In order to harness his extraordinary powers, Tom Taylor must sail the seas of one of the greatest stories ever told, and hunt the white whale that has left countless stories of myth and madness in its wake. Meanwhile, his friends are hunted by a dangerous new enemy-- and face identity crises of their own.

"Tom Taylor's life was screwed from the word go. His father created the mega-popular Tommy Taylor boy-wizard fantasy novels. But dad modeled the fictional epic so closely to Tom that fans constantly compare him to his counterpart, turning him into a lame, Z-level celebrity. When a scandal hints that Tom might really be the boy-wizard made flesh, Tom comes into contact with a mysterious, deadly group that's secretly kept tabs on him all his life. Now, to protect his life and discover the truth behind his origins, Tom will travel the world, to all the places in world history where fictions have shaped reality" -- from publisher's web site.

Tom Taylor is more than just the son of one of the world's most popular authors and the namesake of his most beloved creation, the boy wizard Tommy Taylor. He's a living weapon in a literal war of words, in which a shadowy cabal uses the power of storytelling itself to shape the world according to their own dark designs. And he was born and bred to close the book on them forever. But now his own story is headed for its most dangerous twist yet - a real whale of a tale. In order to harness his extraordinary powers, Tom must sail the seas of one of the greatest stories ever told and hunt the white whale that has left countless stories of myth and madness in its wake. Meanwhile, his friends are hunted by a dangerous new enemy and facing identity crises of their own. Will Tom's voyage lead them all to the answer they seek? Or will he drown in the depths of a thousand and one unhappy endings? Acclaimed storytellers Mike Carey and Peter Gross delve deeper than ever before into their frightening, fascinating world! Collects THE UNWRITTEN #19-24.

Written during a moment in English history when the political and social structures were in flux and open to interpretation, Leviathan played an essential role in the development of the modern world.

One can rightly say of Peter Sloterdijk that each of his essays and lectures is also an unwritten book. That is why the texts presented here, which sketch a philosophical physiognomy of Martin Heidegger, should also be characterized as a collected renunciation of exhaustiveness. In order to situate Heidegger's thought in the history of ideas and problems, Peter Sloterdijk approaches Heidegger's work with questions such as: If Western philosophy emerged from the spirit of the polis, what are we to make of the philosophical suitability of a man who never made a secret of his stubborn attachment to rural life? Is there a provincial truth of which the cosmopolitan city knows nothing? Is there a truth in country roads and cabins that would be able to undermine the universities with their standardized languages and globally influential discourses? From where does this odd professor speak, when from his professorial chair in Freiburg he claims to inquire into what lies beyond the history of Western metaphysics? Sloterdijk also considers several other crucial twentieth-century thinkers who provide some needed contrast for the philosophical physiognomy of Martin Heidegger. A consideration of Niklas Luhmann as a kind of contemporary version of the Devil's Advocate, a provocative critical interpretation of Theodor Adorno's philosophy that focuses on its theological underpinnings and which also includes reflections on the philosophical significance of hyperbole, and a short sketch of the pessimistic thought of Emil Cioran all round out and deepen Sloterdijk's attempts to think with, against, and beyond Heidegger. Finally, in essays such as "Domestication of Being" and the "Rules for the Human Park," which incited an international controversy around the time of its publication and has been translated afresh for this volume, Sloterdijk develops some of his most intriguing and important ideas on anthropogenesis, humanism, technology, and genetic engineering.

Tom Taylor's life was screwed from the word go. His father created the mega-popular Tommy Taylor boy-wizard fantasy novels. But dad modeled the fictional epic so closely to Tom that fans constantly compare him to his counterpart, turning him into a lame, Z-level celebrity. When a scandal hints that Tom might really be the boy-wizard made flesh, Tom comes into contact with a mysterious, deadly group that's secretly kept tabs on him all his life. Now, to protect his life and discover the truth behind his origins, Tom will travel the world, to all the places in world history where fictions have shaped reality.

