A candid and brutal account of murder, abduction, and violence during the Troubles in Northern Ireland-from two men on opposite sides of the conflict. After 'the long war' in Ireland came to an end, very few paramilitary leaders on either side spoke openly about their role in that bloody conflict, but in Voices from the Grave, two leading figures from opposing sides reveal their involvement in bombings, shootings and killings on one condition: that their stories were kept secret until after their deaths. In extensive interviews given to researchers from Boston College, Brendan Hughes and David Ervine spoke with astonishing openness about their turbulent, violent lives. Hughes was a legend in the Republican movement. An 'operator', a gun-runner and mastermind of some of the most savage IRA violence of the Troubles, he was a friend and close ally of Gerry Adams and was by his side during the most brutal years of the conflict. David Ervine was the most substantial political figure to emerge from the world of Loyalist paramilitaries. A former Ulster Volunteer Force bomber and confidante of its long-time leader Gusty Spence, Ervine helped steer Loyalism's gunmen towards peace, persuading the UVF's leaders to target IRA and Sinn Fein activists and push them down the road to a ceasefire. Now their stories have been woven into a vivid narrative which provides compelling insight into a secret world and events long hidden from history.

Psychic and medium Christine Holohan tells how she helped solve the murder case that rocked the police, giving vital evidence that science would only catch up with 2 years later. A Voice From the Grave tells the chilling real-life story of a woman haunted by horrific visions of the death of Jacqui Poole in 1983. From her first encounter with Jacqui Poole's spirit through interviews with police and subsequent discoveries, Christine's story demonstrates that it is never too late for justice and makes a wholly compelling argument for life after death and the spirit world.

A woman called Lesley Cameron has left everything she owns to a complete stranger, the psychiatrist Dr Fidelis Berlin - but why? And what did Ms Cameron have to do with Murdo, now a high court judge, who is the son of Fidelis's oldest friend and mentor? Investigating the mysterious legacy, Fidelis finds herself questioning not only Lesley's life and violent death, but also her own emotions as she slowly comes to terms with illness and mortality.

WINNER OF THE 2022 PULITZER PRIZE "A compelling and important history that this nation desperately needs to hear." -Bryan Stevenson, New York Times bestselling author of Just Mercy and executive director of the Equal Justice Initiative Chasing Me to My Grave presents the late artist Winfred Rembert's breathtaking body of work alongside his story, as told to Tufts Philosopher Erin I. Kelly. Rembert grew up in a family of Georgia field laborers, joined the Civil Rights Movement as a teenager, survived a near-lynching at the hands of law enforcement, and spent seven years on chain gangs. There he learned the leather tooling skills that became the bedrock of his autobiographical paintings. Years later, encouraged by his wife, Patsy, Rembert brought his past to vibrant life in scenes of joy and terror, from the promise of southern Black commerce to the brutality of chain gang labor. Vivid, confrontational, revelatory, and complex, Chasing Me to My Grave is a searing memoir in prose and painted leather that celebrates Black life and summons readers to confront painful and urgent realities at the heart of American society. Booklist #1 Nonfiction Book of the Year * African American Literary Book Club (AALBC) #1 Nonfiction Bestseller * Named a Best Book of the Year by: NPR, Publishers Weekly, BookPage, Barnes & Noble, Hudson Booksellers, ARTnews, and more * Amazon Editors' Pick * Carnegie Medal of Excellence Longlist

