THE ROAD TO ISSUE ONE HUNDRED STARTS HERE AS 'A LARGER WORLD' CONCLUDES! Will Rick's community join the network? Will they enter into an era of unprecedented peace and prosperity - or has Rick ruined that for everyone? Has he now made more, deadlier enemies for them to deal with?

END OF STORY ARC THE ROAD TO ISSUE ONE HUNDRED STARTS HERE AS 'A LARGER WORLD' CONCLUDES! Will Rick's survivors enter into an era of unprecedented peace and prosperityÑor has Rick ruined that for everyone?

Following the events of SOMETHING TO FEAR, Rick and the other survivors accept a new way of life under Negan's rule, but not everyone agrees. Collects THE WALKING DEAD #103-108

In the last volume we learned that no one is safe. Now after the staggering losses they've sustained, Rick and Carl are left to pick up the pieces and carry on... knowing that they could join their fallen friends and family at any moment. Collects issues 49-54.

Rick, Glenn, Michonne, and their new allies from Woodbury return to the prison to a horrific surprise. This deluxe presentation in STUNNING FULL COLOR also features another installment of Cutting Room Floor and creator commentary.

As the Eisner Award winning series continues, no one in The Community is safe from what happens within its walls. Collects THE WALKING DEAD #79-84

"How many hours are in a day when you don't spend half of them watching television? When is the last time any of us really worked to get something that we wanted? How long has it been since any of us really needed something that we wanted? The world we knew is gone. The world of commerve and frivolous necessity has been replaced by a world of survival and responsibility. An epidemic of apopcalyptic proportions has swept the globe causing the dead to rise and feed on the living. In a matter of months society has crumbled, no government, no grocery stores, no mail delivery, no cable tv. In a world ruled by the dead, we are forced to finally start living"--Back cover.

Vampires have been a popular subject for writers since their inception in 19th century Gothic literature and, later, became popular with filmmakers. Now the classical vampire is extinct, and in its place are new vampires who embrace the hi-tech worlds of science fiction. This book is the first to examine the history of vampires in science fiction. The first part considers the role of science and pseudo-science, from late Victorian to modern times, in the creation of the vampire, as well as the "sensation fiction" of J. Sheridan Le Fanu, Bram Stoker, Arthur Conan Doyle and H.G. Wells. The second part focuses on the history of the science fiction vampire in the cinema, from the silent era to the present. More than sixty films are discussed, including films from such acclaimed directors as Roger Corman, David Cronenberg, Guillermo del Toro and Steven Spielberg, among others.

An accessible introduction to the world of The Walking Dead, this book looks across platforms and analytical frameworks to characterize the fictional world of The Walking Dead and how its audiences make use of it. From comics and television to social media, apps, and mobile games, utilizing concepts derived from literary studies, media studies, history, anthropology, and religious studies, Matthew Freeman examines the functions and affordances of new digital platforms. In doing so, he establishes a new transdisciplinary framework for analyzing imaginary worlds across multiple media platforms, bolstering the critical arena of world-building studies by providing a greater array of vocabulary, concepts, and approaches. The World of The Walking Dead is an engaging exploration of stories, their platforms, and their reception, ideal for students and scholars of world-building, film and TV studies, new media, and everything in-between.

Michael Drescher analyzes national mythologies in American and German literature. He focuses on processes of mythological resignification, a literary phenomenon carrying significant implications for questions of identity, democracy, and nationalism in Europe and America. Precise narratological analyses are paired with detailed, transnational readings of Hawthorne's The Scarlet Letter, Gutzkow's Wally, die Zweiflerin, Brown's Clotel, and Heine's Deutschland. Ein Wintermärchen. The study marries literature, mythology, and politics and contributes to the study of American and German literature at large.