Martin may have seen his sister, Cassie, to safety at the end of The Sky Inside, but his adventure is far from over. There’s still a totalitarian regime in place, murderous game shows on the air, and a couple of government agents on Martin’s tail. When Martin and his AllDog, Chip, go back to his old suburbs to check up on Mom, they get a lot more than they bargained for when they end up escaping with both parents. But the biggest surprise is yet to come—the heart of the government’s central power is closer to Martin than he ever suspected.

With a foreword by E. Tendayi Achiume A chilling exposé of the inhumane and lucrative sharpening of borders around the globe through experimental surveillance technology In 2022, the U.S. Department of Homeland Security announced it was training “robot dogs” to help secure the U.S.-Mexico border against migrants. Four-legged machines equipped with cameras and sensors would join a network of drones and automated surveillance towers—nicknamed the “smart wall.” This is part of a worldwide trend: as more people are displaced by war, economic instability, and a warming planet, more countries are turning to AI-driven technology to “manage” the influx. Based on years of researching borderlands across the world, lawyer and anthropologist Petra Molnar’s The Walls Have Eyes is a truly global story—a dystopian vision turned reality, where your body is your passport and matters of life and death are determined by algorithm. Examining how technology is being deployed by governments on the world’s most vulnerable with little regulation, Molnar also shows us how borders are now big business, with defense contractors and tech start-ups alike scrambling to capture this highly profitable market. With a foreword by former UN Special Rapporteur E. Tendayi Achiume, The Walls Have Eyes reveals the profound human stakes of the sharpening of borders around the globe, foregrounding the stories of people on the move and the daring forms of resistance that have emerged against the hubris and cruelty of those seeking to use technology to turn human beings into problems to be solved.

I wrote this book cause I like helping other just by talking with them not to them. This book is mainly my thought's about life in general, from talking with people about their problems in hopes that they have a better understanding as to life as I see it. and from movies I've seen over the years that something that was said in the movie or what certain things people say that sticks in my mind till I sit and write something down in regards to the statement that was said. Most of the things I wrote about basically stem from my life's experiences, some of the things in the book may hit close to home as to say. Other words you may feel that I wrote about you. It's just something to think about. i live in Knoxville ,TN. at this time but I have live in a lot of cities and states mainly within partly some of the 48 states of the USA, never had the chance to leave this country. And I basically lived off and on either on the streets or alone since I was 16 yrs old. So one could say I've been there done that. And it has taken me years to write this book.

An architectural whodunit that unlocks the secrets of a hand-built home. When Henry Petroski and his wife Catherine bought a charming but modest six-decades-old island retreat in coastal Maine, Petroski couldn’t help but admire its unusual construction. An eminent expert on engineering, history, and design, he began wondering about the place’s origins and evolution: Who built it, and how? What needs, materials, technologies, historical developments, and laws shaped it? How had it fared through the years with its various inhabitants? Sleuthing around dimly lit closets, knotty-pine wall panels, and even a secret passage—but never removing so much as a nail—Petroski zooms in on the details but also steps back to examine the structure in the context of its time and place. Catherine Petroski’s beautiful photographs capture the clues and the atmosphere. A vibrant cast of neighbors and past residents—most notably the house’s masterful creator, an engineer-turned-“folk architect”—become key characters in the story. As the mystery unfolds, revealing an extraordinary house and its environs, this ode to loving design will leave readers enchanted and inspired.

