, Vivian Walker is dying. This is not on her list of things to do. A darkly funny debut that proves even the most imperfect of lives is worth celebrating. 'A heartbreakingly funny, unflinching, unforgettable debut. I just loved Vivian Walker!' LIANE MORIARTY 'Will make you laugh, cry and realise that even the most ordinary life is full of extraordinary moments' MAMAMIA Vivian Walker's life is exceptionally ordinary. Average husband, check. Darling son, check. Refrigerator in a state of permanent disarray, check. Everything is thoroughly and frustratingly routine, even being terminally ill. In preparation for D-day, Viv has made a list of essential things to do. She doesn't expect to become spiritually enlightened or have any outlandish last-minute successes. All she wants is to finish her unfinished business. The Very Last List of Vivian Walker will make you want to embrace humanity in all its selfishness, beauty and awkwardness. 'This novel has humour and pathos in spades - I laughed and cried' THE SATURDAY PAPER 'Compelling. Beautifully relatable. A touching story' BOOKS+PUBLISHING 'Darkly funny and will leave you uplifted. Megan Albany blends the tragedy with the humorous' WEEKEND AUSTRALIAN 'A fun take on a tough topic' THE AUSTRALIAN WOMEN'S WEEKLY 'A fun read that gets to the meaning of life through death' SARAH L'ESTRANGE, ABC 'Remarkably talented' WHO 'Funny and heart-breaking in equal measure, a skilfully wrought study of the difficult art of dying in our society' LIVING ARTS CANBERRA 'I cried reading this debut novel. I also laughed and despaired . . . the type of novel that you'll read quickly and that will compel you to find your family and hold them tight' READINGS 'An abundance of humour, spirit and profundity . . . an accomplished debut' BETTER READING 'Uplifting and impactful' BETTER HOMES & GARDENS 'Megan Albany has written a novel that is funny, real, and never glib; it is clear she loves all her characters' QUEENSLAND REVIEWERS COLLECTIVE,

Vivian Walker is dying. This is not on her list of things to do. A darkly funny debut that proves even the most imperfect of lives is worth celebrating. 'A heartbreakingly funny, unflinching, unforgettable debut. I just loved Vivian Walker!' LIANE MORIARTY 'Will make you laugh, cry and realise that even the most ordinary life is full of extraordinary moments' MAMAMIA Vivian Walker's life is exceptionally ordinary. Average husband, check. Darling son, check. Refrigerator in a state of permanent disarray, check. Everything is thoroughly and frustratingly routine, even being terminally ill. In preparation for D-day, Viv has made a list of essential things to do. She doesn't expect to become spiritually enlightened or have any outlandish last-minute successes. All she wants is to finish her unfinished business. The Very Last List of Vivian Walker will make you want to embrace humanity in all its selfishness, beauty and awkwardness. 'This novel has humour and pathos in spades - I laughed and cried' THE SATURDAY PAPER 'Compelling. Beautifully relatable. A touching story' BOOKS+PUBLISHING 'Darkly funny and will leave you uplifted. Megan Albany blends the tragedy with the humorous' WEEKEND AUSTRALIAN 'A fun take on a tough topic' THE AUSTRALIAN WOMEN'S WEEKLY 'A fun read that gets to the meaning of life through death' SARAH L'ESTRANGE, ABC 'Remarkably talented' WHO 'Funny and heart-breaking in equal measure, a skilfully wrought study of the difficult art of dying in our society' LIVING ARTS CANBERRA 'I cried reading this debut novel. I also laughed and despaired . . . the type of novel that you'll read quickly and that will compel you to find your family and hold them tight' READINGS 'An abundance of humour, spirit and profundity . . . an accomplished debut' BETTER READING 'Uplifting and impactful' BETTER HOMES & GARDENS 'Megan Albany has written a novel that is funny, real, and never glib; it is clear she loves all her characters' QUEENSLAND REVIEWERS COLLECTIVE

The remarkable New York Times bestseller! It happens every year before homecoming -- the list is posted all over school. Two girls are picked from each grade. One is named the prettiest, one the ugliest. The girls who aren't picked are quickly forgotten. The girls who are become the center of attention, and each reacts differently to the experience. With THE LIST, Siobhan Vivian deftly takes you into the lives of eight very different girls struggling with issues of identity, self-esteem, and the judgments of their peers. Prettiest or ugliest, once you're on the list, you'll never be the same.

Vivien Leigh is best known as the former Mrs. Laurence Olivier; the beautiful but willful Scarlett O'Hara; and the fading southern belle with a tenuous grip on reality, Blanche Du Bois. In life and on the screen, these were her public roles. Walker's excellent biography fills the gaps, giving insights into her private life-into what it must have been like to be Vivien Leigh. Walker (author of Garbo: A Portrait, CH, Mar '81; Dietrich, 1984; and Bette Davis: A Celebration, 1986) is a careful researcher who managed to win the confidence of the right people. His interview subjects include Vivien Leigh's only daughter, Suzanne Farrington; her first agent, John Glidden; and her last husband, Jack Merivale. Vivien is personal without being excessively gossipy, and informative without being pedantic. Walker's book should delight film-goers, theater-goers, and readers curious about prominent people. Leigh's achievements were many, but her personality had its darker side; even her 20 years as half of Britain's reigning theatrical couple ``the Oliviers'' took its toll on her physical and mental health. Amply supplied with photographs of the actress at all stages of her life, Vivien is an engaging book about an engaging figure. Undergraduates and general readers.- J.L. Cohen, Los Angeles County Museum of Art

