Discusses the murder of a twenty-two year old music student who was robbed, stabbed in the back, and then thrown on the tracks of a New York City subway, where he died. The author, Eric's mother, gives a powerful account of this senseless tragedy, the continuing pain she suffers, and the inadequacies of our flawed criminal justice system.

This comprehensive study formulates an original theory that dramatic song must be perceived as a separate genre situated between poetry, music, and theater. It focuses on John Arden, Margaretta D'Arcy, Edward Bond, Peter Barnes, John Osborne, Peter Nichols, Harold Pinter, Tom Stoppard, Peter Shaffer, and John McGrath.

With the report of the 16th meeting, 1894, was issued "The secretary's official report of the special meeting ... Chicago, 1893," containing a ršum ̌of the reports of meetings from 1876 to 1892.

Victim's Stories and the Advancement of Human Rights addresses questions suggested by the worldwide persistence of human rights abuse and the prevalence of appeals to victims' stories in human rights campaigns, truth commissions, and international criminal tribunals. The book mobilizes philosophical theory to illuminate victims' stories and appeals to victims' stories to enrich the philosophy of human rights.