Spoken words come alive in written verse. In Sounding Imperial, James Mulholland offers a new assessment of the origins, evolution, and importance of poetic voice in the eighteenth and early nineteenth centuries. By examining a series of literary experiments in which authors imitated oral voices and impersonated foreign speakers, Mulholland uncovers an innovative global aesthetics of poetic voice that arose as authors invented new ways of crafting textual voices and appealing to readers. As poets drew on cultural forms from around Great Britain and across the globe, impersonating “primitive” speakers and reviving ancient oral performances (or fictionalizing them in verse), they invigorated English poetry. Mulholland situates these experiments with oral voices and foreign speakers within the wider context of British nationalism at home and colonial expansion overseas. Sounding Imperial traces this global aesthetic by reading texts from canonical authors like Thomas Gray, James Macpherson, and Felicia Hemans together with lesser-known writers, like Welsh antiquarians, Anglo-Indian poets of colonialism, and impersonators of Pacific islanders. The frenetic borrowing, movement, and adaptation of verse of this time offers a powerful analytic by which scholars can understand anew poetry’s role in the formation of national culture and the exercise of colonial power. Sounding Imperial offers a more nuanced sense of poetry’s unseen role in larger historical processes, emphasizing not just appropriation or collusion but the murky middle range in which most British authors operated during their colonial encounters and the voices that they used to make those cross-cultural encounters seem vivid and alive.

This work is the result of arduous hours of research - entitled Biblical Cases of the Reincarnation Type - developed during my graduate studies. Many have marveled at the finding's persuasiveness and have suggested their publication. The result is the very up beat and "reader friendly" volume now in your hands. The Voice, like its previous incarnation, offers the first demonstrable case for reincarnation in the Bible that is objective. It doesn't solely rely on how an author interprets a verse or suggests the subject, was surreptitiously removed from the scriptures. My research methods essentially emulated those of University of Virginia Psychiatrist, Ian Stevenson M.D. For forty years, he investigated cases of young children remembering a past life. His landmark work, Twenty Cases Suggestive of Reincarnation, has been in print since 1966.

J.T. Greathouse continues his Pact and Pattern fantasy series, hailed by New York Times bestselling author Anthony Ryan as “a captivating epic of conflicted loyalties and dangerous ambition.” The boy once known as Wen Alder has become the rebel witch Foolish Cur. Schooled in both the powers that bound him to serve the emperor as well as the furious, wild magic of his mother’s ancestors, he was torn between two worlds, until he realized the brutal nature of the emperor and his rule. Joining the rebellion, he soon experienced the painful sacrifices that come with defiance. Now the emperor—covetous of all the magic he controls—has decided to take his ruthless quest for power to the gods themselves. If he succeeds, the gods will unleash a storm of death and destruction unlike any even imagined. Only Foolish Cur has the skills and strength to stave off such a nightmare. While Foolish Cur fights the Empire in Nayen, others wage their own rebellions. A successful tutor opens a school to preserve his own dying culture while a warrior of the plains discovers powers long thought lost. And a servant of the empire begins to question the violence that threatens to engulf them all... Praise for The Hand of the Sun King: “An original fantasy filled with magic and culture.” — New York Times bestselling author Kevin J. Anderson "An outstanding debut novel with ... twists that will keep you reading late into the night." — Michael Mammay, author of the Planetside series “A great coming of age story about a foolish boy who seeks to unravel the secrets of magic and maybe do something good in the process. I absolutely loved it.” — Nick Martell, author of Kingdom of Liars “Set in a fantastical world of magic with a rich history, this novel fits beautifully into its genre while also addressing some failings of the genre by turning them on their head.” — Dawn Vogel, author of History That Never Was