While it is accepted that the pronunciation of English shows wide regional differences, there is a marked tendency to under-estimate the extent of the variation in grammar that exists within the British Isles today. In addressing this problem, Real English brings together the work of a number of experts on the subject to provide a pioneer volume in the field of the grammar of spoken English.

“corrupt and moronic though the common people are seemingly becoming ... only in the common people can the true work be rooted, the true tradition rediscovered and re-informed” Charles Parker, BBC Radio Producer 1959. In 1958, in his best-selling book Culture and Society, Raymond Williams identified working-class culture as ‘a key issue in our own time’. Why this happened and how this subject was thought about and acted upon is the focus of this book. Paul Long investigates a variety of projects and practices that were designed to describe, validate, reclaim, rejuvenate or generate ‘authentic’ working-class culture as part of the re-imagining of Britishness in the context of the post-war settlement. Detailed case studies cover the wartime cultural activities of CEMA – the forerunner of the Arts Council - the Folk Revival, the impact of Richard Hoggart’s The Uses of Literacy, broadcasting and the radio work of Charles Parker, Ewan MacColl and Peggy Seeger, the roots of modern arts festivals in Arnold Wesker’s Centre 42 project as well as the impact of progressive education on children’s writing and the politics of the English language. ‘Only in the Common People: The Aesthetics of Class in Post-War Britain’ examines the assumptions, idealism and prejudices behind these projects and the terms of class as ‘the preoccupation of a generation’. This approach offers a historicisation of the broader ideas and debates that informed the development of the New Left and British social history and cultural theory, offering an understanding of the rise of respect for ‘the common man’.

This book is about forms of media that have reflected or increased consciousness of - a sense of place or a regional identity. From landscape painting in the Romantic era to newspaper coverage of devolution, the chapters explore, through contextualized case studies, the aesthetics of a wide range of local, regional and grassroots forms of media.

The Ties that Bind explores in depth the close affinities that bound together anti-slavery activists in Britain and the USA during the middle decades of the nineteenth century, years that witnessed the overthrow of slavery in both the British Caribbean and the American South. Drawing on a wide variety of sources, the book sheds important new light on the dynamics of abolitionist opinion building during the Age of Reform, from books and artefacts to anti-slavery songs, lectures and placards. Building an anti-slavery public required patience and perseverance. It also involved an engagement with politics, even if anti-slavery activists disagreed about what form that engagement should take. This is a book about the importance of transatlantic co-operation and the transmission of ideas and practices. Yet, at the same time, it is also alert to the tensions that underlay these 'Atlantic affinities', particularly when it came to what was sometimes perceived as the increasing Americanization of anti-slavery protest culture. Above all, The Ties that Bind stresses the importance of personality, perhaps best exemplified in the enduring transatlantic friendship between George Thompson and William Lloyd Garrison.

Offers a multidisciplinary analysis of Anglo-American popular music of the last two hundred years.

When you wake up in the year 1851 on a Scottish hillside ... or down an English coal mine ... or in a field on a Southern plantation, you know you're in for a lousy day. No day has been normal for Hannah and Alex Dias since they moved from San Francisco to the little town of Snipesville, Georgia. Bad enough that they and their dorky new friend Brandon Clark became reluctant time-travelers to World War Two England. Now things are about to get worse. Much worse. From the cotton fields of the slave South, to the poorest slums of Victorian Scotland, to London's glittering Crystal Palace, the kids chase a twenty-first century gadget through the mid-nineteenth century. Finding it is only the beginning of what they must do to save two beloved places from destruction, and heal a wound in Time. --Publisher description.

In nineteenth-century England poverty was more hideous and widespread than ever before. Broadside ballads told the tale aloud in part-issue on English streets. Here for the first time is a systematic study and anthology of what they said.

Whether for weavers at the handloom, labourers at the plough or factory workers on the assembly line, music has often been a key texture in people's working lives. This book is the first to explore the rich history of music at work in Britain and charts the journey from the singing cultures of pre-industrial occupations, to the impact and uses of the factory radio, via the silencing effect of industrialisation. The first part of the book discusses how widespread cultures of singing at work were in pre-industrial manual occupations. The second and third parts of the book show how musical silence reigned with industrialisation, until the carefully controlled introduction of Music while You Work in the 1940s. Continuing the analysis to the present day, Rhythms of Labour explains how workers have clung to and reclaimed popular music on the radio in desperate and creative ways.