Reprint of the original, first published in 1875.

An investigation of the Victorian governess novel as a specific genre. Based on a comprehensive set of nineteenth-century novels, governess manuals, articles and biographical material, it shows how the Victorian Governess novel made up a vital part of the governess debate, as well as of the more general debate on female education.

Some of the greatest English novels were written during the Victorian era, and many are still widely read and taught today. But many others written during that period have been neglected by scholars and modern readers alike. A number of these novels were written by women and were popular when published. Moreover, they reveal perspectives of 19th-century British culture not present in canonized works and therefore revise our understanding of Victorian life and attitudes. With the increasing interest in revising Victorian history and gender scholarship, especially through the rediscovery of lost texts written by women, this book is a timely and much needed study. The expert contributors to this volume argue the value of novels by such Victorian women writers as Grace Aguilar, Catherine Crowe, Charlotte Elizabeth Tonna, Annie E. Holdsworth, Ella Hepworth Dixon, Flora Annie Steel, Anne Thackeray, Sarah Grand, Marie Corelli, and others. Most of the chapters address numerous works by a particular writer. Each focuses on different social issues as well, though most of them share an interest in gender politics. Topics discussed include a 19th-century Jewish novelist's navigation through Protestant spirituality, the relationship of noncanonical governess novels to class and gender issues, and forgotten works by women crime writers. Other chapters analyze how women writers impelled social reform and subverted patriarchally defined religious issues.

Reprint of the original, first published in 1883.

A governess must return to the Cornish coast amid the insidious rumors of murder that forced her away in this Regency romance. Set in the same time period as Poldark and Bridgerton, The Governess of Penwythe Hall is rich with family secrets, lingering danger, and the captivating allure of new love. Cornwall, England, 1811: Blamed for her husband’s death, Cordelia Greythorne fled Cornwall and accepted a governess position to begin a new life. Years later her employer’s unexpected death and his last request for Delia to watch over his five children force her to reevaluate. She can’t abandon the children now that they’ve lost both parents, but their new guardian lives at the timeworn Penwythe Hall . . . back on the Cornish coast where she’s been warned never to return. Bachelor Jac Twethewey is determined to revive Penwythe Hall’s once-flourishing apple orchards, and he’ll stop at nothing to see his struggling estate profitable again. He hasn’t heard from his elder brother in years, so when his nieces, nephews, and their governess arrive unannounced, he battles both grief at his brother’s death and bewilderment over this sudden responsibility. Jac’s priorities shift as the children take up residence in the ancient halls, but their secretive governess—and the sinister mysteries shrouding her past—might be the end to both Jac and Delia’s carefully laid plans. Praise for The Governess of Penwythe Hall: “Brimming with dangerous secrets, rich characters, and the hauntingly beautiful descriptions Sarah Ladd handles so well, 1800s Cornwall is brought vividly to life in this well-crafted tale that kept me glued to the pages. What a brilliant start to a new series!”—Abigail Wilson, author of Masquerade at Middlecrest Abbey “Absolutely captivating! Once I started reading, I couldn’t put down The Governess of Penwythe Hall. This blend of Jane Eyre, Jane Austen, and Jamaica Inn has it all. Intrigue. Danger. Poignant moments. And best of all a sweet, sweet love story. This is by far my favorite Sarah Ladd book. Don’t hesitate to snatch up this title!”—Michelle Griep, Christy Award–winning author Full-length Regency romance First book in the Cornwall novels (The Governess of Penwythe Hall, The Thief of Lanwyn Manor, and The Light at Wyndcliff), but can be read as a stand-alone story Book length: 94,000 words Includes discussion questions for book clubs