“Sin is crouching at the door, ready to pounce. You must master it before it masters you!" Kayin is The Wanderer: A legend shrouded in a curse. A man untouchable, unable to farm or settle. Centuries after the horrendous act that defines his life, Kayin recounts his soul-stirring chronicle, exposing the far-reaching fallout of his parents' expulsion from Eden and revisiting the moments that shattered his youthful faith. Then came forbidden love and rejection, driving a wedge irrevocably between Kayin and his brother, with tragic consequences. Why did God scorn Kayin’s sacrifice? What transpired during that final, fateful encounter in the field? The Wanderer Scorned is the first instalment in The Wanderer Biblical Historical fiction series, immersing readers in the ancient Genesis 4 epoch. A profound exploration of the first murder, it brings the Bible to life in a fresh way, delving into the character of the Creator Yahweh and His earliest interactions with humankind.

The Routledge Companion to Scenography is the largest and most comprehensive collection of original essays to survey the historical, conceptual, critical and theoretical aspects of this increasingly important aspect of theatre and performance studies. Editor and leading scholar Arnold Aronson brings together a uniquely valuable anthology of texts especially commissioned from across the discipline of theatre and performance studies. Establishing a stable terminology for a deeply contested term for the first time, this volume looks at scenography as the totality of all the visual, spatial and sensory aspects of performance. Tracing a line from Aristotle’s Poetics down to Brecht and Artaud and into contemporary immersive theatre and digital media, The Routledge Companion to Scenography is a vital addition to every theatre library.

A masterpiece of Biblical scope, and the magnum opus of one of America’s most enduring authors, in a commemorative hardcover edition In his journal, Nobel Prize winner John Steinbeck called East of Eden "the first book," and indeed it has the primordial power and simplicity of myth. Set in the rich farmland of California's Salinas Valley, this sprawling and often brutal novel follows the intertwined destinies of two families—the Trasks and the Hamiltons—whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel. The masterpiece of Steinbeck’s later years, East of Eden is a work in which Steinbeck created his most mesmerizing characters and explored his most enduring themes: the mystery of identity, the inexplicability of love, and the murderous consequences of love's absence. Adapted for the 1955 film directed by Elia Kazan introducing James Dean, and read by thousands as the book that brought Oprah’s Book Club back, East of Eden has remained vitally present in American culture for over half a century.

This 1976 book is a study of the medieval English dream-poem set against classical and medieval visionary and religious writings.

Part of the "Literary Movements" series, this title examines the people, events, and works that defined the literary Romantic era in Great Britain and Ireland from 1775 through the 1830s. An introductory essay summarizes the movement's origins and philosophy. This A-to-Z-format work provides brief biographies, plot summaries, and critical interpretations of both the popular, well-known Romantics and the many often-overlooked, lesser-known writers. Designed to "whet the reader's appetite" for further exploration of this fascinating period and to focus on how closely Romantic writers are connected to their contemporary world, the book offers signed essays on industrialism, the monarchy, the American and French Revolutions, childhood, slavery, and many other topics. Many articles offer suggestions for further reading. Comparing this title to Encyclopedia of the Romantic Era, 1760-1850, edited by C. J. Murray (CH, Jun'04, 41-5628), reveals that the newer volume includes more close analysis of individual works and features a larger number of lesser-known writers, particularly women. Rather than being a substitute, it is best used in conjunction with the Murray title. Summing Up: Recommended. Lower-division undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by R. B. Meeker.

In the High Middle Ages, the dream narrative was an enormously popular and influential form. Along with the romance, it was perhaps the genre of the age. It has come down to us in such classics twelfth to fourteenth-century classics as The Divine Comedy, the Romance of the Rose, Piers Plowman, Chaucer's early poetry, and the works of Guillaume de Machaut. This book redefines the dream vision by attending to its role in philosophical debate of the time, a conservative role in defense of the high medieval synthesis of reason and revelation. Lynch shows how the epistemological basis of this synthesis and the theories of visions that emerged from it drew on Arabic commentaries of Aristotle. These theories informed poetic visions modeled on Boethius's Consolation of Philosophy, a work she discusses in detail before turning to Alain de Lille, Jean de Meun, and Dante. A final section, on John Gower's Confessio Amantis shows how fourteenth and fifteenth-century writers extended and finally moved beyond the conventional form of the dream vision.

New Readings in the Vercelli Book addresses central questions concerning the manuscript's intended use, mode of compilation, and purpose, and offers a variety of approaches on such topics as orthography, style, genre, theme, and source-study.

No detailed description available for "The realism of dream visions".

Stephen Kruger considers previously neglected material and arrives at a new understanding of this literary genre, and of medieval attitudes to dreaming in general.