From Charles Dickens’ London to today’s megacities, a fascinating exploration of what urban walking tells us about modern life—for fans of Rebecca Solnit, Olivia Laing’s The Lonely City, and literary history. “A labyrinthine journey into the literature of walking and thinking,” as seen in the lives and works of Edgar Allan Poe, Virginia Woolf, Ray Bradbury, and other literary greats (Guardian). There is no such thing as a false step. Every time we walk we are going somewhere. Especially if we are going nowhere. Moving around the modern city is not a way of getting from A to B, but of understanding who and where we are. In a series of riveting intellectual rambles, Matthew Beaumont retraces episodes in the history of the walker since the mid-19th century. From Dickens’s insomniac night rambles to restless excursions through the faceless monuments of today’s neoliberal city, the act of walking is one of self-discovery and self-escape, of disappearances and secret subversions. Pacing stride for stride alongside literary amblers and thinkers such as Edgar Allan Poe, André Breton, H. G. Wells, Virginia Woolf, Jean Rhys and Ray Bradbury, Beaumont explores the relationship between the metropolis and its pedestrian life. Through these writings, Beaumont asks: Can you get lost in a crowd? What are the consequences of using your smartphone in the street? What differentiates the nocturnal metropolis from the city of daylight? What connects walking, philosophy and the big toe? And can we save the city—or ourselves—by taking to the pavement?

Please note that all blank pages in the book were chosen as part of the design by the publisher. A good street photographer must be possessed of many talents: an eye for detail, light, and composition; impeccable timing; a populist or humanitarian outlook; and a tireless ability to constantly shoot, shoot, shoot, shoot and never miss a moment. It is hard enough to find these qualities in trained photographers with the benefit of schooling and mentors and a community of fellow artists and aficionados supporting and rewarding their efforts. It is incredibly rare to find it in someone with no formal training and no network of peers. Yet Vivian Maier is all of these things, a professional nanny, who from the 1950s until the 1990s took over 100,000 photographs worldwide—from France to New York City to Chicago and dozens of other countries—and yet showed the results to no one. The photos are amazing both for the breadth of the work and for the high quality of the humorous, moving, beautiful, and raw images of all facets of city life in America’s post-war golden age. It wasn’t until local historian John Maloof purchased a box of Maier’s negatives from a Chicago auction house and began collecting and championing her marvelous work just a few years ago that any of it saw the light of day. Presented here for the first time in print, Vivian Maier: Street Photographer collects the best of her incredible, unseen body of work.

Soon to be a feature film from the creators of Downton Abbey starring Elizabeth McGovern, The Chaperone is a New York Times-bestselling novel about the woman who chaperoned an irreverent Louise Brooks to New York City in the 1920s and the summer that would change them both. Only a few years before becoming a famous silent-film star and an icon of her generation, a fifteen-year-old Louise Brooks leaves Wichita, Kansas, to study with the prestigious Denishawn School of Dancing in New York. Much to her annoyance, she is accompanied by a thirty-six-year-old chaperone, who is neither mother nor friend. Cora Carlisle, a complicated but traditional woman with her own reasons for making the trip, has no idea what she’s in for. Young Louise, already stunningly beautiful and sporting her famous black bob with blunt bangs, is known for her arrogance and her lack of respect for convention. Ultimately, the five weeks they spend together will transform their lives forever. For Cora, the city holds the promise of discovery that might answer the question at the core of her being, and even as she does her best to watch over Louise in this strange and bustling place she embarks on a mission of her own. And while what she finds isn’t what she anticipated, she is liberated in a way she could not have imagined. Over the course of Cora’s relationship with Louise, her eyes are opened to the promise of the twentieth century and a new understanding of the possibilities for being fully alive. Drawing on the rich history of the 1920s, ’30s, and beyond—from the orphan trains to Prohibition, flappers, and the onset of the Great Depression to the burgeoning movement for equal rights and new opportunities for women—Laura Moriarty’s The Chaperone illustrates how rapidly everything, from fashion and hemlines to values and attitudes, was changing at this time and what a vast difference it all made for Louise Brooks, Cora Carlisle, and others like them.

In this new series told from multiple perspectives, teen members of a search and rescue team discover a dead body in the woods.

From the New York Times bestselling author of the Tradd Street novels comes an enthralling southern gothic saga about one woman's quest for the truth... When Vivien Walker left her home in the Mississippi Delta, she swore never to go back. But in the spring, nine years to the day since she’d left, Vivien returns, fleeing from a broken marriage and her lost dreams for children. What she hopes to find is solace with her dear grandmother who raised her, a Walker woman with a knack for making everything all right. Instead Vivien is forced into the unexpected role of caretaker, challenging her personal quest to find the girl she once was. But things will change again in ways Vivien cannot imagine. A violent storm has revealed the remains of a long-dead woman buried near the Walker home, not far from the cypress swamp that is soon to give up its ghosts. Vivien knows there is now only one way to rediscover herself—by uncovering the secrets of her family and breaking the cycle of loss that has haunted them for generations. READERS GUIDE INCLUDED

The “brilliant” story of July, a slave girl living on a sugar plantation in 1830s Jamaica just as emancipation is coming into action (Reader’s Digest). Told in the irresistibly willful and intimate voice of Miss July, with some editorial assistance from her son, Thomas, The Long Song is at once defiant, funny, and shocking. The child of a field slave on the Amity sugar plantation in Jamaica, July lives with her mother until Mrs. Caroline Mortimer, a recently transplanted English widow, decides to move her into the great house and rename her “Marguerite.” Together they live through the bloody Baptist War and the violent and chaotic end of slavery. An extraordinarily powerful story, “The Long Song leaves its reader with a newly burnished appreciation for life, love, and the pursuit of both” (The Boston Globe). Finalist for the 2010 Man Booker Prize The New York Times Book Review Notable Book of the Year