Drawing on Palladio's original published legacy of approximately 40 designs, the authors attempt to reveal the rigorous geometric rules by which Palladio conceived these structures. Using a computer, they test each rule in every possible application.

Thomas Jefferson (1743-1826), a cosmopolitan figure with rural roots, was a master of the knowledge of his time. He drafted The Declaration of Independence (1776), and thus founded a new view of the proper relation between governed and government. Jefferson was the architect of the new America, not just in a political sense, but in a literal sense as well. Architecture had an important place in his personal and public agenda. A self-taught architect, Jefferson buildings are amongst America's most famous: Monticello, the Virginia State Capitol and the University of Virginia are the starting points of American classical architecture. Jefferson was guided by his admiration for Palladio's Four Books on Architecture, which provided him with key architectural forms and ideas. Palladio showed him how the admired building types of the ancient Romans could be adapted to modern purposes and provide a rational, harmonious framework for living and for building a new society. Contents: Palladio in America by James S. Ackerman; Jefferson and Palladio by Guido Beltramini; Jefferson: Architecture and Democracy by Fulvio Lenzo; Photographing Jefferson by Filippo Romano; Palladianism in America Before Jefferson by Bruce Boucher; The National Survey Grid and the American Democracy by Catherine Maumi; Jefferson's Creation of American Classical Architecture by Richard Guy Wilson; Jefferson and the First Public Statues in the United States by Giovanna Capitelli; Canova and the Monument to George Washington by Mario Guderzo; Palladio: Materials and Building Techniques Damiana by Lucia Paterno; Jefferson Builder by Travis McDonald. ENTRIES: Monticello; Virginia State Capitol; President's House; Poplar Forest; Bremo; Barboursville; University of Virginia Bibliographiy of works cited List of the Exhibits"

Sir Kenneth Clark wrote in the Architectural Review, that the first result of this book was "to dispose, once and for all, of the hedonist, or purely aesthetic, theory of Renaissance architecture, ' and this defines Wittkower's intention in a nutshell.

This guide enables the reader to develop an understanding of how architectural structures function, and is generously illustrated with examples take from contemporary buildings.

Andrea Palladio's 'Villa Rotonda' in Vicenza became the most famous building of its kind; it influenced many later designs and remains an important source of inspiration for architects. Part of the "Basic Architecture" series, this title gives an introduction to the work of Andrea Palladio (1508-1580).

From "one of our most original, accessible, and stimulating writers on architecture" ("Library Journal") comes a captivating account of the life and work of Andrea Palladio, the father of domestic architecture.

Palladio (1508-80) combined classical restraint with constant inventiveness. In this study, Professor Ackerman sets Palladio in the context of his age - the Humanist era of Michelangelo and Raphael, Titian and Veronese - and examines each of the villas, churches and palaces in turn and tries to penetrate to the heart of the Palladian miracle. Palladio's theoretical writings are important and illuminating, he suggests, yet they never do justice to the intense intuitive skills of "a magician of light and colour". Indeed, as the photographs in this book reveal, Palladio was "as sensual, as skilled in visual alchemy as any Venetian painter of his time", and his countless imitators have usually captured the details, but not the essence of his style. There are buildings all the way from Philadelphia to Leningrad which bear witness to Palladio's "permanent place in the making of architecture", yet he also deserves to be seen on his own terms.

“The remarkable story of the two seventeenth-century geniuses. . . . A highly successful double biography.” —Booklist The rivalry between the brilliant seventeenth-century Italian architects Gianlorenzo Bernini and Francesco Borromini is the stuff of legend. Enormously talented and ambitious artists, they met as contemporaries in the building yards of St. Peter’s in Rome, became the greatest architects of their era by designing some of the most beautiful buildings in the world, and ended their lives as bitter enemies. Engrossing and impeccably researched, full of dramatic tension and breathtaking insight, The Genius in the Design is the remarkable tale of how two extraordinary visionaries schemed and maneuvered to get the better of each other and, in the process, created the spectacular Roman cityscape of today. “Entertaining. . . . Morrissey finely renders the intense rivalry between these two artists.” —Publishers Weekly “With clear prose and splendid touches of drama, history and architecture are both brought wonderfully to life.” —Ross King, New York Times bestselling author of Brunelleschi’s Dome and Michelangelo and the Pope’s Ceiling “Engrossing.” —Matthew Pearl, of The Dante Club “Genius in the Design reveals the dark side of 17th Century Italy with sparkling anecdotes and you-are-there immediacy” —Laurence Bergreen, author of Over the Edge of the World “Fascinating . . . a scintillating introduction to the Baroque.” —Iain Pears, New York Times bestselling author An Instance of the Fingerpost “Page-turning reading.” —Seattle Times Book Review “Morrissey illuminates the contrast between the celebrated Bernini and the anguished Borromini.” —Boston Globe