An illuminating biography of Lou Reed, featuring interviews with over 140 people who knew him intimately, plus previously unpublished photographs. As band leader of the Velvet Underground and later a successful solo artist, Reed was much more than what the general public came to know as the grumpy New Yorker in black who sang “Walk on the Wild Side.” To his dedicated admirers, he was one of the most innovative and intelligent songwriters of modern times—a natural outsider who lived a tumultuous and tortured life. In the course of his deep research into Reed’s life, from a humble upbringing on Long Island to death from liver disease in 2013, Howard Sounes interviewed more than 140 people who knew the artist intimately—some of whom have not spoken publicly about him before. With new revelations from former wives and lovers, family members, fellow band members and celebrities, and music industry figures, this book offers an updated, unfettered look at Reed’s creative process, his mental health problems, his bisexuality, his three marriages, and his addictions to drugs and alcohol. Featuring previously unpublished photographs of some of Reed’s most private moments, this is the definitive account of one of rock ’n’ roll’s most complicated and brilliant prophets. “Compelling . . . Sounes takes pride in carefully debunking the myths that have crept in from Reed’s own fictionalizations.” —The Sunday Telegraph “Controversial . . . Sounes’ book pushes the standard Reed narrative.” —New York Times “A measured chronicle of the life and music of Lou Reed . . . Sounes proves to be an amiable narrator who successfully reveals Reed as an innovative, influential musician.” —Publishers Weekly “A walk on the dark side.” —Independent “A must read . . . Sounes chronicles Reed’s turbulent, and often brutal, relationships with men and women . . . and the wayward talent that produced such classics as ‘Walk On The Wild Side.’” —Daily Mail

Compiled from archival ephemera, unpublished photographs, films, album covers, posters, fanzines, letters, testimonies, and poems, this monograph gathers anew the Velvet Underground Experience exhibition that opened in Paris in 2016 for a US audience, recreating the sound, visual, and emotional experiences of the underground scenes in New York, where extravagances were always allowed.

“Not only a rock memoir and recipe book but also a poignant work of personal self-discovery and the challenges yet joys of parenting.” —Huffington Post Part memoir, part cookbook, and all rock and roll, Red Velvet Underground tells the story of how musician Freda Love Smith’s indie-rock past grew into her family—and food-centric present. Smith, born in Nashville and raised in Indiana, is best known as the drummer and co-founder of bands such as the Boston-based Blake Babies, Antenna, and the Mysteries of Life. Red Velvet Underground is loosely framed around cooking lessons Smith gave to her eldest son, Jonah, before he left for college. Smith compares her son’s experiences to her own—meeting Juliana Hatfield and starting the Blake Babies, touring in Evan Dando’s hand-me-down station wagon, and crashing with Henry Rollins, who introduced the band to local California fare—all while plumbing the deeper meanings behind the role of food, cooking, and family. Interspersed throughout these stories are forty-five flexitarian recipes—mostly, but not exclusively, vegetarian—such as red pepper-cashew spread, spinach and brazil nut pesto, and vegan strawberry-cream scones. Throughout the book, Smith reveals how food, in addition to music, has evolved into an important means for creativity and improvisation. Red Velvet Underground is an engaging exploration of the ways food and music have informed identity through every stage of one woman’s life. “These are sweet, unsentimental scenes from the ever-evolving life of a woman of many shifting and balancing roles: mother, wife, drummer, student, teacher, friend, daughter, food enthusiast. It’s all tied together with tantalizing recipes that have been lovingly improvised and tweaked into a life-affirming doneness.” —Juliana Hatfield, musician

Swingers and swappers, strippers and streetwalkers, sadists, masochists, and sexual mavericks of every persuasion; all are documented in this legendary expose of the diseased underbelly of '60s American society. The legendary sexology book that lent its name to the seminal New York rock'n'roll group THE VELVET UNDERGROUND, led by Lou Reed, whose songs were to mirror its themes of depravity and social malaise. Subjects range from mail-order pornography and prostitution to bondage and SM parties, orgies, and clandestine sex clubs. In 1966 the book was picked up on by Lou Reed, a young New York musician who had just formed a band, The Falling Spikes. Reed immediately changed the band's name to The Velvet Underground, became Andy Warhol's house band, wrote a raft of songs based on sleaze and the demi-monde, and the rest is history...

