This is a complete handbook of information and opinion about the development of indie and new wave music. Based on the Encyclopedia of Popular Music, the book contains over 1400 entries covering musicians, bands, songwriters, producers and record labels which have made a significant impact on the development of indie and new wave music and traces the emergence of the original punk and garage acts like the Sex Pistols and the Ramones. The encyclopaedia also covers more recent bands such as the Foo Fighters and Oasis as well as cult artists like The Pastels and The Cocteau Twins. Each entry offers information such as dates, career facts, discography and album ratings.

The Virgin Encyclopaedia of the Blues is a complete handbook of information and opinion about the history of the most classically simple, enduring and inspiring genre in the history of popular music. All entries have been created from the massive database of The Encyclopaedia of Popular Music, which has swiftly and firmly established itself as the undisputed champion of contemporary music reference books. Brand new research ensures that the 1000 entries are bang up-to-date and cover everyone - the musicians, bands, songwriters, producers and record labels - who has made a significant impact on the development of the blues. It brings together pioneers like Robert Johnson and Blind Lemon Jefferson, the influence of Muddy Waters and Willie Dixon on the blues boom of the 1960s, and the most recent blues resurgence featuring Keb'Mo, Larry Garner and Jonny Lang. As well as the giants of the blues, this encyclopaedia has the range and depth to include performers who flew the blues flag during fallow periods, the 1980s band Roomful of Blues for example, or acts like Paul Butterfield, Chicken Shack, Stevie Ray Vaughan, who took the music to a wider, whiter, audience. Some blues musicians, including John Lee Hooker and Taj Mahal, seem to last forever. Others simply defined the genre, like Lead Belly, Bessie Smith and Howlin' Wolf. Whomever you remember or want to know more about, each entry gives the essential elements - dates, career facts, discography and album ratings - as well as a sense of context, striking a balance between the extremes of the self-opinionated and the bland.

This is a complete handbook of information and opinion about the history of R&B and soul music. Based on the Encyclopedia of Popular Music, the book contains over 1000 entries covering musicians, bands, songwriters, producers and record labels which have made a significant impact on the development of R&B and soul music. It brings together people such as Otis Reading and Aretha Franklin with the great Philly groups of the 1970s, the mainstream soul of Will Downing and Anita Baker and the modern generation of artists such as Mary J. Blige, Babyface and Toni Braxton. As well as headline acts, the book also covers performers who flourished briefly. Each entry offers information such as dates, career facts, discography and album ratings.

The function of print resources as instructional guides and descriptors of popular music pedagogy are addressed in this concise volume. Increasingly, public school teachers and college-level faculty members are introducing and utilizing music-related educational approaches in their classrooms. This book lists reports dealing with popular music resources as classroom teaching materials, and will stimulate further thought among students and teachers. It focuses on the growing spectrum of published scholarship available to instructors in specific teaching fields (art, geography, social studies, urban studies, and so on) as well as on the multitude of general resources (including biographical directories and encyclopedias of artist profiles). Building on two recent publications: Teaching with Popular Music Resources: A Bibliography of Interdisciplinary Instructional Approaches, Popular Music and Society, XXII, no. 2 (Summer 1998), and American Culture Interpreted through Popular Music: Interdisciplinary Teaching Approaches (Bowling Green State University Popular Press, 2000), this volume focuses on the growing spectrum of published scholarship that is available to instructors in specific teaching fields (art, geography, social studies, urban studies, and so on) as well as on the multitude of general resources (including biographical directories and encyclopedias of artist profiles).

All the facts and informed opinion that you need on the artists who made the history of this decade are contained in this single volume, distilled from The Virgin Encyclopedia of Popular Music, universally acclaimed as the world's leading source of reference on rock and pop history.

The bands, producers, labels and remixers of the diverse dance music culture are listed here in this reference book. Dates, career facts, discographies and star ratings are given, along with considered opinion on the prime movers and shakers in the business.

Essential companion to this distinctive music style.

The Nineties has been a thrilling and varied decade for pop, with a renaissance of both rock and roll and pop music. Along with new acts like the Spice Girls, Oasis, Beck, Bjork and Nirvana, there has been an explosion of dance music and the emergence of powerful new genres like drum'n'bass and thrash metal. All the entries have been created from the massive data-base of the Encyclopedia of Popular Music, first published in 1992, which is the acknowledged champion of contemporary music reference books.

A guide to the greatest shows and films in the history of the musical, as well as their stars, lyricists and composers. Over 1600 entries provide facts, figures and critical opinion on all aspects of the field.