It was a pervasive belief among Victorian writers that their era was transitional in character, that they were moving from an outworn past into an unknown future and therefore needed to look to history for guidance. History was a mirror reflecting the present. On the basis of analogies and contrasts with earlier ages and cultures, the great Victorians tried to gain a sense of their own place in the continuum. In this insightful and elegantly written book, A. Dwight culler explores the Victorians' uses of history, surveying the major authors and the intellectual and cultural currents of the era. Culler begins with an introductory chapter on the Augustan Age, which was the immediately preceding example of the use of history as a mirror to reflect the present. He then charts the rise of the new attitude toward history in Scott and Macaulay and traces its use by individuals and groups who were concerned either with a particular phase of the past or with a current problem in relation to the past. Among those treated are Carlyle, Mill, and the Saint-Simonians, Thomas Arnold and the Liberal Anglican historians, Newman and the anti-Tractarians, Matthew Arnold, Ruskin and the Victorian medievalists, Browning, the Pre-Raphaelites, Pater, and others preoccupied with the idea of a "Victorian Renaissance." Throughout, Culler vividly demonstrates that the Victorian debates about science, religion, art, and culture always had a historical dimension, always were concerned with the relation of the present to the past.

Simon Joyce examines heritage culture, contemporary politics, and the "neo-Dickensian" novel to offer a more affirmative assessment of the Victorian legacy, one that lets us imagine a model of social interconnection and interdependence that has come under threat in today's politics and culture.

"The 'age of Victoria' is taken in its widest sense to encompass jewellery made throughout Europe and America, displayed at the great international exhibitions and distributed through foreign trade, illustrated publications and a burgeoning tourist industry ... The focus of the book is on the attitudes of owners to their jewellery and the symbolic weight that it was expected to carry. Rather than concentrating on the major figures at the top end of the jewellery trade, or indeed offering a chronological survey of the development of jewellery styles and fashions, it is oriented towards the social aspects of owning, wearing and displaying jewellery. The authors show, for example, how novelists use jewellery to add a moral or metaphorical dimension to a character, while jewels depicted in portraits would often have disclosed multiple messages which could be immediately decoded by the viewer. The achievements of science, the fascination with nature and the Victorian sense of humour are all embodied in jewellery. Topics discussed in depth include the importance of jewellery in the life of the Queen herself, jewellery and dress, the language of jewellery, the cult of novelty, the importance of nationalism in the revival of historical styles, and the contribution of archaeological discoveries."--Publisher's description.

The notion of 'representative democracy' seems unquestionably familiar today, but how did the Victorians understand democracy, parliamentary representation, and diversity?

Of all human inventions, the mirror is perhaps the one most closely connected to our own consciousness. As our first technology for contemplation of the self, the mirror is arguably as important an invention as the wheel. Mirror Mirror is the fascinating story of the mirror's invention, refinement, and use in an astonishing range of human activities -- from the fantastic mirrored rooms that wealthy Romans created for their orgies to the mirror's key role in the use and understanding of light. Pendergrast spins tales of the 2,500year mystery of whether Archimedes and his "burning mirror" really set faraway Roman ships on fire; the medieval Venetian glassmakers, who perfected the technique of making large, flat mirrors from clear glass and for whom any attempt to leave their cloistered island was punishable by death; Isaac Newton, whose experiments with sunlight on mirrors once left him blinded for three days; the artist David Hockney, who holds controversial ideas about Renaissance artists and their use of optical devices; and George Ellery Hale, the manic-depressive astronomer and telescope enthusiast who inspired (and gave his name to) the twentieth century's largest ground-based telescope. Like mirrors themselves, Mirror Mirror is a book of endless wonder and fascination.

A narrative chronicle of fashion through the ages describes the outrageous, politically perilous, and life-threatening creations people have worn in different historical eras, from spats and togas to hoop skirts and hair shirts.

Critically acclaimed author of The Ashes Trilogy, Ilsa J. Bick takes her new Dark Passages series to an alternative Victorian London where Emma Lindsay continues to wade through blurred realities now that she has lost everything: her way, her reality, her friends. In this London, Emma will find alternative versions of her friends from the White Space and even Arthur Conan Doyle. Emma Lindsay has nowhere to go. Her friends are dead. Eric and Casey are lost to the Dark Passages. Emma commands the cynosure, a device that allows for safe passage between the Many Worlds, to put her where she might find her friends again. But Emma wakes up in the body of Little Lizzie, all grown up. And in this alternative Victorian London, Elizabeth McDermott is mad. Elizabeth's physician, Dr. Kramer, has drugged her to allow Emma—who's blinked to this London before—to emerge as the dominant personality. Elizabeth is dying, and if Emma can't find a way out, everyone as they exist in this London will die with her.

In this twisting time-travel thriller, a woman faints on the eve of her wedding—and awakens at the turn of the century in her grandmother’s body . . . The night before she is supposed to get married, Shay Garrett has no idea that a glimpse into her grandmother’s antique Chinese mirror will completely transform her seemingly ordinary life. But after a bizarre blackout, she wakes up to find herself in the same house—but in the year 1900. Even stranger, she realizes she is now living in the body of her grandmother, Brandy McCabe, as a young woman. Meanwhile, Brandy, having looked into the same mirror, awakens in Shay’s body in the present day—and discovers herself pregnant. As Rachael—the woman who links these two generations, mother to one and daughter to another—weaves back and forth between two time periods, this imaginative thriller explores questions of family, identity, and love. Courageous, compassionate Shay finds herself fighting against the confines of a society still decades away from women’s liberation, while Brandy struggles to adapt to the modern world she has suddenly been thrust into. The truth behind this inexplicable turn of events is more complex than either woman can imagine—and The Mirror is a tribute to the triumph of the female spirit, even in the face of seemingly insurmountable obstacles. “What happens will surprise you. In the meantime, settle down for a good read.” —The Denver Post

Annotation Why were the Victorians so passionate about 'history'? How did this passion relate to another Victorian obsession - the 'woman question'? Christina Crosby investigates the links between the Victorians' fascination with 'history' and with the nature of 'women'.

History is a subject which never stands still. It is always changing its philosophies, its contours, its leading questions, its politics, its conceptual status and its methodologies. This bibliographical guide to the study of history is wide-ranging in scope extending from the ancient world to the 20th century. It deliberately concentrates on modern historians' views, provides a substantial section on the philosophy of history, charts controversies and highlights the continual evolution and diversification of history. The material is logically organized in major areas and subsections, and cross-references are given where appropriate. An index of authors, editors and compilers is also provided.