Whether championing the grammatical analysis of phrases and clauses or arguing for the vital importance of sentence diagramming, Mulroy offers a lucid, learned, passionate account of the history, importance, and value of grammar.

Exploring the creativity of mind through children's language: how the tiniest utterances can illustrate the simple but abstract principles behind modern grammar—and reveal the innate structures of the mind. Every sentence we hear is instantly analyzed by an inner grammar; just as a prism refracts a beam of light, grammar divides a stream of sound, linking diverse strings of information to different domains of mind—memory, vision, emotions, intentions. In The Prism of Grammar, Tom Roeper brings the abstract principles behind modern grammar to life by exploring the astonishing intricacies of child language. Adult expressions provide endless puzzles for the child to solve. The individual child's solutions ("Don't uncomfortable the cat" is one example) may amuse adults but they also reveal the complexity of language and the challenges of mastering it. The tiniest utterances, says Roeper, reflect the whole mind and engage the child's free will and sense of dignity. He offers numerous and novel "explorations"—many at the cutting edge of current work—that anyone can try, even in conversation around the dinner table. They elicit how the child confronts "recursion"—the heartbeat of grammar—through endless possessives ("John's mother's friend's car"), mysterious plurals, contradictory adjectives, the marvels of ellipsis, and the deep obscurity of reference ("there it is, right here"). They are not tests of skill; they are tools for discovery and delight, not diagnosis. Each chapter on acquisition begins with a commonsense look at how structures work—moving from the simple to the complex—and then turns to the literary and human dimensions of grammar. One important human dimension is the role of dialect in society and in the lives of children. Roeper devotes three chapters to the structure of African-American English and the challenge of responding to linguistic prejudice. Written in a lively style, accessible and gently provocative, The Prism of Grammar is for parents and teachers as well as students—for everyone who wants to understand how children gain and use language—and anyone interested in the social, philosophical, and ethical implications of how we see the growing mind emerge.

With The Book of Intimate Grammar, leading Israeli novelist David Grossman gives us the story of the greatest and most universal tragedy, the loss of the world of childhood. At twelve, Aron Kleinfeld is the ringleader among the boys in his Jerusalem neighborhood, their inspiration in dreaming up games and adventures. But as his friends begin to mature, Aron remains imprisoned for three long years in the body of a child. While Israel inches toward the Six-Day War, and the voices of his friends change and become strange to him, Aron lives in his child body as though in a nightmare. Like a spy in enemy territory, he learns to decipher the internal codes of sexuality and desire, to understand the unyielding bureaucracy of the human body. Hurled between childhood and adulthood, between the pure and the profane, he is like a volcano of emotions and impulses. But, like his hero Houdini, Aron still struggles to escape from the trap of growing up. The Book of Intimate Grammar is about the alchemy of childhood, which transforms loneliness and fear into creation, and about the struggle to emerge an artist. Funny, painful, and passionate, it is a work of enormous intensity and beauty.

A “lively and revealing” history of America’s obsession with grammar—from the debate over double negatives to the influence of frontier vernacular (Kirkus Reviews). Standard grammar and accurate spelling are widely considered hallmarks of a good education, but their exact definitions are much more contentious—capable of inciting a full-blown grammar war at the splice of a comma. With an accessible and enthusiastic approach, Ostler considers these grammatical shibboleths, tracing current debates back to America’s earliest days, an era when most families owned only two books—the Bible and a grammar primer. Along the way, she investigates colorful historical characters on both sides of the grammar debate in her efforts to unmask the origins of contemporary speech. Linguistic founding fathers like Noah Webster, Tory expatriate Lindley Murray, and post-Civil War literary critic Richard Grant White, all play a featured role in creating the rules we’ve come to use, and occasionally discard, throughout the years. Founding Grammars is for curious readers who want to know where grammar rules have come from, where they’ve been, and where they might go next.

Unlike wars between nations, wherein the population generally comes together to defend its borders and is united by a common national goal, civil wars tear countries apart, divide families, and turn neighbors against each other. Civil wars are a form of self-harm in which a country's people seek redemption through self-destruction, punishing or severing those parts that are seen to have made the nation ill. And yet civil wars--with their characteristically appalling violence--remain chillingly common, defying the notion that they are somehow an aberration. In The Grammar of Civil War Will Fowler examines the origin, process, and outcome of civil war. Using the Mexican Civil War of 1857-61 (or the War of the Reform, the political and military conflict that erupted between the competing liberal and conservative visions of Mexico's future), Fowler seeks to understand how civil wars come about and, when they do, how they unfold and why. By outlining the grammatical principles that underpin a new framework for the study of civil war, Fowler stresses what is essential for one to take place and explains how, once it has erupted, it can be expected to develop and end, according to the syntax, morphology, and meanings that characterize and help understand the grammar of civil war generally.

