In an insightful, intimate look at the links between the Civil War soldier and his home and family, Mitchell draws on the letters, diaries, and memoirs of common soldiers to show how mid-19th-century ideas shaped the Union soldier's approach to everything from military discipline to battlefield bravery. Halftone illustrations.

The Civil War has torn Brianna Taylor’s family apart and made her a widow. Determined to ease the suffering of the wounded crowding the Union hospitals and honor the memory of the man she loved, she embarks on a career as a nurse. But then he arrives—a patient who makes her feel alive again in spite of her resolve to stay detached. Captain Justin Thompson understands the cost of war all too well, yet he felt compelled to fight for the Union his father died defending. Wounded at Cold Harbor and left to die at a military hospital, he owes his life to Brianna, who seems determined to guard her professional boundaries despite his best efforts to breach them. Just as he’s winning the battle for her heart, he’s forced to return to the front of a cruel war that could very well separate them forever.

In many ways, the Northern soldier in the Civil War fought as if he had never left home. On campsites and battlefields, the Union volunteer adapted to military life with attitudes shaped by networks of family relationships, in units of men from the same hometown. Understanding these links between the homes the troops left behind and the war they had to fight, writes Reid Mitchell, offers critical insight into how they thought, fought, and persevered through four bloody years of combat. In The Vacant Chair, Mitchell draws on the letters, diaries, and memoirs of common soldiers to show how mid-nineteenth-century ideas and images of the home and family shaped the union soldier's approach to everything from military discipline to battlefield bravery. For hundreds of thousands of "boys," as they called themselves, the Union army was an extension of their home and childhood experiences. Many experienced the war as a coming-of-age rite, a test of such manly virtues as self-control, endurance, and courage. They served in companies recruited from the same communities, and they wrote letters reporting on each other's performance--conscious that their own behavior in the army would affect their reputations back home. So, too, were they deeply affected by letters from their families, as wives and mothers complained of suffering or demanded greater valor. Mitchell also shows how this hometown basis for volunteer units eroded respect for military rank, as men served with officers they saw as equals: "Lieut Col Dewey introduced Hugh T Reid," one sergeant wrote dryly, "by saying, 'Boys, behold your colonel,' and webeheldhim." In return, officers usually adopted paternalist attitudes toward their "boys"--especially in the case of white officers commanding black soldiers. Mitchell goes on to look at the role of women in the soldiers' experiences, from the feminine center of their own households to their hatred of Confederate women as "she-devils." The intimate relations and inner life of the Union soldier, the author writes, tell us much about how and why he kept fighting through four bloody years--and why demoralization struck the Confederate soldier as the war penetrated the South, threatening his home and family while he was at the front. "The Northern soldier did not simply experience the war as a husband, son, father, or brother--he fought that way as well," he writes. "That was part of his strength. The Confederate soldier fought the war the same way, and, in the end, that proved part of his weakness." The Vacant Chair uncovers this critical chapter in the Civil War experience, showing how the Union soldier saw--and won--our most costly conflict.

One Vacant Chair by Joe Coomer It's where you sit down that determines everything in life. Sarah's aunt Edna paints portraits of chairs. Not people in chairs, just chairs. The old house is filled with her paintings, and the chairs themselves surround her work—a silent yet vigilant audience. At the funeral of Grandma Hutton—whom Edna has cared for through a long and vague illness—Sarah begins helping her aunt clean up the last of a life. This includes honoring Grandma's surprising wish to have her ashes scattered in Scotland. As the novel turns from the oppressive heat of Texas to the misty beauty of Scotland, Sarah learns of her aunt's remarkable secret life and comes to fully understand the fragile business of living, and even of dying.

Vacant lots, so often seen as neighborhood blight, have the potential to be a key element of community revitalization. As manufacturing cities reinvent themselves after decades of lost jobs and population, abundant vacant land resources and interest in green infrastructure are expanding opportunities for community and environmental resilience. Vacant to Vibrant explains how inexpensive green infrastructure projects can reduce stormwater runoff and pollution, and provide neighborhood amenities, especially in areas with little or no access to existing green space. Sandra Albro offers practical insights through her experience leading the five-year Vacant to Vibrant project, which piloted the creation of green infrastructure networks in Gary, Indiana; Cleveland, Ohio; and Buffalo, New York. Vacant to Vibrant provides a point of comparison among the three cities as they adapt old systems to new, green technology. An overview of the larger economic and social dynamics in play throughout the Rust Belt region establishes context for the promise of green infrastructure. Albro then offers lessons learned from the Vacant to Vibrant project, including planning, design, community engagement, implementation, and maintenance successes and challenges. An appendix shows designs and plans that can be adapted to small vacant lots. Landscape architects and other professionals whose work involves urban greening will learn new approaches for creating infrastructure networks and facilitating more equitable access to green space.