The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T118740 London: printed for A. Hamilton, 1791. 2v.; 12°

Danger stalks the Ozarks. “A big southern gothic thriller packed with secrets . . . Original, dark, and staggering.” —Samantha Downing, USA Today–bestselling author of My Lovely Wife Mary Grace Dobbs is the first female sheriff of her Arkansas hometown, a position that doesn’t sit well with some of the locals. Keeping order and her demons at bay becomes an impossible task when a Black drifter suspected in earlier child disappearances returns to Repentance . . . and another sixth grader vanishes. With old prejudices and new secrets spilling out into the open, the modern world soon illuminates the village’s darkest corners. The case becomes even more fraught as a cult of white supremacists brings its gospel of hate to Repentance and violence explodes, claiming more lives. Racing to find the missing girl while fearing for the safety of her own sixth-grade daughter, Mary Grace must confront an unspeakable truth—and face a decision no parent should ever have to make. Set in the remote Ozark hills, where the secrets run as deep as the hollows, Saving Grace blends elements of To Kill a Mockingbird with twisty, edge-of-your-seat psychological suspense. This startling debut novel introduces a captivating protagonist whose concept of good and evil can shape a young girl—then and now. “The scariest literary ride of the year . . . nothing short of breath-taking and the ending will blow your socks off.” —John Lescroart, New York Times–bestselling author “An ingenious multi-generational plot reaches a terrifying crescendo you won’t easily forget.” —Joseph Finder, New York Times–bestselling author

English drama between the late fifteenth century and the late sixteenth centuries is as diverse as it is engaging; this anthology brings together eighteen of the most interesting and important dramatic works from the period. The plays have been chosen to give a broad view of the drama produced in Tudor England. They testify to the eclectic tastes of sixteenth-century audiences, ranging from morality plays (Mankind, Everyman), to comedies inspired by the Roman plays of Terence and Plautus (Ralph Roister Doister), to tragedies inspired by the plays of Seneca (Gorboduc, Cambises). In later plays, morality plots rub shoulders with slapstick comic business (The Longer Thou Livest The More Fool Thou Art, The Three Ladies of London), and classical gods intervene in the affairs of England’s regions (Gallathea). While some of the plays offer pure entertainment, others have a clear political agenda. King Johan is presented as a prototype for English resistance to Rome’s Catholicism; Gorboduc’s decision to abdicate and divide his kingdom highlights the vexed question of the English succession under a childless queen. Other plays comment more obliquely on contemporary events. Play of the Four Elements reflects on England’s nascent maritime expeditions to the New World, while The Three Ladies of London comments topically on immigrant overcrowding in England’s port towns, and the dangers of England’s trade in the Mediterranean. Some plays push the boundaries of what the theatre can do in staging violence (Cambises) and questioning gender roles (Gallathea). Designed for undergraduate use, the anthology includes extensive explanatory annotations and a substantial introduction to each play; spelling and punctuation have been partially modernized in the interests of making the texts more accessible to students. In all this, the anthology follows principles similar to those developed for Christina M. Fitzgerald’s and John T. Sebastian’s Broadview Anthology of Medieval Drama; several of the plays from that anthology are also included here, while the rest have been newly edited for this volume, under the supervision of General Editor Alan Stewart.

Miss Cora Felton, the eccentric amateur detective better known as the Puzzle Lady, likes nothing better than to solve a good mystery–and this time she’s got a killer on her hands. What isn’t puzzling is why critics agree that “Cora is emerging as a lovable and unique sleuth” (Chicago Sun-Times) in “a fun series for mystery fans and cruciverbalists” (USA Today). Bakerhaven, Connecticut, seems like the ideal place to host a charity crossword-puzzle tournament–after all, the town is home to Cora Felton, the beloved puzzle columnist known as the Puzzle Lady. A slew of celebrity contestants are on the way. And the locals have been invited to challenge the veteran puzzlers head-on. But soon the town’s attention is fixated on something far more controversial than crosswords...when the body of the town tart is discovered lying dead on her kitchen floor. Before anyone can stop her, Cora is hot on the trail of the truth, interviewing nosy neighbors, digging up dirt, and drawing out a lonely recluse who just may hold the key to cracking the crime. But will she solve the case before the contest comes to a deadly end? Cora once again proves that sleuthing spells S-U-S-P-E-N-S-E–up, across, and down!

A soldier, a Malinois, and a stuntwoman walk onto a TV set . . . Former Special Forces operator Sergeant Crew Gatlin takes everything in stride, even the career-ending incident that separated him from the Army, half a leg, and his beloved working dog, Havoc K027. Putting his life back together and lying low, he takes a job with A Breed Apart and is unexpectedly reunited with Havoc. It’s too good to be true—and the proof is in their first assignment: to work as a K-9 team for a television drama in Los Angeles. Miffed at being relegated to TV fodder, he’s willing to pay the price when he sees the stuntwoman. Being a stunt double allows Vienna Foxcroft to fulfill her acting dream—with a side of MMA—and stay out of the limelight. The same one that plagued her childhood and put her through a nightmare scenario. Now, her tight-knit stunt team are the only ones she trusts. Then in walks Mr. Mountain-of-Muscle and his tough-as-nails dog, and Vienna has a bad feeling her life is about to turn upside down. Ticked as they head overseas for a location shoot in Turkey, Crew guts it up—after all, he has Havoc again. Okay, and yeah—Vienna is going, too. When an attack sends the cast fleeing into the streets of Turkey, Vienna must face the demons of her past or be devoured by them. And Crew and Havoc are tested like never before. Experience the high-octane thrill ride that is the first book in the A Breed Apart: Legacy series. A Breed Apart: Legacy Book 1: Havoc Book 2: Chaos (coming soon) Book 3: Riot (coming soon) Book 4: Fury (coming soon) Book 5: Surge (coming soon) A Breed Apart by Ronie Kendig Book 1: Trinity Book 2: Talon Book 3: Beowulf