Sherlock Holmes isn’t the only detective in London—Andrew Tillet and Sara Wiggins at your service! Andrew Tillet can hardly believe his luck. Only one year ago he landed in London completely unaware of his real name and identity, or that his mother was the beautiful and accomplished actress Verna Tillet. Now that he and Verna have been reunited and Sara and her family are well provided for, it seems like all their dreams are coming true. But no amount of good fortune can spoil Andrew and Sara’s taste for adventure, and when they run across an unusually observant policeman named Constable Wyatt, they have a feeling they’ll be seeing him again. When they do, it’s sooner than expected. The fabulous Denham diamonds have been stolen from Verna Tillet’s own bedroom, and Andrew, Sara, and Constable Wyatt jump on the case. But how did the thief get into the second-floor window without a ladder? When Andrew and Sara find a fresh corpse on their lawn one night, only for it to disappear before the police arrive, can they convince anyone to follow the clues and recover the jewels before it’s too late?

Throughout the centuries, different cultures have established a variety of procedures for handling and disposing of corpses. Often the methods are directly associated with the deceased's position in life, such as a pharaoh's mummification in Egypt or the cremation of a Buddhist. Treatment by the living of the dead over time and across cultures is the focus of this study. Burial arrangements and preparations are detailed, including embalming, the funeral service, storage and transport of the body, and forms of burial. Autopsies and the investigative process of causes of deliberate death are fully covered. Preservation techniques such as cryonic suspension and mummification are discussed, as well as a look at the "recycling" of the corpse through organ donation, donation to medicine, animal scavengers, cannibalism, and, of course, natural decay and decomposition. Mistreatments of a corpse are also covered.

"The Case of the Vanishing Corpse is set in a world of religious fanatics, petty tyrants, spies and nightmares, which explodes with intrigue and danger when a corpse disappears from a sealed tomb. The Case of the Vanishing Corpse is the ultimate locked room mystery." -back cover.

A darkly comic foray into the world of men and women who fake their own deaths, the consultants who help them disappear, and the private investigators who’ll stop at nothing to bring them back to life. “A delightful read for anyone tantalized by the prospect of disappearing without a trace.” —Erik Larson, New York Times bestselling author of Dead Wake “Delivers all the lo-fi spy shenanigans and caught-red-handed schadenfreude you’re hoping for.” —NPR “A lively romp.” —The Boston Globe “Grim fun.” —The New York Times “Brilliant topic, absorbing book.” —The Seattle Times “The most literally escapist summer read you could hope for.” —The Paris Review Is it still possible to fake your own death in the twenty-first century? With six figures of student loan debt, Elizabeth Greenwood was tempted to find out. So off she sets on a darkly comic foray into the world of death fraud, where for $30,000 a consultant can make you disappear—but your suspicious insurance company might hire a private detective to dig up your coffin...only to find it filled with rocks. Greenwood tracks down a British man who staged a kayaking accident and then returned to live in his own house while all his neighbors thought he was dead. She takes a call from Michael Jackson (no, he’s not dead—or so her new acquaintances would have her believe), stalks message boards for people contemplating pseudocide, and gathers intel on black market morgues in the Philippines, where she may or may not obtain some fraudulent goodies of her own. Along the way, she learns that love is a much less common motive than money, and that making your death look like a drowning virtually guarantees that you’ll be caught. (Disappearing while hiking, however, is a way great to go.) Playing Dead is a charmingly bizarre investigation in the vein of Jon Ronson and Mary Roach into our all-too-human desire to escape from the lives we lead, and the men and women desperate enough to give up their lives—and their families—to start again.

The Clueless Dead is written as a vampire story from the perspective of a newly made Vampire. Michael is an ordinary guy, a rock journalist and professional musician (but not a rockstar). He is transformed into a vampire as a result of a series of unlucky accidents. He then must deal with the consequences of having vampire powers whilst to all around him he is still the same Guy. He has to find a way to hide his new state as well as the temptations involved in possessing the ability to mentally manipulate people. In addition he faces the moral quandary of being a vampire and remaining a decent human being. All this without a vampire mentor.

SYNOPSES OF THE MORE THAN 120 EPISODES OF THE PEABODY AWARD-WINNING TV SHOW.

Her husband was stealing her money, while accusing her of a plot to poison him -- or so claims the frightened young Mrs. Myrna Davenport. She wants Perry Mason to find the incriminating note her husband left for the authorities accusing her of murder -- especially now that Davenport is dying. Perry finds the envelope, but it's filled with blank paper. Then Davenport does die, or so everyone thinks until his alleged corpse climbs out a window and drives away -- straight into a prepared open grave in another county. With Davenport finally dead, Perry could become a possible accessory to murder. And though the victim died twice, Perry gets only one clear shot at saving his client -- and himself.

As with many aspects of European cultural life, film was galvanized and transformed by the revolutionary fervor of 1968. This groundbreaking study provides a full account of the era’s cinematic crises, innovations, and provocations, as well as the social and aesthetic contexts in which they appeared. The author mounts a genuinely fresh analysis of a contested period in which everything from the avant-garde experiments of Godard, Pasolini, Schroeter, and Fassbinder to the “low” cinematic genres of horror, pornography, and the Western reflected the cultural upheaval of youth in revolt—a cinema for the barricades.