Scholars have long provided bagpipes with a creation myth that stretches back to the ancient Near East, where they supposedly appear in the biblical Book of Daniel. It then has the Greeks playing them and Roman legions carrying them to the ends of the Empire. But Michael Peter Vereno's The Voice of the Wind calls this story into question. Using linguistic analysis, Vereno shows that the oldest 'evidence' is often dubious at best and demonstrates that supposed ancient stories of bagpipe origins- and sometimes even their names-were later scholarly creations to give them a respectable, ancient pedigree. His erudite examination calls into question many conclusions and settled 'facts' to reveal a more enlightening story of bagpipe origins. It redefines its field and represents a significant contribution to historical organology. Readers with an interest in modern bagpipes, the history of instruments, and the interpretation of ancient and more recent textual sources will all find something to engage them and complicate their beliefs.

How do we manage to speak and understand language? How do children acquire these skills and how does the brain support them? This book provides a fascinating personal history of the men and women whose intelligence, brilliant insights, fads, fallacies, cooperations, and rivalries created the discipline we call psycholinguistics.

Bookseller and amateur sleuth Delaney Nichols finds a dead body in a castle outside Edinburgh and must investigate how this murder is connected to a rare manuscript.

An anthology of articles on the evolution of minimal music in New York in 1972-1982, which originally appeared in the Village Voice (New York).