The rodeo?

In this rousing account of the first true cowboys, Newbery Medalist Russell Freedman brings to life the days when the vaqueros rounded up cattle, brought down steers, and tamed wild broncos. In the service of wealthy Spanish conquistadors in the sixteenth century, Mexican ranch hands began herd- ing cattle, often riding barefoot. They soon developed and perfected the skills for this dangerous work and became expert horsemen. Hundred of years later the vaqueros shared their expertise with the inexperienced cowboys of the American West, who adopted their techniques and their distinctive clothing, tools, and even lingo. Yet today it is the cowboy whom we remember, while the vaquero has all but disappeared from history. The vaqueros are at last given their due in this dramatic narrative, lushly illustrated with beautiful period paintings and drawings.

This handsome book covers bit-and-spur makers through all of the Western states as well as Mexico and the Northeast. Detailed timelines and maps of each region locate makers and saddleries. A valuable research tool for anyone interested in cowboy gear, Bit and Spur Makers In the Vaquero Tradition gives one a glimpse of life in the West when horses were the primary means of transportation.

More stories of the Vaquero in California from the memory and experience of the great Latino writer Arnold Rojas, told as he straddles delicately the boundary between history and fiction. The stories gathered around the campfire and in the bunkhouse speak eloquently for the vanishing California Vaquero. These are stories from one who was there - in the middle of the Vaquero's world.

John Young was an old-time vaquero who acted as trail driver, hog chaser, sheriff, ranger, horse thief killer, fire fighter, ranch manager, and more.

As many as 9,500 men of Hispanic heritage fought in the United States' Civil War. In Texas, the bitter conflict deeply divided the Tejanos -- Texans of Mexican heritage. An estimated 2,500 fought in the ranks of the Confederacy while 950, including some Mexican nationals, fought for the Stars and Stripes. This is the story of these Tejanos who participated in the Civil War.

What are the connections between cattle branding and Christian salvation, between livestock castration and square dancing, between rustling and the making of spurs and horsehair bridles in prison, between children's coloring books and cowboy poetry as it is practiced today? The Cowboy usesliterary, historical, folkloric, and pop cultural sources to document ways in which cowboys address religion, gender, economics, and literature. Arguing that cowboys are defined by the work they do, Allmendinger sets out in each chapter to investigate one form of labor (such as branding, castration,or rustling) that cowboys perform in their "work culture." He then looks at early oral poems that cowboys recited around campfires, on trail drives, at roundups, and at home in their bunkhouses, and at later poems, histories and autobiographies written by cowboys--most of which have never beforebeen studied by scholars. He discovers that these texts not only deal with work but with larger concerns, including art, morality, spirituality, and male sexuality. In addition to spotlighting little-known texts, art, and archival sources, The Cowboy examines the works of Twain, Steinbeck, Cather,Norris, Dana, McMurtry, and others, and features more than 60 historic photographs, many of which have not been published until now.

A colorful account of five centuries of cowboy culture details the life, history, customs, status, job, equipment, and more of the cowboy from sixteenth-century Spanish Mexico to the present.