On the eve of the Occupy Wall Street protests, C is flat broke. Once a renowned textile artist, she's now the sole proprietor of an arts supply store in Lower Manhattan. Divorced, alone, at loose ends, C is stuck with a struggling business, a stack of bills, a new erotic interest in her oldest girlfriend, and a persistent hallucination in the form of a rogue garden gnome with a pointed interest in systems collapse . . . C needs to put her medical debt and her sex life in order, but how to make concrete plans with this little visitor haunting her apartment, sporting a three-piece suit and delivering impromptu lectures on the vulnerability of the national grid? Moreover, what's all this computer code doing in the story of her life? And do the answers to all of C's questions lie with an eco-hacktivist cabal threatening to end modern life as we know it? The Visitors is mordantly funny as it follows a woman dealing with debt, lust and an unwelcome visitor in the last days of a broken status quo. It peers into How We Got Here and asks What We Do Next, whatever our personal hallucinations may be.

From the New York Times bestselling author Sally Beauman comes an intensely atmospheric, spellbinding re-creation of Lord Carnarvon's hunt for Tutankhamun's tomb in Egypt's Valley of the Kings. Sent abroad to Egypt in 1922 to recover from the typhoid that has killed her mother, eleven-year-old Lucy becomes swept up in the feverish excitement surrounding the search for Tutankhamun's tomb. Through her friendship with Frances, the daughter of an American archaeologist, Lucy witnesses first-hand the intrigue, politics, and passions surrounding this quest. Raised in a world in which adults are often cold and unpredictable, Lucy forms an immediate bond with Frances. Their friendship sustains them throughout childhood, guides them through the class-ridden colonial society in which they grow up, and takes them into an adult life that promises fulfilment—until it veers toward heartbreak. Deftly constructed and transportive, peopled by powerful characters, moving from the 1920s to the present day, The Visitors is a timeless coming-of-age narrative set against the backdrop of profound historical change. But how is such change documented? Whose testimony is reliable? Which witness should we believe? Looking back on her past much later in life, viewing it from the perspective of age, Lucy tells a deeply moving story of love and loss, of mistakes made and incendiary secrets concealed. She reveals the circumstances that lie behind the most celebrated discovery ever made in the Valley of the Kings, a discovery clouded by deception, in which triumph swiftly turned to tragedy; it is a story, as she comes to see, whose truths are both elusive and occluded, one that mirrors her own. As Lord Carnarvon and the archaeologist Howard Carter force the desert to yield its treasures, Lucy reveals the extremes to which people are driven by desire—even when these extremes involve building a life around a lie.

Some of the most wondrous gifts cost nothing. This is a story of such gifts. On a silent and magical Christmas Eve night, three children and their grandparents bear gifts down the starlit path to a stable. They take this peaceful, wintry journey to thank the visitors of centuries ago for their historic and holy visit. The children deliver simple gifts and sincere gratitude to the visitors in tribute for that long-ago night honoring a newborn babe.

An alien invasion which begins with the landing on Jerry Conklin's car of what looks like a huge black box changes life in Lone Pine, Minnesota, and threatens to destroy Earth's civilization

From the author of The Whispers comes a heartrending tale of friendship, hard-won truths, and the healing power of forgiveness. A lonely twelve-year-old boy spends his days “stuck” at the deserted Hollow Pines Plantation in Georgetown, South Carolina with no recollection of his name, how long he’s been there, and no idea how to leave. Things never change much for the lost souls at Hollow Pines and time is strange when you’re dead. But when visitors from the living world arrive for the first time in a long while, the boy feels a spark of hope. These visitors are around his age, and they seem to understand more than others that the plantation is not just spooky or eerie, it’s a sad place where the unspeakable happened again and again. And if these kids could understand the truth about Hollow Pines, maybe they could help him uncover the dark secrets of his past and help him find a way to finally move on. But Hollow Pines doesn’t like visitors. And with a malevolent spirit lurking in the shadows and painful memories buried deep, and for good reason, the boy wonders if he’ll ever find his way home or be stuck at Hollow Pines forever.

