The women in this book are not extraordinary or famous, and yet their stories and testimonies, narrated here by one of India's best-known women journalists, provide a passionate, often deeply touching, revelation of what it means to be a woman in India today. The women tell of marriage and widowhood, unfair work practices, sexual servitude, the problems of bearing and rearing children in poverty, religion, discrimination, other forms of exploitation ... Yet they also talk of fulfilling relationships, the joys of marriage and children, the exhilaration of breaking free from the bonds of tradition, ritual, caste, religion ... Interwoven with all this is the story of one woman's journey--of how Anees Jung, the author, brought up in purdah, succeeded in shaking off the restricting influences of her traditional upbringing to become a highly successful, independent career woman, still a comparatively rare phenomenon in India. As such, the book is essential reading for anyone wishing to understand the women of India-the silent majority that is now beginning to make itself heard.

Book is on historical facts. It starts from First war of India's Independence 1857 to the last war of India's Independence 1946.

Independent Publisher Award for Best Travel Book of the Year; Benjamin Franklin Award for Best Travel Essay of the Year; India Unveiled by Robert Arnett has been internationally acclaimed as one of the most revealing compendiums ever written about the country. The stunning photography and engaging text with an insightful portrait of its people, landscape, and diverse culture truly captures the essence of India, one of the oldest continuously surviving civilizations on earth. This book is a stunning pictorial record of Robert Arnett's pilgrimage....Recommended for all collections. - Library Journal; The most beautiful book on India I have ever seen. - Toby Bourne, Editor, British Book-of-the-Month Travel Club; One of the most revealing compendiums on India in decades....A highly recommended acquisition. - The Midwest Book Review, Reviewers Choice

This book is a collection of articles published by the author over a period of time. Much of his writing reflects the social, political and economic issues that have emerged over the years and impacted India’s politics and governance. Given his special interest in the working of the constitution, and the march of democracy since independence, the book contains chapters which specifically deal with constitutional issues, the working of parliament, the system of justice, the executive and the media. The author feels that negating the facts of history has been a major pastime of the Nehruvian and Marxist schools and that the distortions introduced by these schools need to be challenged and corrected in the current phase of national politics. This is reflected in his articles which deal with the running secular versus pseudo-secular debate as also the political battles being fought on what is ‘national’ and what is ‘anti-national’. In any case, whatever the issue and however intense the debate, he is firmly of the view that it must all happen within the parameters of the constitution.

In this distillation of frontline experiences and cultural insights, Anita Pratap, one of the finest journalists India has ever produced, faithfully reports on the consequences of war, ethnic conflict, earthquakes, cyclones, prejudices, and the mindless hatred and fear that has hurt so much of the world. Wherever there was a story to be told-from her native India to Afghanistan and Sri Lanka-Pratap braved the odds to send in reports from the front, managing to track down elusive stories and make headlines. With determined diligence she exposed the terrors inside such frightening regimes as the Taliban, returning home each time with a renewed determination to appreciate and celebrate the ordinary.

In Unveiling Desire, Devaleena Das and Colette Morrow show that the duality of the fallen/saved woman is as prevalent in Eastern culture as it is in the West, specifically in literature and films. Using examples from the Middle to Far East, including Iran, India, Pakistan, Bangladesh, Thailand, Japan, and China, this anthology challenges the fascination with Eastern women as passive, abject, or sexually exotic, but also resists the temptation to then focus on the veil, geisha, sati, or Muslim women’s oppression without exploring Eastern women’s sexuality beyond these contexts. The chapters cover instead mind/body sexual politics, patriarchal cultural constructs, the anatomy of sex and power in relation to myth and culture, denigration of female anatomy, and gender performativity. From Persepolis to Bollywood, and from fairy tales to crime fiction, the contributors to Unveiling Desire show how the struggle for women’s liberation is truly global.

Reviews Brilliant, young, creative, and refreshingly new. -The New School Vikas Khanna presents a menu that fuses Indian spice with extraordinary imagination and technique. The Spice Story proves that he is a master of his cuisine. -David Waltuck Chanterelle, New York His dedication and passion make him a winner. -Henry Meer City Hall, New York We are proud to have Vikas Khanna in America. -Drew Nieporent Myriad Restaurant Group The Spice Story of India is a book unveiling the deepest flavors of India. -Andrew Chapman August, New York The best blend of modern and traditional Indian cooking. -Tandoori Magazine London Even Vikas Khanna's handwritten recipes are used as a reference at CIA. -Delores Custer Instructor, Culinary Institute of America In any part of the world, I am always craving for Vikas's food. -Aimee Mullins International star The best blend of charm, energy, and talent . . . The Spice Story of India proves it. -Gary A. Goldberg Culinary Arts, New York A heightened sense of taste - The New York Times

This book is the second of a two-volume anthology of primary source documents on feminism in the nineteenth and early twentieth centuries. Unique in its extensive treatment of the first-wave feminist movement in Canada, it highlights distinct elements of its origins and evolution. The book is organized into thematic rubrics that address key issues, debates, and struggles within the first wave in Canada, as well as international influences and Canadian engagement in transnational networks and initiatives. Documents by Indigenous, Anglophone, Francophone, and immigrant female activists demonstrate the richness and complexity of Canadian feminism during this period. Together with its first volume, Documenting First Wave Feminisms reveals a more nuanced picture, attentive to nationalism and transnationalism, of the first wave than has previously been understood.

Nineteen years ago, Anees Jung embarked on a journey that resulted in the best-selling book Unveiling India, a poignant and revealing look at the women of India. In this sequel, she * to investigate what, if anything, has altered for their daughters. Have the dramatic changes in the social scene in the wake of liberalization, cable TV and a general opening up of society made any fundamental difference to their lives? Do they possess the resilience of their mothers, or is this a generation hovering uncertainly between two worldsunwilling to be fettered by tradition and yet lacking the courage to break *? As before, she finds stories of suffering and fortitude, despair and hope: A young Rajput woman in Kutch defies the veil, and her husbands command, to take up a job; Ameena in Hyderabad, rescued from an ageing Arab sheikh in 1992 when barely twelve, is finally married off to another man more than twice her age; young mothers in Punjab are forced to kill their unborn daughters; a young prostitute in Mumbai fights drug addiction and hate, determined to live with dignity.Journeying across forgotten landscapes, both human and geographic, Anees Jung paints yet another unforgettable and, at times, harrowing portrait of women in India at the dawn of the new millennium.