Compares the religious poem "Tiruvaymoli" alongside the "Vedas."

Excerpt from Oriental and Linguistic Studies: The Veda; The Avesta; The Science of Language If the reception accorded to this volume be sufficiently encouraging, it will perhaps be followed by another, com posed of essays on another class of themes. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Your essential guide to the Vedas When were the Vedas written, and why? Who were the people who composed them? Where did they come from, how did they live? Questions, conjectures and debates go hand in hand with the Vedas, the sacred keystone texts of Hinduism. Now, noted historian Roshen Dalal sifts through centuries of information and research to present, in a straightforward and succinct manner, an account of the Vedas that is authoritative yet accessible, thus appealing to both scholars and lay readers. In this book, key insights into the Vedas are complemented by a celebration of the poetry that lies within the texts. Using socio-economic data and archaeological and linguistic research, the author introduces us to the Vedic era, enabling us to understand the culture and philosophy that produced these ancient and sublime texts. • Based on original research and numerous authoritative sources, including auxiliary texts and early commentaries • Appendices featuring selected hymns from all four Vedas, and listing all the hymns that make up the Rig Veda • Conveniently cross-referenced with a wealth of information

Covering all aspects of Hinduism, this encyclopedia includes more ethnographic and contemporary material in contrast to the exclusively textual and historical approach of earlier works.

This book is primarily about the Rgveda, the avowed source text of all Hindu religious texts. It is a collection of 1028 mostly unrelated hymns. The language in which it is composed is known as ‘Vedic’, from which Sanskrit is believed to have evolved later. About a fifth of the poems are prayers addressed to what could be ‘Nature Gods’. Others cover a motley of subjects. About fifteen of these hymns relates to cosmogony, but differing in essentials. Vedic clearly belongs to the Indo-European language family. Apart from many cognate words that are common in all these languages, many of the stories mentioned in the Rgveda have a strong resemblance to mythologies in the other languages of the family; not just to the Zoroastrian ones, but also to those of Greek, Celtic, Nordic, Slavic, Hittite and others. Origin of Vedas also discusses a wide range of issues related to the origin and expansion of the Indo-European language family. The author has managed to collect together a lot of information about the Rgveda; some of which most would not have heard about earlier. Those interested in these may go through chapter 4 and 9.

Sonic Liturgy: Ritual and Music in Hindu Tradition builds on the foundation of Guy L. Beck's earlier work, which described the theoretical role of sound in Hindu thought. Sonic Liturgy continues the discussion of sound into the realm of Hindu ritual and musical traditions of worship. Beginning with the chanting of the Sama-Veda alongside the fire sacrifices of the ancient Indo-Aryans and with the classical Gandharva music as outlined in the musicological texts of Bharata and Dattila, Beck establishes a historical foundation for an in-depth understanding of the role of music in the early Puja rituals and Indian theater in the vernacular poetry of the Bhakti movements in medieval temple worship of Siva and Vishnu in southern India, and later in the worship of Krishna in the northern Braj region. By surveying a multitude of worship traditions, Beck reveals a continuous template of interwoven ritual and music in Hindu tradition that he terms "sonic liturgy," a structure of religious worship and experience that incorporates sound and music on many levels. In developing the concept and methods for understanding the phenomenon of sonic liturgy, Beck draws from liturgical studies and ritual studies, broadening the dimensions of each, as well as from recent work in the fields of Indian religion and music. As he maps the evolution of sonic liturgy in Hindu culture, Beck shows how, parallel to the development of religious ritual from ancient times to the present, there is a less understood progression of musical form, beginning with Vedic chants of two to three notes to complicated genres of devotional temple music employing ragas with up to a dozen notes. Sonic liturgy in its maturity is manifest as a complex interactive worship experience of the Vaishnava sects, presented here in Beck's final chapters.