Another poignant short story collection from the famed writer, formed as an ode to O. Henry’s favourite place, New York City. Seeking to find the genuine voice of this megapolis, O. Henry portrays a variety of characters in their own peculiarity and uniqueness . In the first short of the same name, we are brought to the cacophonous chanting of a New York class room where students eagerly recite their lessons, before we are brought on a sweeping journey throughout the city. We meet policemen, poets and newsboys who each eagerly accounts for the true voice of their famed city. It is an excellent read, that constitutes essential reading for any fan of O. Henry, or those of you with a big love for the Big Apple who want to see just exactly how this wondrous city came to captivate the world. William Sidney Porter (1862-1919), known simply as O. Henry, following his stint in prison, was a prolific American short story writer. His fame came exceptionally quickly and he became a bestselling author of short story collections, the most famous being "Cabbages and Kings", "The Voice of the City", and "Strictly Business." As a result of the outstanding literature legacy that O. Henry left behind, there is an annual award named after him, given to the authors of an exceptional short stories.

Based on the life of the middle class intellectuals of Calcutta, it is an unforgettable story of a Bohemian brother and his two sisters caught in the cross-currents of changing social values. In many ways the story reflects a vivid picture of India's social transition - a phase in which the older elements are not altogether dead, and the emergent ones not fully evolved.

God's Terrible Voice in the City: wherein are set forth the sound of the voice, in a narration of the two dreadful judgments of plague and fire, inflicted upon the city of London. Thomas Vincent was a clergyman who had given a long and powerful sermon about the Great Plague and the Great Fire of London. He, like many others at the time, believed the fire was a punishment from God for Londoners' sins. He lists 25 sins in detail, such as religious hypocrisy, lying, swearing, laziness, drunkenness, pride, gluttony, envy and lust. Coming so soon after the dreadful plague of 1665, which killed 100,000, the fire must have seemed a divine judgment. In God's Terrible Voice in the City, Vincent includes a dramatic account of the fire, which captures the atmosphere and terror of the event as well as some fascinating details.

An anthology of articles on the evolution of minimal music in New York in 1972-1982, which originally appeared in the Village Voice (New York).

The Voice of the City: Further Stories of the Four Million by O. Henry: This collection of short stories by O. Henry, the master of the twist ending, delves into the lives of everyday people in New York City. With his signature wit and irony, O. Henry offers glimpses into the diverse experiences of the "four million," capturing the essence of the city and its inhabitants. Key Aspects of the Book "The Voice of the City: Further Stories of the Four Million": Slice of City Life: The stories provide a snapshot of different characters and their interactions in the bustling urban environment of New York City. Twist Endings: O. Henry's trademark surprise endings add a layer of intrigue and depth to each story. Human Connections: The narratives highlight the connections and conflicts between people from various walks of life, showcasing the complexity of human relationships. O. Henry, whose real name was William Sydney Porter, was an American short story writer born in 1862. Known for his clever wordplay and unexpected twists, he contributed significantly to the development of the short story genre. His stories often featured ordinary people facing extraordinary circumstances, and his unique narrative style left a lasting impact on American literature.

A New York Times bestselling writer explores what our unique sonic signature reveals about our species, our culture, and each one of us. Finally, a vital topic that has never had its own book gets its due. There’s no shortage of books about public speaking or language or song. But until now, there has been no book about the miracle that underlies them all—the human voice itself. And there are few writers who could take on this surprisingly vast topic with more artistry and expertise than John Colapinto. Beginning with the novel—and compelling—argument that our ability to speak is what made us the planet’s dominant species, he guides us from the voice’s beginnings in lungfish millions of years ago to its culmination in the talent of Pavoratti, Martin Luther King Jr., and Beyoncé—and each of us, every day. Along the way, he shows us why the voice is the most efficient, effective means of communication ever devised: it works in all directions, in all weathers, even in the dark, and it can be calibrated to reach one other person or thousands. He reveals why speech is the single most complex and intricate activity humans can perform. He travels up the Amazon to meet the Piraha, a reclusive tribe whose singular language, more musical than any other, can help us hear how melodic principles underpin every word we utter. He heads up to Harvard to see how professional voices are helped and healed, and he ventures out on the campaign trail to see how demagogues wield their voices as weapons. As far-reaching as this book is, much of the delight of reading it lies in how intimate it feels. Everything Colapinto tells us can be tested by our own lungs and mouths and ears and brains. He shows us that, for those who pay attention, the voice is an eloquent means of communicating not only what the speaker means, but also their mood, sexual preference, age, income, even psychological and physical illness. It overstates the case only slightly to say that anyone who talks, or sings, or listens will find a rich trove of thrills in This Is the Voice.

This book on publisher and editor Lucile H. Bluford examines her journalistic writings on social, economic, and political issues; her strong opinionated views on African Americans and women; and whether there were consistent themes, biases, and assumptions in her stories that may have influenced news coverage in the Kansas City Call. It traces the beginnings of her activism as a young reporter seeking admission to the graduate program in journalism at the University of Missouri and how her admissions rejection became the catalyst for her seven-decade career as a champion of racial and gender equality. Bluford’s work at the Kansas City Call demonstrates how critical theorists used storytelling to describe personal experiences of struggle and oppression to inform the public of racial and gender consciousness. Lucile H. Bluford and the Kansas City Call illustrates how she used her social authority in the formidable power base of the weekly Black newspaper she owned, shaping and mobilizing a broader movement in the fight for freedom and social justice. This book focuses on a selection of Bluford’s news stories and editorials from 1968 to 1983 as examples of how she articulated a Black feminist standpoint advocating a Black liberation agenda—equal access to decent jobs, affordable health care and housing, and a better education in Kansas City, Missouri. Bluford’s writings represented what the mainstream news ignored, exposing injustices and inequalities in the African American community and among feminists.

Titled for the influential singer left almost voiceless by a terrible syndrome, the poems bring sweet melodies and rhythms as the voices blend and become multitudinous. There’s an honoring of not only survival, but of persistence, as this part research-based, pensive collection contemplates what it takes to move forward when the unimaginable holds you back.