When an announcement is made for a special scholarship, four best friends begin a special club that is designed to demonstrate the "purity" required by the scholarship committee.

After a few months, Natan returns to his country of origin. Petalouda still doesn’t know about his return and she is surprised to see him back at the university where it all began. Nathanael is transformed and a phoenix marks his change. However, over the months, a tragedy shakes the boy’s emotional structures and this can bring him closer to his great and unique love. Will Nathan and Peta finally get it right? Will they forgive themselves after all? Do not miss the second volume of the Club of Virgins Series and experience in words the beautiful love of these two young people who seek only happiness in their love lives ...

First published in 1993, The Virgin Suicides announced the arrival of a major new American novelist. In a quiet suburb of Detroit, the five Lisbon sisters—beautiful, eccentric, and obsessively watched by the neighborhood boys—commit suicide one by one over the course of a single year. As the boys observe them from afar, transfixed, they piece together the mystery of the family’s fatal melancholy, in this hypnotic and unforgettable novel of adolescent love, disquiet, and death. Jeffrey Eugenides evokes the emotions of youth with haunting sensitivity and dark humor and creates a coming-of-age story unlike any of our time. Adapted into a critically acclaimed film by Sofia Coppola, The Virgin Suicides is a modern classic, a lyrical and timeless tale of sex and suicide that transforms and mythologizes suburban middle-American life.

From the author of Louis XIV, an unprecedented history of the entire Huguenot experience in France, from hopeful beginnings to tragic diaspora. Following the Reformation, a growing number of radical Protestants came together to live and worship in Catholic France. These Huguenots survived persecution and armed conflict to win—however briefly—freedom of worship, civil rights, and unique status as a protected minority. But in 1685, the Revocation of the Edict of Nantes abolished all Huguenot rights, and more than 200,000 of the radical Calvinists were forced to flee across Europe, some even farther. In this capstone work, Geoffrey Treasure tells the full story of the Huguenots’ rise, survival, and fall in France over the course of a century and a half. He explores what it was like to be a Huguenot living in a “state within a state,” weaving stories of ordinary citizens together with those of statesmen, feudal magnates, leaders of the Catholic revival, Henry of Navarre, Catherine de’ Medici, Louis XIV, and many others. Treasure describes the Huguenots’ disciplined community, their faith and courage, their rich achievements, and their unique place within Protestantism and European history. The Huguenot exodus represented a crucial turning point in European history, Treasure contends, and he addresses the significance of the Huguenot story—the story of a minority group with the power to resist and endure in one of early modern Europe’s strongest nations. “A formidable work, covering complex, fascinating, horrifying and often paradoxical events over a period of more than 200 years…Treasure’s work is a monument to the courage and heroism of the Huguenots.”—Piers Paul Read, The Tablet

The Season of (No?) Love Jane's life is one giant Conspiracy, with the whole world plotting to keep any chance of romance far, far away. Her social history (17 years, 0 boyfriends) is proof positive of that. But this summer, she's determined to crank it up. Jane's snagged a gig at the local theme park as part of the star attraction -- the Mermaid Show. But then the Conspiracy strikes, and she ends up starstruck in a furry beaver costume all day long. Hard to breathe, let alone flirt....Can Jane figure a way out of the beaver suit and into the arms of her summer love?

Unbecoming Female Monsters: Witches, Vampires, and Virgins is a multi-cultural and interdisciplinary work that traces the construct of female monsters as an embodiment of socio-cultural fears of female sexuality and reproductive powers. This book examines the female sexual maturation cycle and the various archetypes of female monsters associated with each stage of sexual development as seen in literature, art, film, television, and popular culture. Recommended for scholars of Latin American studies, literature, cultural studies, women and gender studies, popular culture, and film studies.

Selected by Ross Gay as winner of the inaugural Jake Adam York Prize, Analicia Sotelo’s debut collection of poems is a vivid portrait of the artist as a young woman. In Virgin, Sotelo walks the line between autobiography and mythmaking, offering up identities like dishes at a feast. These poems devour and complicate tropes of femininity—of naiveté, of careless abandon—before sharply exploring the intelligence and fortitude of women, how “far & wide, / how dark & deep / this frigid female mind can go.” A schoolgirl hopelessly in love. A daughter abandoned by her father. A seeming innocent in a cherry-red cardigan, lurking at the margins of a Texas barbeque. A contemporary Ariadne with her monstrous Theseus. A writer with a penchant for metaphor and a character who thwarts her own best efforts. “A Mexican American fascinator.” At every step, Sotelo’s poems seduce with history, folklore, and sensory detail—grilled meat, golden habañeros, and burnt sugar—before delivering clear-eyed and eviscerating insights into power, deceit, relationships, and ourselves. Here is what it means to love someone without truly understanding them. Here is what it means to be cruel. And here is what it means to become an artist, of words and of the self. Blistering and gorgeous, Virgin is an audacious act of imaginative self-mythology from one of our most promising young poets.

The compelling story of two women, born centuries apart, and the ancestral legacy that binds them.

Virgin Territory explores the power of faith and our need to believe in miracles. Sixteen-year-old Dylan Flack is uprooted from his cozy life in New York City by the death of his mother of cancer the night before 9/ll. He finds himself transplanted to Jupiter, Florida, and in the chaos of the move discovers that his father has lost their treasured collection of family photos. Dylan feels that he has begun to lose the memory of his mother's face, and without access to those pictures of their past together, each day stretches darkly into a future without hope. Enter: the Virgin Club, a nomadic group of trailer kids whose mostly single parents drag them all over the country in search of sightings of the Blessed Virgin Mary. Although not looking for membership in any club, Dylan falls in love with their leader, Angela, who believes that change occurs in direct proportion to desire and the willingness to take risks. In a series of misadventures and brushes with the law in what Dylan comes to think of as "virgin territory," she teaches Dylan to risk a future without his favorite parent. Miraculously his newfound courage leads to a long overdue confession from his father that brings them closer together and catapults Dylan into a future that holds more promise.

Diseases and Diagnoses discusses why such social problems as addiction, sexually transmitted diseases, racial predisposition for illness, surgery and beauty, and electrotherapy, all of which concerned thinkers a hundred years ago, are reappearing at a staggering rate and in diverse national contexts. In the twentieth century such problems were viewed as only historical concerns. Yet in the twenty-first century, we once again find ourselves confronting their implications. In this fascinating volume, Gilman looks at historical and contemporary debates about the stigma associated with biologically transmitted diseases. He shows that there is no indisputable way to measure when a disease or therapy will reappear, or how it may be perceived at any given moment in time. Consequently, Gilman focuses on the socio-cultural and political implications that the reappearance of such diseases has had on contemporary society. His approach is to show how culture (embedded in cultural objects) both feeds and is fed by the claims of medical science-as for example, the reappearance of "race" as a cultural as well as a medical category. If the twentieth century was the "age of physics," in the latter part of the past century and certainly in the twenty-first century biological concerns are recapturing central stage. Achievements of the biological sciences are changing the public's sense of what constitutes cutting-edge science and medicine. None has captured the public imagination more effectively than the mapping of the human genome and the promise of genetic manipulation, which fuel what Gilman calls a "second age of biology." Although not without controversy, the role of genetics appears to be key. Gilman puts contemporary debates in historical context, showing how they feed social and cultural concerns as well as medical possibilities.