This book delineates different manifestations of the vagabond spirit of poetry through the ages. In doing so, it makes claims for the efficacy of poetry in our industrialized world, where we are presented with environmental, political and economic challenges. The Vagabond Spirit of Poetry demonstrates that poems are vital now more than ever because they can transform our relations with each other and with the earth. It acknowledges the awesome power of poems by providing you with fresh ways to apprehend their profound spiritual insights. You will be surprised by how sharp your imagination becomes once you start following the paths opened by Edward Clarke's original readings. This region is full of unexpected turns and pleasant clearings. Beginning in the middle of things with Wordsworth, you will be taken on a journey from Shakespeare to Wallace Stevens. Significant older poets, including Homer, Virgil and Dante, will enliven conversations with the wisest British, Irish and American poets of the modern age. As you proceed, poetry will teach you how to put into practice its perennial wisdom.

"Bibliographical notes": pages 206-[207] Foreword.--Introduction: The vagabond element in modern literature--I. William Hazlitt.--II. Thomas De Quincey.--III. George Borrow.--IV. Henry D. Thoreau.--V. Robert Louis Stevenson.--VI. Richard Jefferies.--VII. Walt Whitman.

This collection of poems engages in new and animating ways with one of the profoundest texts of our past, the Book of Psalms. These poems are Clarke's response to his experience of reading the Psalter through once every month according to Cranmer’s divisions in the 1549 Book of Common Prayer.

Hayashi Fumiko, one of the most popular prose writers of the Showa era, began writing as a down-and-out poet wandering the streets of 1920s Tokyo. In these translations of her first poetry collection, I Saw a Pale Horse (Aouma wo mitari) and Selected Poems from Diary of a Vagabond (Hōrōki), Fumiko's literary origins are colorfully revealed. Little known in the west, these early poetic texts focus on Fumiko's unconventional early life, and her construction of a female subject that would challenge, with gusto and panache, accepted notions not only of class, family, and gender but also of female poetic practice.

This first critical book of essays on the poetry of Peter Gizzi shows how his work extends the traditions of nineteenth- and twentieth-century modernism while also reclaiming the living presence of the "lyric" in its capacity to sing of the human predicament. Gizzi is author of seven critically acclaimed books of poetry, including most recently Threshold Songs and Archeophonics, a finalist for the National Book Award in 2016. Lauded contributors, including Ben Lerner, Michael Snediker, Marjorie Perloff, and Charles Altieri, explore Gizzi's poetry for its embodiment of an American tradition—extending the poetics of Whitman, Dickinson, and Stevens, amongst others—while also exhibiting a twenty-first-century sensibility, perpetuating a new grammar and syntax to capture our place in the world today. Each essayist, in turn, works through close-readings of some of the most important poems of our times, enriching our understanding of a poetry of the mind which never loses track of what it means to feel. Hardcover is un-jacketed.

The anthology spans the first ten years of the poetry series at Paraclete Press. Included are poems by Phyllis Tickle, Scott Cairns, Paul Mariani, Anna Kamienska, Fr. John-Julian, SAID, Bonnie Thurston, Greg Miller, William Woolfitt, Rami Shapiro, Thomas Lynch, Paul Quenon, and Rainer Maria Rilke.

Works of a poet from Oklahoma who loved the life of the Hawaiian Islands.

These poems remind us that “home” is a way of being in this world. It finds expression in the inner light that carries us through dark seasons and in what inspires us to risk life in the face of death. Many of these poems come from a long looking at the familiar and the ordinary, a patient listening for traces of a beauty that might still save us. They ponder the resilience that lies at the heart of the natural world, as well as in our desire to thrive amid the distractions that pressure us in our lives. In an over-saturated age like ours, they invite us to linger at the edges of silence, and wonder what it means that we are not made for reason alone, but “for what song can bring of solace and delight.” “Call these meditative poems Burrows’ ‘Yes’ to the given world, his ongoing record of those instances of connectedness when we are at ‘home’ in what Pessoa called ‘the astonishing reality of things...’” —Robert Cording, poet and author of Walking with Ruskin and Only So Far “Mark S. Burrows’ poems offer the reader both invitation and gift - when you say yes, the treasures lay themselves out like a banquet for the heart.” —Christine Valters Paintner, Online Abbess of Abbey of the Arts and author of The Wisdom of the Body: A Contemplative Journey to Wholeness for Women

In Literature and the Encounter with Immanence Brynnar Swenson collects nine original essays that approach the relationship between literature and immanence through methodologies grounded in the philosophy of Spinoza. One of Spinoza’s most provocative claims is a simple declaration of ignorance: “We do not know what a body can do.” A literary theory based on immanence privileges the ontological status of the text and the material act of reading. Rather than ask what a text means, the essays here ask what a text can do. Each essay documents a distinct literary and philosophical encounter with immanence and, as a result, opens up a space to read literature as one would read philosophy and vice versa.

SLG Press Contemplative Poetry 9 This book contains poems by Henry Vaughan, all of them selected from the 1655 edition of Silex Scintillans. Almost all are followed by a related poem from George Herbert’s 1633 collection, The Temple. For Vaughan, Herbert was that ‘blessed man, whose holy life and verse gained many pious Converts’: poets who wisely exchanged ‘vain and vicious subjects’ for ‘divine Themes and Celestial praise’. Vaughan thought of himself as ‘the least’ of those converts, but the poetry in Silex Scintillans shows him matching and even sometimes surpassing his master’s work.