From the highly acclaimed author of The Photographer of the Lost, a BBC Radio 2 Book Club Pick, comes a tale of a young war widow and one life-changing, sun-drenched visit to Cornwall in the summer of 1923... Esme Nicholls is to spend the summer in Cornwall. Her late husband Alec, who died fighting in the war, grew up in Penzance, and she’s hoping to learn more about the man she loved and lost. While there, she will stay with Gilbert, in his rambling seaside house, where he lives with his former brothers in arms. Esme is fascinated by this community of eccentric artists and former soldiers, and as she gets to know the men and their stories, she begins to feel this summer might be exactly what she needs. But everything is not as idyllic as it seems – a mysterious new arrival later in the summer will turn Esme’s world upside down, and make her question everything she thought she knew about her life, and the people in it. Full of light, laughter and larger-than-life characters, The Visitors is a novel of one woman finally finding her voice and choosing her own path forwards. Praise for Caroline Scott: ‘A page-turning literary gem’ The Times, Best Books of 2020 'A touching novel of love and loss' Sunday Times 'A beautifully written must-read' heat 'A gripping, devastating novel' Sarra Manning, RED ‘A powerful novel’ Good Housekeeping ‘A heartbreaking read’ Anita Frank 'Breathtaking exploration of loss, love and precious memories’ My Weekly, Pick of the Month ‘Achingly moving and most beautifully written’ Rachel Hore ‘This beautiful book packs a huge emotional punch’ Fabulous ‘Drew me in from the first line and held me enthralled until the very end' Fiona Valpy ‘Quietly devastating' Daily Mail 'A compulsive, heart-wrenching read' Liz Trenow ‘Powerful’ Woman & Home 'Page turning, mysterious, engrossing and compelling' Lorna Cook ‘A carefully nuanced, complex story’ Woman’s Weekly ‘Caroline Scott evokes the damage and desolation of the Great War with aching authenticity' Iona Grey ‘Poignant’ Best 'Momentous, revelatory and astonishing historical fiction!' Historical Novel Society ‘Wonderful and evocative’ Suzanne Goldring ‘Based on true events, this is a powerful story’ Bella ‘Immersive, poignant, intricately woven’ Judith Kinghorn ‘An evocative read’ heat ‘The story left me breathless’ Kate Furnivall ‘A poignant hymn to those who gave up their lives for their country and to those who were left behind’ Fanny Blake 'I was utterly captivated by this novel' Isabelle Broom

It's here--the first illustrated, comprehensive, and authoritative album of alien visitors ever produced--complete with fascinating, detailed drawings, breathtaking, you-are-there-accounts, and experts' evaluations of each encounter. 80 illustrations.

The current revival of the work of Maeve Brennan, who died in obscurity in 1993, has won her a reputation as a twentieth–century classic—one of the best Irish writers of stories since Joyce. Now, unexpectedly, Brennan's oeuvre is immeasurably deepened and broadened by a miraculous literary discovery—a short novel written in the mid–1940s, but till now unknown and unpublished. Recently found in a university archive, it is a story of Dublin and of the unkind, ungenerous, emotionally unreachable side of the Irish temper. The Visitor is the haunting tale of Anastasia King, who, at the age of twenty–two, returns to her grandmother's house—the very house where she grew up—after six long years away. She has been in Paris, comforting her disgraced and dying mother, the runaway from a disastrous marriage to Anastasia's late father, the grandmother's only son. "It's a pity she sent for you." the grandmother says, smiling with anger. "And a pity you went after her. It broke your father's heart."Anastasia pays dearly for the choice she made, a choice that now costs her her own strong sense of family and makes her an exile—a visitor—in the place she once called home. Penelope Fitzgerald, writing of Brennan's story "The Springs of Affection," said that it carries an "electric charge of resentment and quiet satisfaction in revenge that chills you right through." The same can be said of the The Visitor, Maeve Brennan's "lost" novel—the early work of an incomparable master.

Denis Wirth-Miller and Dicky Chopping were a couple at the heart of the mid-twentieth century art world, with the visitors' book of the Essex townhouse they shared from 1945 until 2008 painting them as Zeligs of British society. The names recorded inside make up an astonishing supporting cast - from Francis Bacon to Lucian Freud to Randolph Churchill to John Minton. Successful artists, although not household names themselves, writing Dicky and Denis off as just footnotes in history would be a mistake. After Denis's death in 2010, Jon Lys-Turner, one of two executors of the couple's estate, came into possession of an extraordinary archive of letters, works of art and symbolically loaded ephemera the two had collected since they met in the 1930s. It is no exaggeration to state that this archive represents a missing link in British art history - the wealth of new biographical information disclosed about Francis Bacon, for example, is truly staggering. The Visitors' Book is both an extraordinary insight into the minutiae of Dicky and Denis's life together and what it meant to be gay in pre-Wolfenden Britain, as well as a pocket social history of the era and a unique perspective into mid-twentieth century art. With reams of previously unseen material, this is a fascinating and unique opportunity to delve into post-war Britain.

One warm July night, when thoughts of Ireland are far from James Dwyer's mind, a homeless man with a sunburnt face, who smells like dry wood, comes to the screen door of his Michigan apartment. Walter has two messages. The first is that an old lady is lying in the middle of his street. But when James goes to look there's nobody to be seen. The second, while apparently more ordinary, is ultimately more troubling: a childhood friend wants him to visit. Kevin Lyons, the wayward older son of a neighbouring builder James knew long ago as a boy in Tipperary, now lives in the USA too, and wants to reconnect with his past. But James, who has spent years establishing the foundations of his American life, has put that past behind him. As the day of the visit approaches, James slowly re-examines the mysteries of that time: what happened to Aunt Tess, who went away to become a nurse in Dublin; what Kevin's father was really doing late at night by candlelight in his makeshift office in the yard; what became of Kevin's red-haired sister Una, who young Jimmy fell for in a big way and whether, after all these years, people like Kevin ever really change. The Visitors is a captivating story of the interwoven fates of two families, of the gap between childhood and the adult world, between a river in Ireland (and all that happened there) and another in America, and of the shocking revelations that come with crossing the divide.