"This book builds on recent anthropological work to explore the social and cultural dynamics of cemetery practice and its transformation over generations in Virginia's Shenandoah Valley. Anthropologist Alison Bell finds that people are using material culture-images and epitaphs on grave markers, as well as objects they leave on graves-to assert and maintain relationships and fight against alienation. She draws on fieldwork, interviews, archival sources, and disciplinary insights to show how cemeteries both reveal and participate in the grassroots cultural work of crafting social connections, assessing the transcendental durability of the deceased person, and asserting particular cultural values. The book's chapters range across cemetery types, focusing on African American burials, grave sites of institutionalized individuals, and modern community memorials"--

This volume presents original views of the relationship between desire and romance. It begins by looking anew at the nature of desire, citing its central theoretical text as Freud's 'Beyond the Pleasure Principle'. It traces the struggle betwen myth and romance, between the ego on its way to death and the self in search of life, through close readings of poems and letters of John Keats and in detailed considerations of a series of novels including 'Frankenstein', 'Wuthering Heights', 'Jane Eyre', and 'Sons and Lovers'.

“Examines our evolving mourning rituals, specifically in relationship to cemeteries . . . a levelheaded report on the death care industry.” —Los Angeles Review of Books In modern society, we have professionalized our care for the dying and deceased in hospitals and hospices, churches and funeral homes, cemeteries and mausoleums to aid dazed and disoriented mourners. But these formal institutions can be alienating and cold, leaving people craving a more humane mourning and burial process. The burial treatment itself has come to be seen as wasteful and harmful—marked by chemicals, plush caskets, and manicured greens. Today’s bereaved are therefore increasingly turning away from the old ways of death and searching for a more personalized, environmentally responsible, and ethical means of grief. Is the Cemetery Dead? gets to the heart of the tragedy of death, chronicling how Americans are inventing new or adapting old traditions, burial places, and memorials. In illustrative prose, David Charles Sloane shows how people are taking control of their grief by bringing their relatives home to die, interring them in natural burial grounds, mourning them online, or memorializing them streetside with a shrine, ghost bike, or RIP mural. Today’s mourners are increasingly breaking free of conventions to better embrace the person they want to remember. As Sloane shows, these changes threaten the future of the cemetery, causing cemeteries to seek to become more responsive institutions. A trained historian, Sloane is also descendent from multiple generations of cemetery managers and he grew up in Syracuse’s Oakwood Cemetery. Enriched by these experiences, as well as his personal struggles with overwhelming grief, Sloane presents a remarkable and accessible tour of our new American way of death.

The Vital Message by Arthur Conan Doyle: First published in 1919, this book is a spiritual manifesto arguing for the existence of life after death and the importance of spiritualism in human life. The book is notable for its clear and concise argumentation, and its emphasis on the power of belief and faith. Key Aspects of the book "The Vital Message": Spiritualism: The book is a spiritual manifesto arguing for the existence of life after death and the importance of spiritualism in human life, advocating for the power of belief and faith. Clear and Concise Argumentation: The book is known for its clear and concise argumentation style, making it an accessible work for general readers. Metaphysical Exploration: The book explores metaphysical topics relating to the existence of the soul, the nature of God, and the afterlife. Arthur Conan Doyle was a British writer and physician who is best known for his work on detective fiction, including the Sherlock Holmes series. The Vital Message is one of his lesser-known works, but is an important contribution to the field of spiritualism and metaphysics.

The meaning of our concern for mortal remains—from antiquity through the twentieth century The Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes's argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still matters—for individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century. The book draws on a vast range of sources—from mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failed—and how even the ashes of the victims of the Holocaust have been preserved in culture. A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history.

Written in response to the Hawk's Nest Tunnel disaster of 1931 in Gauley Bridge, West Virginia, The Book of the Dead is an important part of West Virginia's cultural heritage and a powerful account of one of the worst industrial catastrophes in American history. The poems collected here investigate the roots of a tragedy that killed hundreds of workers, most of them African American. They are a rare engagement with the overlap between race and environment in Appalachia. Published for the first time alongside photographs by Nancy Naumburg, who accompanied Rukeyser to Gauley Bridge in 1936, this edition of The Book of the Dead includes an introduction by Catherine Venable Moore, whose writing on the topic has been anthologized in Best American Essays.

A game-changing book on the origins of life, called the most important scientific discovery 'since the Copernican revolution' in The Observer.