This book is for people who experience heartbreak over love notes with subject-verb disagreements...for anyone who's ever considered hanging up the phone on people who pepper their speech with such gems as "irregardless," "expresso," or "disorientated"...and for the earnest souls who wonder if it's "Woe is Me," or "Woe is I," or even "Woe am I." Martha Brockenbrough's Things That Make Us (Sic) is a laugh-out-loud guide to grammar and language, a snarkier American answer to Lynn Truss's runaway success, Eats, Shoots & Leaves. Brockenbrough is the founder of National Grammar Day and SPOGG -- the Society for the Promotion of Good Grammar -- and as serious as she is about proper usage, her voice is funny, irreverent, and never condescending. Things That Make Us (Sic) addresses common language stumbling stones such as evil twins, clichés, jargon, and flab, and offers all the spelling tips, hints, and rules that are fit to print. It's also hugely entertaining, with letters to high-profile language abusers, including David Hasselhoff, George W. Bush, and Canada's Maple Leafs [sic], as well as a letter to --and a reply from -- Her Majesty, the Queen of England. Brockenbrough has written a unique compendium combining letters, pop culture references, handy cheat sheets, rants, and historical references that is as helpful as it is hilarious.

Geoffrey Stone's Perilous Times incisively investigates how the First Amendment and other civil liberties have been compromised in America during wartime. Stone delineates the consistent suppression of free speech in six historical periods from the Sedition Act of 1798 to the Vietnam War, and ends with a coda that examines the state of civil liberties in the Bush era. Full of fresh legal and historical insight, Perilous Times magisterially presents a dramatic cast of characters who influenced the course of history over a two-hundred-year period: from the presidents—Adams, Lincoln, Wilson, Roosevelt, and Nixon—to the Supreme Court justices—Taney, Holmes, Brandeis, Black, and Warren—to the resisters—Clement Vallandingham, Emma Goldman, Fred Korematsu, and David Dellinger. Filled with dozens of rare photographs, posters, and historical illustrations, Perilous Times is resonant in its call for a new approach in our response to grave crises.

Anxious about apostrophes? In a pickle over your pronouns and prepositions? Fear not—Mr. Gwynne is here with his wonderfully concise and highly enjoyable book of grammar. Within these pages, adults and children alike will find all they need to rediscover this lost science and sharpen up their skills. Mr. Gwynne believes that happiness depends at least partly on good grammar—and Mr. Gwynne is never wrong.

Are there evidence-based answers to the broad question "What explicit knowledge about language in teachers and/or students appears to enhance literacy development in some way"? Distinguished by its global perspective, its currency, and its comprehensiveness, Beyond the Grammar Wars: provides an historical overview of the debates around grammar and English/literacy teaching in four settings: the US, England, Scotland and Australia offers an up-to-date account of what the research is telling (and not telling) us about the effectiveness of certain kinds of grammar-based pedagogies in English/literacy classrooms takes readers into English/literacy classrooms through a range of examples of language/grammar-based pedagogies which have proven to be successful addresses metalinguistic issues related to changes in textual practices in a digital and multimodal age, and explores the challenges for educators who are committed to finding a "usable grammar" to contribute to teaching and learning in relation to these practices. All of the contributors are acknowledged experts in their field. Activities designed for use in language and literacy education courses actively engage students in reflecting on and applying the content in their own teaching contexts.

A coming-of-age queer love story set in the glamorous but grueling world of international modeling—a "terrific debut ... roiling with deep questions of identity and art, love, and the irrepressible need for meaning in life" (Jess Walter, bestselling author of The Cold Millions) By the time Lou turns eighteen, modeling agents across Portland have scouted her for her striking androgynous look. Lou has no interest in fashion or being in the spotlight. She prefers to take photographs, especially of Ivy, her close friend and secret crush. But when a hike ends in a tragic accident, Lou finds herself lost and ridden with guilt. Determined to find a purpose, Lou moves to New York and steps into the dizzying world of international fashion shows, haute couture, and editorial shoots. It’s a whirlwind of learning how to walk and how to command a body she’s never felt at ease in. But in the limelight, Lou begins to fear that she’s losing her identity—as an individual, as an artist, and as a person still in love with the girl she left behind. A sharply observed and intimate story of grief and healing, doubt and self-acceptance set against the hyper-image-conscious industry of modeling and high fashion, Body Grammar shines with the anxieties of finding your place in the world and the heartbreaking beauty of pursuing love. A VINTAGE ORIGINAL