Introverted bookworm Alison was forced to move to St. Augustine, Florida when her parents divorced. Leaving her comfortable life, she struggles to find a new one. In the blistering Florida heat, she stays indoors reading and spying on Rodham - the hot guy across the hall. Everything changes when loud, mysterious neighbors move in next door to Alison. Mutual interest and a glowing amulet bring Rodham and Alison together. In a blink she’s fighting supernatural creatures, doing whatever it takes to stay alive, and becoming part of something much bigger than she could have dreamed.

What will happen if three Vampire sisters started living in your ordinary neighborhood? Ella, the beautiful and conservative eldest sister Angelica, the air-headed and girly middle child Rinden, the quiet and cool youngest daughter They have to stay in Koharu apartment to learn more about human society. From experiencing the human romance, the thrill of chasing dreams, to endless struggle in tight-budget condition--their fun everyday life is now available in Full-color!

What will happen if three Vampire sisters started living in your ordinary neighborhood?Ella, the beautiful and conservative eldest sisterAngelica, the air-headed and girly middle childRinden, the quiet and cool youngest daughterThey have to stay in Koharu apartment to learn more about human society. From experiencing the human romance, the thrill of chasing dreams, to endless struggle in tight-budget condition--their fun everyday life is now available in Full-color!

For Mia Alexander, the world is getting hotter—literally. Not only is she slathering on gobs of sunscreen, but she’s developed a ravenous desire for rare meat. As if not strange enough, a freaking hottie-like-no-other just moved in next door and can’t seem to keep his gaze off of her. Campbell Reid has wandered this earth as a vampire for a long time, but since the tragedy of his family’s death, he’s perfected an unbreakable control—until he encountered his latest target. His mission from The Supernatural Council is to protect her from other vampires as she transitions and from a mysterious, emerging threat. But can he protect her from himself? Things heat up as the danger closes in, and Campbell fights by her side as The Vampire Next Door. #vampireromance #paranormalromance #pnr #shifterromance

Aurora Dawn Hale, the ravishing daughter and granddaughter of psychics, wants to take a bite out of the boy next door, reformed vampire Lancelot “Lance” Lakeland, who repents his past and desperately desires to be good. Lance has given up immortality to be with the woman he craves. He must convince Aurora Dawn he is worthy of her trust. Will she love him for who he is and leave her fiancé at the altar? Or wake up from her spell in time to recognize the evil presence of the fiend who has terrorized her family for centuries?

Preliminary Material --Introduction /Peter Day --Legend of the Vampire --Getting to know the Un-dead: Bram Stoker, Vampires and Dracula /Elizabeth Miller --"One for Ever": Desire, Subjectivity and the Threat of the Abject in Sheridan Le Fanu's Carmilla /Hyun-Jung Lee --Sex, Death, and Ecstacy: The Art of Transgression /Lois Drawmer --The Name of the Vampire: Some Reflections on Current Linguistic Theories on the Etymology of the Word Vampire /Peter Mario Kreuter --The Discourse of the Vampire in First World War Writing /Terry Phillips --"Dead Man Walking": The Historical Context of Vampire Beliefs /Darren Oldridge --Vampire Dogs and Marsupial Hyenas: Fear, Myth, and the Tasmanian Tiger's Extinction /Phil Bagust --Vampires for the Modern Mind --Vampire Subcultures /Meg Barker --Embracing the Metropolis: Urban Vampires in American Cinema of the 1980s and 90s /Stacey Abbott --Piercing the Corporate Veil - With a Stake? Vampire Imagery and the Law /Sharon Sutherland --The Vampire and the Cyborg Embrace: Affect Beyond Fantasy in Virtual Materialism /James Tobias --Looking in the Mirror: Vampires, the Symbolic, and the Thing /Fiona Peters --"Death to Vampires!": The Vampire Body and the Meaning of Mutilation /Elizabeth McCarthy --The Un-dead: To be Feared or/and Pitied /Nursel Icoz --"You're Whining Again Louis": Anne Rice's Vampires as Indices of the Depressive Self /Pete Remington.

