburbs of Sydney during the 1940s, The Watch Tower is a novel of relentless and acute psychological power.

In a land brought to life by warriors and lovers, war and honor, the legendary tower Tornor Keep is invaded by raiders. No longer the watchtower at the winter end of a summer land, Tornor turns to a young prince with the hopes that he might protect the future of the enchanting land.

Sharply observed, bitter and humorous, The Long Prospect is a story of life in an Australian industrial town. Growing up neglected in a seedy boarding house, Emily Lawrence befriends Max, a middle-aged scientist who encourages her to pursue her intellectual interests. Innocent Emily will face scandal, suburban snobbery and psychological torment.

At first, the Watchtower Society seemed harmless to William J. Schnell, even valuable as a way to develop his faith in God and pass it on to others. This book is Schnell's fascinating account of his involvement with the cult, which effectively enticed him in the 1920s and continues to lure countless individuals today. Readers will learn, as Schnell did, that the Jehovah's Witness religion he had joined was anything but innocent. For thirty years he was enslaved by one of the most totalitarian religions of our day, and his story of finally becoming free is riveting. Readers will be alerted to the inner machinations, methods, and doctrines of the Watchtower Society, arming them to forewarn others and witness to their Jehovah's Witness friends, relatives, neighbors, and the stranger at the door. With more than 300,000 copies sold, 30 Years a Watchtower Slave is truly one of the classic testimonies of freedom from a powerful cult.

Esther Prescott has seen little of life outside her wealthy family's Rose Bay mansion—until flashy Stan Peterson comes roaring up the drive in his huge American car and barges into her life. Within a fortnight they are living in his Kings Cross flat. Moody and erratic, proud of his well-bred wife yet bitterly resentful of her privilege, Stan is involved with his former girlfriend and a series of shady business deals. Esther, innocent and desperate to please him, must endure his controlling ways. This story of a troubled and obsessive marriage, set against the backdrop of postwar Sydney, is devastating. First published in 1957, Down in the City announced Elizabeth Harrower as a major Australian writer.

Winner, Voss Literary Prize, 2015. In Certain Circles is the long-lost final novel by the internationally acclaimed author of The Watch Tower. Zoe Howard is seventeen when her brother, Russell, introduces her to Stephen Quayle. Aloof and harsh, Stephen is unlike anyone she has ever met, a weird, irascible character out of some dense Russian novel. His sister, Anna, is shy and thoughtful, a little orphan. Zoe and Russell, Stephen and Anna: they may come from different social worlds but all four will spend their lives moving in and out of each other's shadow. Set amid the lush gardens and grand stone houses that line the north side of Sydney Harbour, In Certain Circles is an intense psychological drama about family and love, tyranny and freedom. Elizabeth Harrower was born in Sydney in 1928 and moved to London in 1951. She travelled extensively and began to write fiction. Her first novel Down in the City was published in 1957, and was followed by The Long Prospect a year later. In 1959 she returned to Sydney where she began working for the ABC and as a book reviewer for the Sydney Morning Herald. In 1960 she published The Catherine Wheel, the story of an Australian law student in London, her only novel not set in Sydney. The Watch Tower appeared in 1966. No further novels were published until May 2014 when Harrower's 'lost' novel, In Certain Circles, was released. Her work is austere, intelligent, ruthless in its perceptions about men and women. She was admired by many of her contemporaries, including Patrick White and Christina Stead, and is without doubt among the most important writers of the postwar period in Australia. Elizabeth Harrower died in Sydney on 7 July 2020 at the age of ninety-two. 'In Certain Circles [is] a pin-sharp psychological drama about two pairs of siblings, set on the shores of Sydney Harbour. Harrower's searing, spare prose is breathtaking, as is her depiction of dashed promise and the gulf between the sexes.' Di Speirs, BBC Radio Books Editor 'Harrower was right about In Certain Circles being well written, but surely wrong to take its superb style for granted, as if mere literary muscle memory. Like the rest of her work, the novel is severely achieved: the coolly exact prose cannot be distinguished from the ashen exhaustion of its tragic fires...The book belongs with her best work, with The Watch Tower and The Long Prospect...[It] is more explicit than Harrower's earlier work about ideological tensions between men and women. It is also broader in scope and not as angry - wiser and less hopeless.' James Wood, New Yorker 'Harrower can pierce your heart.' Michael Dirda, Washington Post 'A scandalously overlooked writer.' Michelle de Kretser 'She is brilliant on power, isolation and class.' Ramona Koval, Australian 'In Certain Circles is subtle yet wounding, and very much alive.' Guardian Australia 'Reading In Certain Circles gave me the thrill that only comes from the work of a major novelist.' The Conversation 'Her insights into the nature of love, the role of women and the torsions of power in even the most ordinary relationship are bitter and sometimes cruel, wielded in the way that acute honesty may be, like a whip. Yet they are always delivered via the honeyed dipper of her prose.' Geordie Williamson, Monthly ‘Her portrait of two north shore Sydney families stands without stoop or shrug in a tradition of genius that includes Jane Austen, Henry James and Shirley Hazard...I felt like I was looking, really looking at life, in a way that Iris Murdoch might call moral.’ Sydney Morning Herald

“This crazy, gorgeous family novel” written at the end of the Great Depression “is one of the great literary achievements of the twentieth century” (Jonathan Franzen, The New York Times). First published in 1940, The Man Who Loved Children was rediscovered in 1965 thanks to the poet Randall Jarrell’s eloquent introduction (included in this ebook edition), which compares Christina Stead to Leo Tolstoy. Today, it stands as a masterpiece of dysfunctional family life. In a country crippled by the Great Depression, Sam and Henny Pollit have too much—too much contempt for one another, too many children, too much strain under endless obligation. Flush with ego and chilling charisma, Sam torments and manipulates his children in an esoteric world of his own imagining. Henny looks on desperately, all too aware of the madness at the root of her husband’s behavior. And Louie, the damaged, precocious adolescent girl at the center of their clashes, is the “ugly duckling” whose struggle will transfix contemporary readers. Named one of the best novels of the twentieth century by Newsweek, Stead’s semiautobiographical work reads like a Depression-era The Glass Castle. In the New York Times, Jonathan Franzen wrote of this classic, “I carry it in my head the way I carry childhood memories; the scenes are of such precise horror and comedy that I feel I didn’t read the book so much as live it.”