Enjoy this bad boy book by Best-selling billionaire romance author Michelle Love.... His kid is amazing. He gets it from his dad, obviously. And I’m falling dangerously fast for my professor … I wasn’t looking for anything but a little escape that night, okay? Not even looking for that, really, but my roommate Annie dragged me out to prevent me from combusting into nunhood. How was I supposed to know he’d be on the dance floor? What were the chances that the next day the same Adonis would walk into the class I’d just signed up for? Not a good idea, Hannah. But there was no escaping the attraction. My common sense … just … poof. And then he asked me to babysit his kid. Like I was going to say no to an adorable 7-year-old. Or to the chance to spend time with his dad. Yes, I know; bad idea all around. We agreed we were going to keep it totally professional. That was doable, right? WRONG. ‘Doable’ was Austin Parks, along with kind, funny, a great dad, an amazing teacher … So how did Mr. Amazing end up breaking my heart into a million smithereens? And can I ever forgive him?

Great Myths of Intimate Relationships provides a captivating, pithy introduction to the subject that challenges and demystifies the many fabrications and stereotypes surrounding relationships, attraction, sex, love, internet dating, and heartbreak. The book thoroughly interrogates the current research on topics such as attraction, sex, love, internet dating, and heartbreak Takes an argument driven approach to the study of intimate relationships, encouraging critical engagement with the subject Part of The Great Myths series, it's written in a style that is compelling and succinct, making it ideal for general readers and undergraduates

An older man, a younger woman, an irresistible attraction. My BFFs and I made a pact the last month of high school: No one was going to college a virgin. The only question was, who would we choose? I knew exactly who I wanted. My teacher, Mr. Parker. I might have just graduated, but I was still his student. But Mr. Parker isn’t teaching me anything in that boring civics textbook any longer. He’s bossy. He’s demanding. He’s so much older than I am. And he’s opening my eyes, teaching me exactly how pleasurable surrender can be.

Parents, Teachers, and Governors, I Am Afraid to Tell You... By: Vivica Houston Creating a fantasy world of irresponsibility and favor for cooperation is not good for the lives of our children. In today’s world, our culture finds no value in social education, and this is what Houston is attempting to amend. In this guide, Vivica Houston offers gentle suggestions for parents and speaks from her own struggles and failures during her own high school years. She advocates for learning in team projects, low-key, and non-graded assignments and offers concrete ideas to help improve educational culture at every grade level as well as demonstrating how forced learning is a serious problem. Houston advocates for children and teenagers being provided with the choice to study and learn for themselves to understand on their own the value of education.

Teen films of the 1980s were notorious for treating consent as irrelevant, with scenes of boys spying in girls' locker rooms and tricking girls into sex. While contemporary movies now routinely prioritize consent, ensure date rape is no longer a joke, and celebrate girls' desires, sexual consent remains a problematic and often elusive ideal in teen films. In Consent Culture and Teen Films, Michele Meek traces the history of adolescent sexuality in US cinema and examines how several films from the 2000s, including Blockers, To All the Boys I've Loved Before, The Kissing Booth, and Alex Strangelove, take consent into account. Yet, at the same time, Meek reveals that teen films expose how affirmative consent ("yes means yes") fails to protect youth from unwanted and unpleasant sexual encounters. By highlighting ambiguous sexual interactions in teen films—such as girls' failure to obtain consent from boys, queer teens subjected to conversion therapy camps, and youth manipulated into sexual relationships with adults—Meek unravels some of consent's intricacies rather than relying on oversimplification. By exposing affirmative consent in teen films as gendered, heteronormative, and cis-centered, Consent Culture and Teen Films suggests we must continue building a more inclusive consent framework that normalizes youth sexual desire and agency with all its complexities and ambivalences.