The graffiti of the French student and worker uprising of May 1968, capturing participatory politics in action. Graffiti itself became a form of freedom. —Julien Besançon, The Walls Have the Floor Fifty years ago, in 1968, barricades were erected in the streets of Paris for the first time since the Paris Commune of nearly one hundred years before. The events of May 1968 began with student protests against the Vietnam War and American imperialism, expanded to rebellion over student living conditions and resistance to capitalist consumerism. An uprising at the Sorbonne was followed by wildcat strikes across France, uniting students and workers and bringing the country's economy to a halt. There have been many accounts of these events. This book tells the story in a different way, through the graffiti inscribed by protestors as they protested. The graffiti collected here is by turns poetic, punning, hopeful, sarcastic, and crude. It quotes poets as often as it does political thinkers. Many wrote “I have nothing to write,” signaling not their naiveté but their desire to participate. Other anonymous declarations included “Prohibiting prohibited”; “The dream is reality”; “The walls have ears. Your ears have walls”; “Exaggeration is the beginning of invention”; “Comrades, you're nitpicking”; “You don't beg for the right to live, you take it”; and “I came/I saw/I believed.” A meeting is called at the Grand Amphitheater of the Sorbonne: “Agenda: the worldwide revolution.” This was interactive, participatory politics before Twitter and Facebook. Although the revolution of May 1968 didn't topple the government (Charles de Gaulle fled the country, only to return; in June, his party won a resounding electoral mandate), it made history. In The Walls Have the Floor, Julien Besançon collected traces of this history before the walls were painted over, and published this collection in July 1968 even as the paint was drying. Read today, the graffiti of 1968 captures, in a way no conventional history can, the defining spontaneity of the events.

Welcome to Eric Hyde’s twisted domain, a place where people strive for a semblance of ordinary life amidst the encroaching darkness. Within these pages, a disgraced Detective, a survivor seeking refuge, and a sadistic killer converge. An elusive cult with unclear motives leaves a wake of emptiness and despair. Will their true intentions be revealed or forever elude both the characters and the unsuspecting reader? Traverse an apocalyptic wasteland, from Death Valley’s depths to the heart of an investigation, in pursuit of a malevolent force. Brace yourself for the captivating tales that unfold, but beware—within the sturdy walls of this house, even the strongest secrets have teeth.

Eighteen-year-old Amekia Daterryan is happily living a quiet existence with her parents on the outskirts of Ernsteduntil her brother, Jorden, comes to visit after a years-long absence. Immediately after he delivers the shocking news that the king wants to hurt him, Amekia and Jorden are separated in the Old Forest during a horrible rainstorm. Now Amekia must somehow survive long enough to find her way back home. While on a search for food, Amekias growling stomach leads her to the camp of a hermit whose past is shrouded in mystery. After Kytos, who strangely seems to know she was coming, tells Amekia she is an Elementalist with magical abilities that the king desires, she is left with no other choice but to seek refuge with a group of rebels known as the Resistance. With help from Kytos, she embarks on a long journey to find the Resistance. But when she is unexpectedly pulled into an uprising, Amekia soon realizes that sometimes it only takes one person to make a difference as her destiny rises up to meet her. In this exciting fantasy tale, a young woman seeking refuge from those hunting her is about to discover just how important she is in a world torn by war and betrayal.

An illuminating look at a fundamental yet understudied aspect of Italian Renaissance painting The Italian Renaissance picture is renowned for its depiction of the human figure, from the dramatic foreshortening of the body to create depth to the subtle blending of tones and colors to achieve greater naturalism. Yet these techniques rely on a powerful compositional element that often goes overlooked. Groundwork provides the first in-depth examination of the complex relationship between figure and ground in Renaissance painting. “Ground” can refer to the preparation of a work’s surface, the fictive floor or plane, or the background on which figuration occurs. In laying the material foundation, artists perform groundwork, opening the ground as a zone that can precede, penetrate, or fracture the figure. David Young Kim looks at the work of Gentile da Fabriano, Giovanni Bellini, Giovanni Battista Moroni, and Caravaggio, reconstructing each painter’s methods to demonstrate the intricacies involved in laying ground layers whose translucency and polychromy permeate the surface. He charts significant transitions from gold ground painting in the Trecento to the darkened grounds in Baroque tenebrism, and offers close readings of period texts to shed new light on the significance of ground forms such as rock face, wall, and cave. This beautifully illustrated book reconceives the Renaissance picture, revealing the passion and mystery of groundwork and discovering figuration beyond the human figure.

Iroha is nominated as class leader for an upcoming sleepaway class field trip. She finds herself paired with the class leader from Souichirou’s class, Kido. The problem is...he’s hot too!Souichirou is watching them, and starts to feel things for Iroha that hadn’t been there before. And between all three of them, sparks fly on the field trip. But who will come out on top on their quests for Iroha’s heart? Souichirou or Kido?