The Vietnam War and Theologies of Memory develops a theological analysis of the American war in Vietnam and constructs a Christian account of memory in relation to this tragic conflict. An elegantly written reflection of memory and forgiveness, this unique work explores the ecclesial practice of memory in relation to the American war in Vietnam Questions how and why we choose to remember atrocity, and asks whether it is ever ethical to simply forget Explores the theological categories of time and eternity, and the ideas of thinkers including Aquinas, Augustine, and Barth Reveals broader insights about history, memory, and redemption Resonates beyond the field of theological inquiry by offering a broader analysis of war entirely relevant to our time

The Vietnam War and Theologies of Memory develops atheological analysis of the American war in Vietnam and constructsa Christian account of memory in relation to this tragic conflict. An elegantly written reflection of memory and forgiveness, thisunique work explores the ecclesial practice of memory in relationto the American war in Vietnam Questions how and why we choose to remember atrocity, and askswhether it is ever ethical to simply forget Explores the theological categories of time and eternity, andthe ideas of thinkers including Aquinas, Augustine, and Barth Reveals broader insights about history, memory, andredemption Resonates beyond the field of theological inquiry by offering abroader analysis of war entirely relevant to our time

Finalist, National Book Critics Circle Award Finalist, National Book Award in Nonfiction A New York Times Book Review “The Year in Reading” Selection All wars are fought twice, the first time on the battlefield, the second time in memory. From the author of the Pulitzer Prize–winning novel The Sympathizer comes a searching exploration of the conflict Americans call the Vietnam War and Vietnamese call the American War—a conflict that lives on in the collective memory of both nations. “[A] gorgeous, multifaceted examination of the war Americans call the Vietnam War—and which Vietnamese call the American War...As a writer, [Nguyen] brings every conceivable gift—wisdom, wit, compassion, curiosity—to the impossible yet crucial work of arriving at what he calls ‘a just memory’ of this war.” —Kate Tuttle, Los Angeles Times “In Nothing Ever Dies, his unusually thoughtful consideration of war, self-deception and forgiveness, Viet Thanh Nguyen penetrates deeply into memories of the Vietnamese war...[An] important book, which hits hard at self-serving myths.” —Jonathan Mirsky, Literary Review “Ultimately, Nguyen’s lucid, arresting, and richly sourced inquiry, in the mode of Susan Sontag and W. G. Sebald, is a call for true and just stories of war and its perpetual legacy.” —Donna Seaman, Booklist (starred review)

This title presents a penetrating account of the cultural politics surrounding the memorialisation of the Vietnam War. It is a study of American attempts to come to terms with the legacy of the Vietnam War.

A "how-to" book on theology from a world-renowned theologian In this book Stanley Hauerwas returns to the basics of "doing" theology. Revisiting some of his earliest philosophical and theological views to better understand and clarify what he has said before, Hauerwas explores how theological reflection can be understood as an exercise in practical reason. Hauerwas includes chapters on a wide array of topics, including "How I Think I Learned to Think Theologically," "How the Holy Spirit Works," "How to Write a Theological Sentence," and "How to Be Theologically Funny." In a postscript he responds to Nicholas Healy's recent book Hauerwas: A (Very) Critical Introduction. "What we believe as Christians," says Hauerwas, "is quite basic and even simple. But because it is so basic, we can lose any sense of the extraordinary nature of Christian beliefs and practices." In discussing the work of theology, Hauerwas seeks to recover that "sense of the oddness of what we believe as Christians."

The Vietnam War is evolving from contemporary memory into history. Fifty years on, it still serves as a benchmark in the history of war reporting and in the representation of conflict in popular culture and historical memory. However, as contemporary culture tries to come to terms with the events and their political, psychological and cultural implications, the ‘real’ Vietnam War has been appropriated and changed into a set of mythologies which implicate American and Vietnamese national identities specifically, and ideas of modern conflict more broadly, particularly in shaping the mediation of the twenty-first century ‘War on Terror’. This collection of interdisciplinary critical essays explores the cultural legacies of the US involvement in South East Asia, considering this process of ‘mythologising’ through the lenses of visual media and tracing the war’s evolution from contemporary reportage to subsequent interpretation and consumption. It reassesses the role of visual media in covering and remembering the war, its memorialisation, mediation and memory. The origin of this collection of essays was an international conference, titled “Considering Vietnam”, held at the Imperial War Museum, London, in February 2012, co-organised by the museum and the University of the Arts London Photography and the Archive Research Centre (PARC).

In the decades since the Vietnam War, veteran memoirs have influenced Americans’ understanding of the conflict. Yet few historians or literary scholars have scrutinized how the genre has shaped the nation’s collective memory of the war and its aftermath. Instead, veterans’ accounts are mined for colorful quotes and then dropped from public discourse; are accepted as factual sources with little attention to how memory, no matter how authentic, can diverge from events; or are not contextualized in terms of the race, gender, or class of the narrators. Veteran Narratives and the Collective Memory of the Vietnam War is a landmark study of the cultural heritage of the war in Vietnam as presented through the experience of its American participants. Crossing disciplinary borders in ways rarely attempted by historians, John A. Wood unearths truths embedded in the memoirists’ treatments of combat, the Vietnamese people, race relations in the United States military, male-female relationships in the war zone, and veterans’ postwar troubles. He also examines the publishing industry’s influence on collective memory, discussing, for example, the tendency of publishers and reviewers to privilege memoirs critical of the war. Veteran Narratives is a significant and original addition to the literature on Vietnam veterans and the conflict as a whole.

Between 1959 and 1975, more than a million Americans saw combat in Vietnam, a third of whom developed post-traumatic stress disorder. By examining movies, memoirs, political speeches, and even the backwoods rituals of the contemporary men's movement in light of the psychological experiences of veterans, Turner explores the ongoing legacy of the war in popular culture, politics, and national ideals.