Some happy occasions, like the 1995 Commonwealth Writers’ Prize for Best Book to Bangladeshi-Australian author Adib Khan, the 2008 Man Booker Prize to Indian born Australian writer Arvinda Adiga, and the 2013 Australian Prime Minister’s Literary Award for Fiction to Sri Lankan-Australian author Michele de Krester, have boosted the self-confidence of South Asian-Australian writers in Australia. South Asian diasporic communities have also been the focus for relatively small, but constantly growing, studies by anthropologists and sociologists on the interrelation of gender, race, ethnicity and migration in Australia. The terms Labels and Locations capture numerous aspects that contribute in the making of a diasporic consciousness. This book critically examines the issues of identity, gender, family, class and caste, expressed in the short narratives of South Asian diaspora writers based in Australia. Taking an interdisciplinary approach – from literary, cultural, historical, anthropological, and sociological studies – this book engages chiefly with the oeuvre of postcolonial writers and academics, namely: Mena Abdullah, Adib Khan, Yasmine Gooneratne, Michelle De Kretser, Chandani Lokugé, Chitra Fernando, Satendra Nandan, Suneeta Peres da Costa, Hanifa Deen, Christopher Cyrill, Suvendrini Perera, Sunil Govinnage, Brij V. Lal, Sunil Badami, Glenn D’Cruz, Chris Raja, Manik Datar, David De Vos, Rashmere Bhatti, Kirpal Singh Chauli, Sujhatha Fernandes, Neelam Maharaj, Sushie Narayan, Madu Pasipanodya, Shrishti Sharma, Beryl T. Mitchell, and Sunitha. This book will, by calling upon the works of this much-neglected South Asian diaspora group, fill a lacuna in the broader critical rubric of diaspora studies.

"Distant voices drawing near is a tribute to the scholarly career of Antoinette Clark Wire, the Robert S. Dollar Professor of New Testament at the San Francisco Theological Seminary. In recognition of her work, the contributors to the volume have critically engaged the areas of Christian origins and the role of women in the biblical world, hermeneutics and feminist perspectives in biblical interpretation, and cross-cultural study of the Bible."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

At the same time, Page and Simmons show how even more could be - and should be - accomplished."--BOOK JACKET.

From teen dating to public displays of affection, from the "fishing girls" and "big moneys" that wander discos in search of romance to the changing shape of sex in the Chinese city, this is a book like no other. James Farrer immerses himself in the vibrant nightlife of Shanghai, draws on individual and group interviews with Chinese youth, as well as recent changes in popular media, and considers how sexual culture has changed in China since its shift to a more market-based economy. More and more men and women in China these days are having sex before marriage, creating a new youth sex culture based on romance, leisure, and free choice. The Chinese themselves describe these changes as an "opening up" in response to foreign influences and increased Westernization. Farrer explores these changes by tracing the basic elements in talk about sex and sexuality in Shanghai. He then shows how Chinese youth act out the sometimes-contradictory meanings of sex in the new market society. For Farrer, sexuality is a lens through which we can see how China imagines and understands itself in the wake of increased globalization. Through personal storytelling, neighborhood gossip, and games of seduction, young men and women in Shanghai balance pragmatism with romance, lust with love, and seriousness with play, collectively constructing and individually coping with a new culture based on market principles. With its provocative glimpse into the sex lives of young Chinese, then, Opening Up offers something even greater: a thoughtful consideration of China as it continues to develop into an economic superpower.

Depictions of cross generational relationships have always been present in popular cinema. While such relationships have historically operated within the framework of heteronormativity, and have usually explored cross generational romance in the context of older men/younger women, contemporary depictions have expanded to focus also on taboo configurations of love between older women and younger men and cross generational LGBT coupledom. Contemporary depictions have sought to complicate not only heteronormativity in cross generational relationships, but also to navigate the differences between socially acceptable love and transgressive desire. This collection focuses on the changing values and attitudes of cross generational relationships and addresses the often divisive relationship between the discourses of youth and ageing in popular culture.