Bhavabhuti has been unanimously acclaimed as an eminent Sanskrit poet, second only to Kalidasa. The present work deals with the various problems concerning this great poet of Vidarbha such as the identification of his birthplace, his identity with Umbeka, the location of the god Kalapriyanatha at whose fairs all his plays were first staged, the chronological relation of his Uttra-Rama-charita to the Kundamala of Dhiranga, the influence of his works on later Sanskrit dramatists and so forth. Besides, the present work gives a detailed account of the plots of all his plays with numerous citations from them together with their English rendering, which will enable ordinary readers to appreciate his poetic genius and dramatic talent. it also states in detail the poet`s views on various religious, political and social matters. The present work is thus designed to meet the needs of both the ordinary and the critical readers of Bhavabhuti`s works.

“Rama’s Last Act” by Bhava·bhuti is counted among the greatest Sanskrit dramas. The work at once dramatizes the “Ramáyana”—it is one of the earliest theatrical adaptations of Valmíki’s epic masterpiece—and revises its most intractable episode, the hero’s rejection of his beloved wife. Human agency in the face of destiny, the power of love, and the capacity of art to make sense of such mysteries are the themes explored in this singular literary achievement of the Indian stage. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org

This Is One Of The Three Surviving Plays Of The Sanskrit Dramatist Bhavabhuti Who Flourished In The Early Eighth Century A.D. Without Dustjacket. Two- Three Minor Pin Holes.