Stroud had received permission from the warden at Alcatraz to write a penal history, but bureaucrats in Washington, D.C., balked when they reviewed his manuscript. The top brass hastily created new rules for inmate authors, forbidding the publication of any inmate's work that was obscene, criticized the prison system, or glorified crime. Stroud was transferred in 1959 to the US Federal Medical Prison for chronically ill inmates in Springfield, Missouri, where he died in November, 1963. Martin, the Missouri attorney, was named administrator of Stroud's estate and gained custody of the manuscripts in lieu of compensation for his legal services. Martin tried to hawk the prison history manuscript to publishers, but they expressed little or no interest. "Some said it was too long. Others were afraid of being sued for libel because Stroud wrote about living people -- corrupt prison officials, sadistic guards and brutalized prisoners," Martin said. "Others said no one was interested in the prison system, or that history doesn't sell. Some of the great stories in literature are prison stories. I guess they hadn't read 'The Count of Monte Cristo' or 'The Gulag Archipelago, '" Martin said. Martin insists that Stroud's observations on the U.S. prison system are still relevant today. "I think it's a work of great social value. We're still trying to answer the questions that Stroud raised," he said. "The number of Americans incarcerated is greater than ever before. It costs a lot of money to incarcerate people. What do we get in return for it? Do we get a better person than what went in, or a worse person?"

"Let the wicked be ashamed, and let them be silent in the grave." These ominous words are the last threat that Sir Edward Grey receives from his killer. Before he can show them to Nicholas Brisbane, the private inquiry agent he has retained for his protection, he collapses and dies at his London home, in the presence of his wife, Julia, and a roomful of dinner guests. Prepared to accept that Edward's death was due to a long-standing physical infirmity, Julia is outraged when Brisbane visits and suggests that her husband was murdered. It is a reaction she comes to regret when she discovers damning evidence for herself, and realizes the truth. Determined to bring the murderer to justice, Julia engages the enigmatic Brisbane to help her investigate Edward's demise. Dismissing his warnings that the investigation will be difficult, if not impossible, Julia presses forward, following a trail of clues that lead her to even more unpleasant truths, and ever closer to a killer who waits expectantly for her arrival.

A debut author unearths the long-buried secrets of a small New England town in the 1850s in this richly atmospheric Gothic tale of murder, guilt, redemption, and finding love where it's least expected.

There may be grave consequences for bookbinder Brooklyn Wainwright as she attempts to solve two murders tied to one book in this novel in the New York Times bestselling Bibliophile Mystery series. Brooklyn’s chance to restore a rare first edition of Beauty and the Beast seems a fairy tale come true—until she realizes the book belonged to an old friend of hers. Ten years ago, Max Adams, a brawny renowned papermaker, fell in love with a stunning beauty, Emily, and gave her the copy of Beauty and the Beast as a symbol of their love. Soon afterward, he died in a car crash, and Brooklyn has always suspected his possessive ex-girlfriend and her jealous beau. Now she decides to find out who sold the book and return it to its rightful owner—Emily. She believes a rare book dealer can assist her, but when she arrives at his shop, she finds him murdered. Is it possible that the same couple who may have killed Max are now after his edition of Beauty and the Beast? With the help of her handsome boyfriend, Derek Stone, Brooklyn must unravel the murder plot—before she ends up in a plot herself....

For the first time in trade paperback, #1 New York Times bestselling author Tami Hoag's second thriller in the Oak Knoll microseries, exploring the early days of forensic investigation, the characteristics of innocence—and the nature of evil. Marissa Fordham had a past full of secrets, a present full of lies. Everyone knew of her, but no one knew her. When Marissa is found brutally murdered, with her young daughter, Haley, resting her head on her mother's bloody breast, she sends the idyllic California town of Oak Knoll into a tailspin. Already on edge with the upcoming trial of the See-No-Evil killer, residents are shocked by reports of the crime scene, which might not have been discovered for days had it not been for a chilling 911 call: a small child's voice saying, "My daddy hurt my mommy." Sheriff's detective Tony Mendez faces a puzzle with nothing but pieces that won't fit. To assist with his witness, Haley, he calls teacher-turned-child advocate Anne Leone. Anne's life is hectic enough⁠—she's a newlywed and a part-time student in child psychology, plus she's the star witness in the See-No-Evil trial. But one look at Haley, alone and terrified, and Anne's heart is stolen. As Tony and Anne begin to peel back the layers of Marissa Fordham's life, they find a clue fragment here, another there. And just when it seems Marissa has taken her secrets to the grave, they uncover a fact that puts Anne and Haley directly in the sights of a killer: Marissa Fordham never existed.