Contents I. History of the Manuscript II. Palaeography III. Contents IV. The Problem of the Text V. Date VI. The Text of W and the Early Church Fathers VII. Collation

The six biblical manuscripts that reside in the Freer Gallery of Art in Washington DC are historically significant artifacts for tracing the early history of the transmission of the writings that make up the New Testament and the Septuagint. The manuscripts, all purchased in Egypt at the beginning of the twentieth century by Charles Freer, date to the third through fifth centuries and include codices of the four Gospels, Deuteronomy and Joshua, the Psalms, and the Pauline Epistles, as well as a Coptic codex of the Psalms and a papyrus codex of the Minor Prophets, which, until the discovery of the Dead Sea Scrolls, was the earliest Greek manuscript of the Minor Prophets known. The ten essays in this volume are a notable collection of fresh scholarship with long-term value for the study of what is a small but highly valuable treasure trove of biblical manuscripts. The contributors are Malcolm Choat, Kent D. Clarke, Kristin De Troyer, Timothy J. Finney, Dennis Haugh, Larry W. Hurtado, J. Bruce Prior, Jean-Francois Racine, James R. Royse, Ulrich Schmid, and Thomas A. Wayment. Book jacket.

This book investigates the scribal habits of P45, P46, P47, P66, P72, and P75, the six most extensive early New Testament manuscripts. All the singular readings in these six papyri are studied along with all the corrections.

This bibliography is a comprehensive listing of books, facsimiles, collations and articles relating to some 3,500 Greek New Testament manuscripts, including references to photographic plates and albums. These are divided into the conventional categories of papyri, majuscules, minuscules and lectionaries, as classified in the current Gregory-Aland register. This third revised edition supersedes the two previous editions. Entries from those earlier editions and from three supplements, published as articles in Novum Testamentum, as well as newly published material, are to be found here. The author is grateful for the help of editor Barbara Cangemi.