In early 2011 the photographer Vincenzo Giovanni Ruello discovered the Holy Grail, the incredible alive face of Jesus Christ moments before crucifixion in the legendary cloth held at St Peters in Rome known as the Veronica Veil. This Jewish relic was thought to be a legend until 2011 when the real to life photographic face image was revealed. The discovery is now sending shock waves around the world and reverberating through Christendom linking itself to the Shroud of Turin, the faces are identical though the Veronica appeared in Rome in the 7th century AD 600 years before the Shroud. Includes author biography, letters from the Vatican, the amazing photographs and much more, an incredible inspirational and enlightening story, the most important discovery in Christendom since the images of the Shroud Of Turin were revealed in 1898 by Secondo Pia.

Expanding on issues touched on in The Da Vinci Code, this thought-provoking study explores the real story of Christianity—a story told by men and women condemned by the traditional, orthodox church, and one long hidden in mysterious codes and symbols. In medieval times, dissenters believed the established church ruthlessly suppressed the truth about Jesus and his ministry. Branded as heretics and subject to torture and execution for their beliefs, the dissenters—including the Knights Templar, Freemasons, Cathars, and groups of scientists—devised an ingenious code to communicate with fellow sympathizers and preserve the truth. They concealed these complex symbols in art, artifacts, and architecture of the medieval world. Finally, this fascinating underground language is deciphered…revealing powerful messages meant as much for today’s truth seekers as for medieval minds.

"STARTLING . . . FIENDISH . . . MEMNOCH'S TALE IS COMPELLING." --New York Daily News "Like Interview with the Vampire, Memnoch has a half-maddened, fever-pitch intensity. . . . Narrated by Rice's most cherished character, the vampire Lestat, Memnoch tells a tale as old as Scripture's legends and as modern as today's religious strife." --Rolling Stone "SENSUAL . . . BOLD, FAST-PACED." --USA Today "Rice has penned an ambitious close to this long-running series. . . . Fans will no doubt devour this." --The Washington Post Book World "MEMNOCH THE DEVIL OFFERS PASSAGES OF POETIC BRILLIANCE." --Playboy "[MEMNOCH] is one of Rice's most intriguing and sympathetic characters to date. . . . Rice ups the ante, taking Lestat where few writers have ventured: into heaven and hell itself. She carries it off in top form." --The Seattle Times

"This book is mind-blowing. Nemerov is a groundbreaking thinker in his field."—John Wilmerding, Princeton University "This is a book for all serious Americanists."—Jay Fliegelman, author of Declaring Independence "Each haunting and delicately wrought canvas expands as Nemerov writes about it, so that his interpretive work both mirrors and supplements the wondrous intensity of the paintings themselves."—Ellen Handler Spitz, Museums of the Mind "Underneath their apparent simplicity, Raphaelle Peale's still lifes glow mysteriously in the dark light of their making. Peale transformed the common items of the early-nineteenth-century kitchen and market into explorations of the American unconscious. Now, writing as coolly and lucidly as Peale painted, Alexander Nemerov has unpeeled those still lifes in a tour de force of formalistic analysis. Through close interrogation of these small, hermetic images, Nemerov's book reveals the whole world of early America, in the process bringing us as close as possible to the genius of Raphaelle Peale."—David C. Ward, National Portrait Gallery, Smithsonian Institution. "This is a dazzling study, lively and imaginative, of an important body of work. Nemerov's novel arguments regarding still life in general and Raphaelle Peale in particular reveal much about the art, the man, and the times. It is a thoughtful and provocative book, certain to generate interest and debate. "—Charles C. Eldredge, Hall Distinguished Professor of American Art and Culture, University of Kansas "A triumph of interpretation! Not since Michael Fried's groundbreaking account of Thomas Eakins has a critic so reimagined the very terms by which we see painting. Nemerov's account singlehandedly catapults a painter we had previously considered to be interesting, but minor, into the forefront of discussions about American art during the early National Period. The Body of Raphaelle Peale will no doubt spark the beginning of an exciting revival of scholarship in American Romantic painting."—Bryan J. Wolf, author of Romantic Re-Vision

The feminist pornography debates are centered around the opposition between pro-censorship factions and the pro-sex radicals or sex positives. But what exactly is the relationship between these debates and postmodern theories of reading and performativity? What happens to these debates when they are placed in the context of colonial or U.S. racial histories? What is the history behind today's sexual radicalism? How radical is it? In the first section of Sex Positives?, Nicola Pitchford, Naomi Morgenstern, Victoria L. Smith, and Gabrielle N. Dean focus on the recent sex wars in U.S. feminism, especially within lesbian culture. Elissa J. Rashkin, Gaurav Desai, and James Smalls broaden the terms of the sex wars debates in the second section to include sexualized racial and colonial representations, from Chicana, African, and African-American perspectives. Finally, Sander L. Gilman, Laura Ciolkowski, and Laura Frost explore a variety of historical contexts for understanding contemporary forms of sexual representation and the repression of such representations.

Publisher description

Religious relics, defined as “either portions of or objects connected with the body of a saint or other holy person,” are among the most revered items in the world. Christian relics such as the Holy Grail, the True Cross, and the Lance of Longinus are also the source of limitless controversy. Such items have incited people to bloodshed and, some say, have been a source of miracles. Relics inspire fear and hope among the faithful and yet are a perennial target for skeptics, both secular and Christian. To research the authenticity of numerous Christian relics, Joe Nickell takes a scientific approach to a field of study all too often tainted by premature conclusions. In this volume, Nickell investigates such renowned relics as the Shroud of Turin, the multiple heads of John the Baptist, and the supposedly incorruptible corpses of saints, first examining the available evidence and documented history of each item. From accounts of true believers to the testimony of the relics’ alleged fabricators, Nickell then presents all sides of each story, allowing the evidence to speak for itself. For each relic, Nickell evaluates both the corroborating and contradictory bodies of evidence and explores whether the relic and attributed miracles can be reconstructed. In addition to his own experiments, Nickell presents findings from the world’s top scientists and historians regarding these controversial objects of reverence and ire, explaining the circumstances under which each case was examined. Radiocarbon dating and tests to determine the validity of substances such as blood or patina indicate a variety of possible origins. Nickell even reveals some of the techniques used to create archaeological forgeries and explains how investigators have exposed them. Each relic is a mystery to be solved; guided by the maxim, “extraordinary claims require extraordinary proof,” Nickell seeks only the truth.

The essays brought together in Islam, Law and Identity are the product of a series of interdisciplinary workshops that brought together scholars from a plethora of countries. Funded by the British Academy the workshops convened over a period of two years in London, Cairo and Izmir. The workshops and the ensuing papers focus on recent debates about the nature of sacred and secular law and most engage case studies from specific countries including Egypt, Israel, Kazakhstan, Mauritania, Pakistan and the UK. Islam, Law and Identity also addresses broader and over-arching concerns about relationships between religion, human rights, law and modernity. Drawing on a variety of theoretical and empirical approaches, the collection presents law as central to the complex ways in which different Muslim communities and institutions create and re-create their identities around inherently ambiguous symbols of faith. From their different perspectives, the essays argue that there is no essential conflict between secular law and Shari`a but various different articulations of the sacred and the secular. Islam, Law and Identity explores a more nuanced and sophisticated understanding of the tensions that animate such terms as Shari`a law, modernity and secularization