Race in the Vampire Narrative unpacks the vampire through a collection of classroom ready original essays that explicitly connect this archetypal outsider to studies in race, ethnicity, and identity. Through essays about the first recorded vampire craze, television shows True Blood, and Being Human, movies like Blade: Trinity and Underworld, to the presentation of vampires of colour in romance novels, graphic novels, on stage and beyond, this text will open doorways to discussions about Otherness in any setting, serving as an alternative way to explore marginality through a framework that welcomes all students into the conversation. Vampires began as terrors, nightmares, the most horrifying of creatures; now they are sparkly antiheroes more likely to kill your dog than drink you to death; commodified, absorbed, and defanged. Race in the Vampire Narrative demonstrates that the vampire serves as a core metaphor for the constructions of race, and the ways in which we identify, manufacture, and commodify marginalized groups. By drawing together disparate discussions of non-white vampires in popular culture, the collection illustrates the ways in which vampires can be used to explicitly help students understand ethnicity in the modern world making this the perfect companion text to any course from First Year Studies, Sociology, History, Cultural Studies, Women’s Studies, Criminal Justice, and so much more.

Although the word "vampire" was not introduced until the eighteenth century, variations of this hemo-craving creature have existed since long before the Christian era. Almost every civilization had a demon or spirit—often a god or goddess—whose bloodlust complicated things for the general populace. But sometimes it’s not all about the blood. Modern vampire tales have stronger-willed and less traditional beings at their core: beings who strive to coexist with mortals by drinking synthetic blood, like True Blood’s Bill Compton, or who sparkle in the daylight instead of disintegrating, like Twilight’s Edward Cullen. Plus, these guys are way easier on the eyes than the more old-school vampires out there, especially filmmaker F. W. Murnau’s infamous Nosferatu, a terrifying vampire in dire need of a manicure. Regardless of time, place, and blood type, Laura Enright cordially invites you into the dark underworld of the vampire. She sheds light (but not too much) on this captivating, age-defying creature by exploring topics ranging from the powers it can possess to what will kill it—for good. With close to thirty top-ten lists brimming with gore and fang-tastic facts, Vampires’ Most Wanted™ is sure to provide the reader with a biting good time.

Courtney Banks owns a failing book store, and her relationship with her girlfriend Mia is falling apart. Courtney doesn't even think she believes in love...that is, until she meets the vampire next door. Valeria "Lare" Maille is a gorgeous scientist working on cutting-edge genetics. She also just happens to be a vampire, and Courtney's new neighbor. Sparks fly from the very first moment Courtney and Lare meet, and their attraction is undeniable. But in a world where vampires have just "come out" of hiding, tensions between humans and vampires are running high. When Lare's co-workers begin to go missing, it looks like foul play may put Lare in danger, too. Will Courtney and Lare have a chance at love, or is the cost of falling for a vampire too high? THE VAMPIRE NEXT DOOR is a light-hearted paranormal romance that will take you on a journey you'll never forget. Written by wife-and-wife authors Natalie Vivien (known for her laugh-out-loud contemporary romances) and Bridget Essex (known for her vampires and werewolves in love), THE VAMPIRE NEXT DOOR is a marriage of humor, steamy romance and a love story that's out of this world."

While television has always played a role in recording and curating history, shaping cultural memory, and influencing public sentiment, the changing nature of the medium in the post-network era finds viewers experiencing and participating in this process in new ways. They skim through commercials, live tweet press conferences and award shows, and tune into reality shows to escape reality. This new era, defined by the heightened anxiety and fear ushered in by 9/11, has been documented by our media consumption, production, and reaction. In Small Screen, Big Feels, Melissa Ames asserts that TV has been instrumental in cultivating a shared memory of emotionally charged events unfolding in the United States since September 11, 2001. She analyzes specific shows and genres to illustrate the ways in which cultural fears are embedded into our entertainment in series such as The Walking Dead and Lost or critiqued through programs like The Daily Show. In the final section of the book, Ames provides three audience studies that showcase how viewers consume and circulate emotions in the post-network era: analyses of live tweets from Shonda Rhimes's drama, How to Get Away with Murder (2010–2020), ABC's reality franchises, The Bachelor (2002–present) and The Bachelorette (2003–present), and political coverage of the 2016 Presidential Debates. Though film has been closely studied through the lens of affect theory, little research has been done to apply the same methods to television. Engaging an impressively wide range of texts, genres, media, and formats, Ames offers a trenchant analysis of how televisual programming in the United States responded to and reinforced a cultural climate grounded in fear and anxiety.