The essential biography of one of music's most influential icons: Lou Reed. As lead singer and songwriter for the Velvet Underground and a renowned solo artist, Lou Reed invented alternative rock. His music, at once a source of transcendent beauty and coruscating noise, violated all definitions of genre while speaking to millions of fans and inspiring generations of musicians. But while his iconic status may be fixed, the man himself was anything but. Lou Reed's life was a transformer's odyssey. Eternally restless and endlessly hungry for new experiences, Reed reinvented his persona, his sound, even his sexuality time and again. A man of contradictions and extremes, he was fiercely independent yet afraid of being alone, artistically fearless yet deeply paranoid, eager for commercial success yet disdainful of his own triumphs. Channeling his jagged energy and literary sensibility into classic songs - like "Walk on the Wild Side" and "Sweet Jane" - and radically experimental albums alike, Reed remained desperately true to his artistic vision, wherever it led him. Now, just a few years after Reed's death, Rolling Stone writer Anthony DeCurtis, who knew Reed and interviewed him extensively, tells the provocative story of his complex and chameleonic life. With unparalleled access to dozens of Reed's friends, family, and collaborators, DeCurtis tracks Reed's five-decade career through the accounts of those who knew him and through Reed's most revealing testimony, his music. We travel deep into his defiantly subterranean world, enter the studio as the Velvet Underground record their groundbreaking work, and revel in Reed's relationships with such legendary figures as Andy Warhol, David Bowie, and Laurie Anderson. Gritty, intimate, and unflinching, Lou Reed is an illuminating tribute to one of the most incendiary artists of our time.

A comprehensive history of the influential cult band draws on dozens of new interviews and previously undiscovered archive sources, tracing their initial lack of success before they inspired and were championed by such artists as David Bowie. Original.

The Beach Boys and the Beatles are filling up the airwaves, but halfway between California and Liverpool, another band is putting together a sound that will change rock ‘n’ roll forever. Andy Warhol discovers the Velvet Underground in a little tourist bar in New York, and he soon becomes the producer for this group whose songs aren’t so much about girls and hot rods but shooting up, alternative lifestyles, and the melancholy after the party. It’s the late sixties, but not quite everything is flower power. The radio wants nothing to do with the Velvets, but the cool kids know who they are, and the enormous influence of this short-lived band has yet to abate.

Music.

A new, definitive biography of the iconic and mysterious singer, Warhol superstar, Velvet Underground collaborator: influential solo artist Nico. YOU ARE BEAUTIFUL AND YOU ARE ALONE is a new biography of Nico, the mysterious singer best known for her work with the Velvet Underground and her solo album Chelsea Girl. Her life is tangled in myth--much of it of her own invention. Rock and roll cultural historian Jennifer Bickerdike delivers a definitive book that unravels the story while making a convincing case for Nico's enduring importance. Over the course of her career, Nico was an ever-evolving myth: art film house actress, highly coveted fashion model, Dietrich of Punk, Femme Fatale, Chelsea Girl, Garbo of Goth, The Last Bohemian, Heroin Junkie. Lester Bangs described her as 'a true enigma.' At age 27, Nico became Andy Warhol's newest Superstar, featuring in his one commercial break out hit film Chelsea Girls and garnering the position of chanteuse for the Velvet Underground. It wasn't Nico's musical chops which got her the gig; it was her striking beauty. Her seeming otherworldly and unattainable presence was further amplified by her reputation for dating rock stars (Brian Jones, Bob Dylan, Jim Morrison, among others). She became famous for being Nico. Yet Nico's talent and her contribution to rock culture are often overlooked. She spent most of her career as a solo artist on the road, determined to make music, seemingly against all the odds, enduring empty concert halls, abusive fans, and the often perilous reality of being an ageing artist and drug addict. She created mesmerizing and unique projects that inspired a generation of artists, including Henry Rollins, Morrissey, Siousxie Sioux and the Banshees and Iggy Pop. Drawing on the archives at the Andy Warhol Museum and at Nico's record labels, various private collections, and rarely seen footage, and featuring exclusive new interviews from those who knew her best, including Iggy Pop and Danny Fields, and those inspired by her legacy, YOU ARE BEAUTIFUL AND YOU ARE ALONE reveals the complicated, often compromised, self-destructive and always head strong woman behind the one-dimensional myths.

An anthology that uses Reed's own words to craft an intimate portrait of the prickly, intelligent, articulate, and deeply passionate artist. During his first major sit-down with the music press in 1977, between claiming all his songs were about guilt and revenge, Elvis Costello casually remarked, "I don't really listen to Lou Reed's records, but I never miss an interview with him." Indeed, for all his publicly expressed loathing of the press in general and music journalists in particular, during his long career as a rock artist, Lou Reed was never less than entertaining in his dealings with the Fourth Estate. In fact, one could go so far as to claim that, for Lou, the press became as much an implement of expression as singing, composing, and playing music. In a style at times very much informed by his mentor Andy Warhol, Reed could play the media like a Marshall-amped Stradivarius. To the majority of his fans, the apotheosis of Reed's relationship with the press, and most prominently regarded to this day, was the series of combative tête-à-têtes between Lou and the late great music journalist Lester Bangs, published in CREEM Magazine during the 1970s. My Week Beats Your Year: Encounters with Lou Reed features 30+ interviews spanning his solo career, from the golden era of print rock-journalism, to the first online blogs. The compilation is one fan's humble attempt to move beyond the Bangs canon, and delve deeper into the distance and intimacy, cactus and mercury, that constituted Lou's post-Velvet Underground public media image.