The apple of his eye is his son Mali, for whom he feels a deep but absurdly embarrassed affection, which appears to go unrequited. When Mali coolly announces that he is abandoning school to go to America to become a writer, Jagan's fatherly feelings are thrown into still greater confusion. And when, a year or two later, Mali returns with a half-Korean, half-American wife and a grandiose scheme for marketing a novel-writing machine, Jagan is utterly at sea. He is confronted by the new world shockingly personified - a world where his cherished notions of marriage and morals seem to count for nothing. The tragicomic clash of the generations deepens with every chapter. Jagan's final escape from the galling chains of paternal love comes as unexpectedly as every other twist in this delicious story.

The Short Story Of A Literary Journal... During The Tumultuous Days Of The Second World War The Literary Magazine, Indian Thought, Quietly Made Its Appearance, Marking The Highlight Of R.K. Narayan S Short Stint In Journalism. As It Happened, Indian Thought Enjoyed An Even Shorter Life: The War, Shortage Of Paper, And Problems With A Recalcitrant Printing Press-All Made It Impossible For The Journal S Fourth Issue To See The Light Of Day. And This Despite The Journal S Success. R.K. Narayan Had Envisioned A Quarterly That Would Reflect The Best In The New Literature Of The Day-An Ambition Brilliantly Realized-Given That, During Its Fleeting Appearance On The Literary Scene, Its Contributors Included Such Greats As C. Rajagopalachari, M.N. Srinivas, The Visionary Paul Brunton And, Of Course, The Editor Himself. In This Book, Freelance Editor And Writer S. Krishnan Has Ensured, Through Judicious Rearrangement And Excision, That The Early Writing Of Some Of India S Finest Writers Remains As Fresh And Compelling As When It First Appeared In R.K. Narayan S Little Journal.

‘The best of R.K. Narayan’s enchanting novels’—The New Yorker Raju, a corrupt tourist guide, together with his lover, the dancer Rosie, leads a prosperous life before he is thrown into prison. After release he rests on the steps of an abandoned temple when a peasant passing by mistakes him for a holy man. Slowly, almost reluctantly, he begins to play the part, acting as a spiritual guide to the village community. Raju’s holiness is put to the test when a drought strikes the village, and he is asked to fast for twelve days to summon the rains. Set in Narayan’s fictional town, Malgudi, The Guide is the greatest of his comedies of self-deception. ‘A brilliant accomplishment … Narayan is the compassionate man who can write of human life as comedy’—The New York Times Book Review ‘Narayan is such a natural writer, so true to his experience and emotions’—V.S. Naipaul

Set against the backdrop of the Indian Freedom Movement, this fiction novel from award-winning Indian writer R. K. Narayan traces the adventures of a young man, Sriram, who is suddenly removed from a quiet, apathetic existence and, owing to his involvement in the campaign of Mahatma Gandhi against British rule in India, thrust into a life as adventurously varied as that of any picaresque hero. “There are writers—Tolstoy and Henry James to name two—whom we hold in awe, writers—Turgenev and Chekhov—for whom we feel a personal affection, other writers whom we respect—Conrad, for example—but who hold us at a long arm’s length with their ‘courtly foreign grace.’ Narayan (whom I don’t hesitate to name in such a context) more than any of them wakes in me a spring of gratitude, for he has offered me a second home. Without him I could never have known what it is like to be Indian.”—Graham Greene “R. K. Narayan...has been compared to Gogol in England, where he has acquired a well-deserved reputation. The comparison is apt, for Narayan, an Indian, is a writer of Gogol’s stature, with the same gift for creating a provincial atmosphere in a time of change....One is convincingly involved in this alien world without ever being aware of the technical devices Narayan so brilliantly employs.”—Anthony West, The New Yorker

An unusual and witty travel book about the United States of America. At the age of fifty, when most people have settled for the safety of routine, R. K. Narayan left India for the first time to travel through America. In this account of his journey, the writer’s pen unerringly captures the clamour and energy of New York city, the friendliness of the West Coast, the wealth and insularity of the Mid-West, the magnificence of the Grand Canyon...Threading their way through the narrative are a host of delightful characters—from celebrities like Greta Garbo, Aldous Huxley, Martha Graham, Cartier Bresson, Milton Singer, Edward G. Robinson and Ravi Shankar to the anonymous business tycoon on the train who dismissed the writer when he discovered Narayan had nothing to do with India’s steel industry. As a bonus, there are wry snapshots of those small but essential aspects of American life—muggers, fast food restaurants, instant gurus, subway commuters, TV advertisements, and American football. An entrancing and compelling travelogue about an endlessly fascinating land.

This is the story of Nataraj, who earns his living as a printer in the little world of Malgudi, an imaginary town in South India. Nataraj and his close friends, a poet and a journalist, find their congenia l days disturbed when Vasu, a powerful taxidermist, moves in with his stuffed hyenas and pythons, and brings his dancing-women up the printer's private stairs. When Vasu, in search of larger game, threatens the life of a temple elephant that Natara j has befriended, complications ensue that are both laughable and tragic.

A venerable tiger, old and toothless now, looks back over his life from cubhood and early days roaming wild in the Indian jungle. Trapped into a miserable circus career as 'Raja the magnificent', he is then sold into films (co-starring with a beefy Tarzan in a leopard skin) until, finding the human world too brutish and bewildering, he makes a dramatic bid for freedom. R.K. Narayan's story combines Hindu mysticism with ripe Malgudi comedy, viewing human absurdities through the eyes of a wild animal and revealing how, quite unexpectedly, Raja finds sweet companionship and peace.

“Narayan makes this treasury of Indian folklore and mythology readily accessible to the general reader . . . he captures the spirit of the narrative.”—Library Journal The Mahabharata tells a story of such violence and tragedy that many people in India refuse to keep the full text in their homes, fearing that doing so would invite a disastrous fate upon their house. Covering everything from creation to destruction, this ancient poem remains an indelible part of Hindu culture and a landmark in ancient literature. Centuries of listeners and readers have been drawn to The Mahabharata, which began as disparate oral ballads and grew into a sprawling epic. The modern version is famously long, and at more than 1.8 million words—seven times the combined lengths of the Iliad and Odyssey—it can be incredibly daunting. But contemporary readers have a much more accessible entry point to this important work, thanks to R. K. Narayan’s masterful, elegant translation and abridgement of the poem. Now with a new foreword by Wendy Doniger, as well as a concise character and place guide and a family tree, The Mahabharata is ready for a new generation of readers. Narayan ably distills a tale that is both traditional and constantly changing. He draws from both scholarly analysis and creative interpretation and vividly fuses the spiritual with the secular. Through this balance he has produced a translation that is not only clear, but graceful, one that stands as its own story as much as an adaptation of a larger work.

A collection of stories about characters from every walk of Indian life - merchants, beggars, herdsmen, rogues - all of whose lives are microcosms of the human experience.