In the late sixteenth century, the English started expanding westward, establishing control over parts of neighboring Ireland as well as exploring and later colonizing distant North America. Audrey Horning deftly examines the relationship between British colonization efforts in both locales, depicting their close interconnection as fields for colonial experimentation. Focusing on the Ulster Plantation in the north of Ireland and the Jamestown settlement in the Chesapeake, she challenges the notion that Ireland merely served as a testing ground for British expansion into North America. Horning instead analyzes the people, financial networks, and information that circulated through and connected English plantations on either side of the Atlantic. In addition, Horning explores English colonialism from the perspective of the Gaelic Irish and Algonquian societies and traces the political and material impact of contact. The focus on the material culture of both locales yields a textured specificity to the complex relationships between natives and newcomers while exposing the lack of a determining vision or organization in early English colonial projects.

On September 19, 1962, The Virginian made its primetime broadcast premiere. The 1902 novel by Owen Wister had already seen four movie adaptations when Frank Price mentioned the story's series potential to NBC. Filmed in color, The Virginian became television's first 90-minute western series. Immensely successful, it ran for nine seasons--television's third longest running western. This work accounts for the entire creative history of The Virginian, including the original inspirations and the motion picture adaptations--but the primary focus is its transformation into television and the ways in which the show changed over time. An extensive episode guide includes title, air date, guest star(s), writers, producers, director and a brief synopsis of each of The Virginian's 249 episodes, along with detailed cast and production credits.

Left destitute after the Civil War by the death of David Winfree, her former master and the father of her children, Emily Winfree underwent unimaginable hardships to keep her family together. Living with them in the tiny cottage he had given her, she worked menial jobs to make ends meet until the children were old enough to contribute. Her sacrifices enabled the successes of many of her descendants. Authors Jan Meck and Virginia Refo tell the true story of this remarkable African American woman who lived through enslavement, war, Reconstruction and Jim Crow in Central Virginia. The book is enriched with copies of many original documents, as well as personal recollections from a great-granddaughter of Emily's. The story concludes with pictures and biographies of some of her descendants.

When they were too impoverished to raise their families, ancient Sumerians sold their children into bondage. Slave women in Rome faced never-ending household drudgery. The ninth-century Zanj were transported from East Africa to work the salt marshes of Iraq. Cotton pickers worked under terrible duress in the American South. Ancient history? Tragically, no. In our time, slavery wears many faces. James Kofi Annan's parents in Ghana sold him because they could not feed him. Beatrice Fernando had to work almost around the clock in Lebanon. Julia Gabriel was trafficked from Arizona to the cucumber fields of South Carolina. Five Thousand Years of Slavery provides the suspense and emotional engagement of a great novel. It is an excellent resource with its comprehensive historical narrative, firsthand accounts, maps, archival photos, paintings and posters, an index, and suggestions for further reading. Much more than a reference work, it is a brilliant exploration of the worst - and the best - in human society.

He is the Virginian-the first fully realized cowboy hero in American literature, a near-mythic figure whose idealized image has profoundly influenced our national consciousness. This enduring work of fiction marks the birth of a legend that lives with us still.

From its beginnings as a trickle of icy water in Virginia's northwest corner to its miles-wide mouth at Hampton Roads, the James River has witnessed more recorded history than any other feature of the American landscape -- as home to the continent's first successful English settlement, highway for Native Americans and early colonists, battleground in the Revolution and the Civil War, and birthplace of America's twentieth-century navy. In 1998, restless in his job as a reporter for the Norfolk Virginian-Pilot, Earl Swift landed an assignment traveling the entire length of the James. He hadn't been in a canoe since his days as a Boy Scout, and he knew that the river boasts whitewater, not to mention man-made obstacles, to challenge even experienced paddlers. But reinforced by Pilot photographer Ian Martin and a lot of freeze-dried food and beer, Swift set out to immerse himself -- he hoped not literally -- in the river and its history. What Swift survived to bring us is this engrossing chronicle of three weeks in a fourteen-foot plastic canoe and four hundred years in the life of Virginia. Fueled by humor and a dauntless curiosity about the land, buildings, and people on the banks, and anchored by his sidekick Martin -- whose photographs accompany the text -- Swift points his bow through the ghosts of a frontier past, past Confederate forts and POW camps, antebellum mills, ruined canals, vanished towns, and effluent-spewing industry. Along the banks, lonely meadowlands alternate with suburbs and power plants, marinas and the gleaming skyscrapers of Richmond's New South downtown. Enduring dunkings, wolf spiders, near-arrest, channel fever, and twenty-knot winds, Swift makes it to the Chesapeake Bay. Readers who accompany him through his Journey on the James will come away with the accumulated pleasure, if not the bruises and mud, of four hundred miles of adventure and history in the life of one of America's great watersheds.

Compiles the best literary essays of the year 2019 which were originally published in American periodicals.

Considered the greatest western of all time, as it was voted by the Western American Writers in 1977 as the greatest western novel of all time.--Considered by many to be the best Western novel, Wister's work essentially defined the genre, both in print and on film, and also created the archetypal Western hero: the strong silent type who rides in from the range and saves the day by shooting the bad guys full of holes. Like many in the genre, this also features a romantic subplot.

The Virginia Landmarks Register, fourth edition, will create for the reader a deeper awareness of a unique legacy and will serve to enhance the stewardship of Virginia's irreplaceable heritage.