Oliver Vice, forty-one, prominent philosopher, scholar, and art collector, is missing and presumed dead, over the side of Queen Mary 2.Troubled by his friend’s possible suicide, the unnamed narrator of Lawrence Douglas’ new novel launches an all-consuming investigation into Vice’s life history. Douglas, moving backward through time, tells a mordantly humorous story of fascination turned obsession, as his narrator peels back the layers of the Vice family’s rich and bizarre history. At the heart of the family are Francizka, Oliver’s handsome, overbearing, vaguely anti-Semitic Hungarian mother, and his fraternal twin brother, Bartholomew, a gigantic and troubled young man with a morbid interest in Europe’s great tyrants. As the narrator finds himself drawn into a battle over the family’s money and art, he comes to sense that someone—or perhaps the entire family—is hiding an unsavory past. Pursuing the truth from New York to London, from Budapest to Portugal, he remains oblivious to the irony of the search: that in his need to understand Vice’s life, he is really grappling with ambivalence about his own.

The seven deadly sins of Christianity represent the abysses of character, whereas Shklar's "ordinary vices"--cruelty, hypocrisy, snobbery, betrayal, and misanthropy--are merely treacherous shoals, flawing our characters with mean-spiritedness and inhumanity. Shklar draws from a brilliant array of writers--Moliere and Dickens on hypocrisy, Jane Austen on snobbery, Shakespeare and Montesquieu on misanthropy, Hawthorne and Nietzsche on cruelty, Conrad and Faulkner on betrayal--to reveal the nature and effects of the vices. She examines their destructive effects, the ambiguities of the moral problems they pose to the liberal ethos, and their implications for government and citizens: liberalism is a difficult and challenging doctrine that demands a tolerance of contradiction, complexity, and the risks of freedom.

Drawing on centuries of wisdom from the Christian ethical tradition, this book takes readers on a journey of self-examination, exploring why our hearts are captivated by glittery but false substitutes for true human goodness and happiness. The first edition sold 35,000 copies and was a C. S. Lewis Book Prize award winner. Now updated and revised throughout, the second edition includes a new chapter on grace and growth through the spiritual disciplines. Questions for discussion and study are included at the end of each chapter.

In Edward Hallet Carr’s definitive biography Jonathan Haslam paints a compelling portrait of a man torn between a vicarious identification with the romance of revolution and the ruthless realism of his own intellectual formation.

Tales on the seven deadly sins--pride, avarice, lust, gluttony, sloth, envy, anger--with lust the favorite. The authors range from Xenophon to Erica Jong. With illustrations.

This book argues that the question posed by virtue theories, namely, “what kind of person should I be?” provides a more promising approach to moral questions than do either deontological or consequentialist moral theories where the concern is with what actions are morally required or permissible. It does so both by arguing that there are firmer theoretical foundations for virtue theories, and by persuasively suggesting the superiority of virtue theories over deontological and consquentialist theories on the question of explaining morally bad behavior. Virtue theories can give a richer account by appealing to the kinds of dispositions that make certain bad choices appear attractive. This richer account also exposes a further advantage of virtue theories: they provide the best kinds of motivations for agents to become better persons.

Gabriele Taylor presents a philosophical investigation of the 'ordinary' vices traditionally seen as 'death to the soul': sloth, envy, avarice, pride, anger, lust, and gluttony. This complements recent work by moral philosophers on virtue, and opens up the neglected topic of the vices for further study. Whilst in a mild form the vices may be ordinary and common failings, Deadly Vices makes the case that for those wholly in their grip they are fatally destructive, preventingthe flourishing of the self and of a worthwhile life. An agent therefore has a powerful reason to avoid such states and dispositions and rather to cultivate those virtues that counteract a deadly vice.In dealing with individual vices, their impact on the self, and their interrelation, Deadly Vices offers a unified account of the vices that not only encompasses the healing virtues but also engages with issues in the philosophy of mind as well as in moral philosophy, and shows the connection between them. Literary examples are used to highlight central features of individual vices and set them in context.

Edward Hallet Carr is renowned as the historian of Soviet Russia, biographer of The Romantic Exiles, founder of the 'realist' approach to the study of International Relations and author of the classic Trevelyan lecture series, What is History? This sparkling biography reveals how intimately the historian's grasp of statecraft is related to Carr's own formative experiences at the center of political events. Seconded from Cambridge to the Foreign Office during World War I to administer the Allied blockade of the new Soviet Republic and attending the post-war Paris peace talks on behalf of the British, Carr witnessed at first hand the unfolding drama of the revolution which was to become the centerpiece of his life's work. At the Foreign Office, and as Times leader writer during World War II, he was an influential opinion maker whose open-minded attitude to the Soviet Union deprived him of academic posts for the next decade. Jonathan Haslam paints a compelling psychological portrait of a man torn between a vicarious identification with the romance of revolution and the ruthless realism of his own intellectual formation. In his fascinating account of the creation of Carr's vast 14 volume History of Soviet Russia, Haslam reveals a major historian at his craft.