Tom Taylor's life was screwed from the get go. His father created the Tommy Taylor fantasy series, boy-wizard novels with popularity on par with Harry Potter. The problem is Dad modeled the fictional epic so closely on Tom's real life that fans are constantly comparing him to his fictional counterpart, turning him into the lamest variety of Z-level celebrity. In the final novel, it's even implied that the fictional Tommy will cross over into the real world, giving delusional fans more excuses to harass Tom. When an enormous scandal reveals that Tom might really be a boy-wizard made flesh, Tom comes into contact with a very mysterious, very deadly group that's secretly kept tabs on him all his life. Now, to protect his own life and discover the truth behind his origins, Tom will travel the world, eventually finding himself at locations all featured on a very special map-one kept by the deadly group that charts places throughout world history where fictions have impacted and tangibly shaped reality, those stories ranging from famous literary works to folktales to pop culture. And in the process of figuring out what it all means, Tom will find himself having to figure out a huge conspiracy mystery that spans the entirety of the history of fiction. Collects issues #1-5 in this NEW YORK TIMES bestselling Vertigo series by Mike Carey (LUCIFER) and Peter Gross (LUCIFER).

A New York Times Bestseller! One of Publishers Weekly's Hot Fall Books of 2013! Tom Taylor has lived his life being mistaken for Tommy Taylor, the boy wizard from the world-famous series of novels penned by Tom's long-lost father Wilson. However,after a series of strange events start to parallel the lives of both Taylors—fictional and real—Tom realizes that he might be the character on page made flesh. In this first-ever original graphic novel spinning off from the pages of the criticallyacclaimed THE UNWRITTEN series, writer Mike Carey explores the origins behind Tom's mysterious powers and the odyssey his father has sent him on.

A year after The War of Words and nearly unbearable tragedy and loss, Tom Taylor's life is finally knitting itself back together. However, disconnected from the power of Leviathan and the manipulation of the Cabal, the real world and the fictional world are facing a sweeping tide of chaos, and the damage seems to be spreading. When a rash of mysterious disappearances catches the eye of young detective Didge Patterson, it becomes apparent that the cult known as The Church of Tommy is involved. When ghosts, vampires and unicorns are also mixed in, Tommy finds that an even more complicated tale is about to unfold. Can Tommy discover the secrets behind the cult’s mysterious façade and heal "The Wound" before the real and fictional worlds crumble? The Eisner Award-nominated creative team of Mike Carey (JOHN CONSTANTINE: HELLBLAZER) and Peter Gross (LUCIFER) present UNWRITTEN VOLUME 7: THE WOUND - a tumultuous tale where the lines between fiction and reality are irreparably blurred. Collects issues #36-41.

Contributions by Torsten Caeners, Phoebe Chen, Mathieu Donner, Shannon Hervey, Angela S. Insenga, Patricia Kennon, Maryna Matlock, Ferne Merrylees, Lars Schmeink, Anita Tarr, Tony M. Vinci, and Donna R. White For centuries, humanism has provided a paradigm for what it means to be human: a rational, unique, unified, universal, autonomous being. Recently, however, a new philosophical approach, posthumanism, has questioned these assumptions, asserting that being human is not a fixed state but one always dynamic and evolving. Restrictive boundaries are no longer in play, and we do not define who we are by delineating what we are not (animal, machine, monster). There is no one aspect that makes a being human—self-awareness, emotion, artistic expression, or problem-solving—since human characteristics reside in other species along with shared DNA. Instead, posthumanism looks at the ways our bodies, intelligence, and behavior connect and interact with the environment, technology, and other species. In Posthumanism in Young Adult Fiction: Finding Humanity in a Posthuman World, editors Anita Tarr and Donna R. White collect twelve essays that explore this new discipline's relevance in young adult literature. Adolescents often tangle with many issues raised by posthumanist theory, such as body issues. The in-betweenness of adolescence makes stories for young adults ripe for posthumanist study. Contributors to the volume explore ideas of posthumanism, including democratization of power, body enhancements, hybridity, multiplicity/plurality, and the environment, by analyzing recent works for young adults, including award-winners like Paolo Bacigalupi's Ship Breaker and Nancy Farmer's The House of the Scorpion, as well as the works of Octavia Butler and China Miéville.