"THE ROAD BACK" Can Rick Grimes bring peace to the Commonwealth or will he tear it apart?

The conflict in the Commonwealth hits a fever pitch could this be the end of civilization as we've come to know it? Collects THE WALKING DEAD #187-193

ÒTHE LAST STANDÓ Words are spoken. Alliances are broken. All the trouble thatÕs been brewing in the Commonwealth finally comes to a head.

'SOMETHING TO FEAR' CONTINUES! This extra-sized chapter contains one of the darkest moments in Rick Grimes' life, and one of the most violent and brutal things to happen within the pages of this series. 100 issues later, this series remains just as relentless as the debut issue. Do not miss the monumental 100th issue of THE WALKING DEAD!

Beyond THE WALKING DEAD... RICK GRIMES2000! RickGrimes was a small-town police officer. Then the world fell to the walking dead.But the dead were only the start... and a new tale of alien horror beginshere. Superstarwriter Robert Kirkman (INVINCIBLE, FIRE POWER) and superstar artist Ryan Ottley(INVINCIBLE, Amazing Spider-Man) present the wildest WALKING DEAD story ever.This hardcover collects the entire RICK GRIMES 2000 story originally serializedin the pages of SKYBOUND X. SUPERHEROES, HORROR

"THE FARMHOUSE" Out in the countryside, trouble is brewing for a certain someone.

Beginning with the structural features of design and play, this book explores video games as both compelling examples of story-telling and important cultural artifacts. The author analyzes fundamentals like immersion, world building and player agency and their role in crafting narratives in the Mass Effect series, BioShock, The Last of Us, Fallout 4 and many more. The text-focused "visual novel" genre is discussed as a form of interactive fiction.

Monthly magazine devoted to topics of general scientific interest.

Zombie stories are peculiarly American, as the creature was born in the New World and functions as a reminder of the atrocities of colonialism and slavery. The voodoo-based zombie films of the 1930s and '40s reveal deep-seated racist attitudes and imperialist paranoia, but the contagious, cannibalistic zombie horde invasion narrative established by George A. Romero has even greater singularity. This book provides a cultural and critical analysis of the cinematic zombie tradition, starting with its origins in Haitian folklore and tracking the development of the subgenre into the twenty-first century. Closely examining such influential works as Victor Halperin's White Zombie, Jacques Tourneur's I Walked with a Zombie, Lucio Fulci's Zombi 2, Dan O'Bannon's The Return of the Living Dead, Danny Boyle's 28 Days Later, and, of course, Romero's entire "Dead" series, it establishes the place of zombies in the Gothic tradition. Instructors considering this book for use in a course may request an examination copy here.

On the surface, the zombie seems the polar opposite of the human--they are the living dead; we, in essence, are the dying alive. But the zombie is also "us." Although decaying, it looks like us, dresses like us, and sometimes (if rarely) acts like us. In this volume, essays by scholars from a range of disciplines examine the zombie as a thematic presence in literature, film, video games, legal language, and philosophy, exploring topics including zombies and the environment, litigation, the afterlife, capitalism, and the erotic. Through this wide-ranging examination of the zombie phenomenon, the authors seek to discover what the zombie can teach us about being human. Instructors considering this book for use in a course may request an examination copy here.