The events of the Nigerian civil war and world reactions are woven together into a simultaneous and situational sequence based on eyewitness accounts from journalists, relief workers, mercenaries, arms dealers, pilots, and others.

In 1966, several waves of rioting in northern Nigeria culminated in the brutal massacre of thousands of easterners by their northern Nigerian counterparts. Sensing that their safety could no longer be guaranteed, the easterners fled to the eastern region and established an independent nation called Biafra. Refusing to accept her sovereignty, Nigeria waged a thirty-month war against Biafra, targeting air assaults at civilian locations, which resulted in the deaths of thousands of children, women, and the elderly. Nigeria used land and sea blockade to prevent relief food from reaching hungry masses in Biafra and thousands of children died from a form of malnutrition called kwashiorkor. At the end of it all in 1970, two million people had perished.

In 1961, Rosina 'Rose' Martin married John Umelo, a young Nigerian she met on a London Tube station platform, eventually moving to Nigeria with him and their children. As Rose taught Classics in Enugu, they found themselves caught up in Nigeria's Civil War, which followed the 1967 secession of Eastern Nigeria--now named Biafra. The family fled to John's ancestral village, then moved from place to place as the war closed in. When it ended in 1970, up to 2 million had died, most from starvation. Rose ('worse off than some, better off than many') had kept notes, capturing the reality of living in Biafra--from excitement in the beginning to despair towards the end. Immediately after the war, Rose turned her notes into a narrative that described the ingenious ways Biafrans made do, still hoping for victory while their territory shrank and children starved by the thousand. Now anthropologist S. Elizabeth Bird contextualizes Rose's story, providing background on the progress of the war and international reaction to it. Edited and annotated, Rose's vivid account of life as a Biafran 'Nigerwife' offers a fresh, new look at hope and survival through a brutal war.

A fearless act of journalism in 1960s Nigeria and the true story behind the international bestselling novel The Dogs of War. The Nigerian civil war of the late 1960s was one of the first occasions when Western consciences were awakened and deeply affronted by the level of suffering and the scale of atrocity being played out in the African continent. This was thanks not just to advances in communication technology but to the courage and journalistic skills of foreign correspondents like Frederick Forsyth, who had already earned an enviable reputation for tenacity and accuracy working for Reuters and the BBC. In The Biafra Story, Forsyth reveals the depth of the British Government’s active involvement in the conflict—information which many in power would have preferred to remain secret. General Gowon’s genocide of the Biafran people was facilitated by a ready supply of British arms and advice. Still tragically relevant in its depiction of global affairs, this powerful book also launched Frederick Forsyth to literary stardom by providing him with the background material for The Dogs of War. The dramatic events and shocking political exposures, all delivered with Forsyth’s bold and perceptive style, makes The Biafra Story a compelling lesson in courage.

The Untold Story of a Nigerian Royal Family presents the story of the Urhobo ruling family of Okpe Kingdom and its political power in Nigeria. It traces the origins and history of the Okpe people and their social and political organization. Topics include: - The Okpe revolution of the sixteenth century and the assassination of Esezi I - British Colonial rule of the kingdom, late 1800s-1960 - Civil war between the Okpe and Olomu of Itsekiri and the palm oil trade rivalry - Urhobo-Itsekiri collaboration in the slave trade, and slavery in eighteenth- and nineteenth-century Okpe. - The political role played by traditional chiefs - Feminists who campaigned for women's rights to participate in the council of elders - The effort by HRH Esezi II to promote the democratic system of government within the Okpe council. - The story of the uncrowned king of Okpe Kingdom, including a brief history of the Nigerian Civil War of 1967-70 - The reign of HRH Orhoro I. - The story of the author's candidacy for Okpe King after the death of Orhoro I - Nigeria oil policy - Muslim-Christian strife and human rights abuses

New Perspectives on the Nigeria-Biafra War: No Victor, No Vanquished analyzes the continued impact of the Nigeria-Biafra war on the Igbo, the failure of the reconstruction and reconciliation effort in the post-war period, and the politics of exclusion of the memory of the war in public discourse in Nigeria. Furthermore, New Perspectives on the Nigeria-Biafra War explores the resilience of the Igbo people and the different strategies they have employed to preserve the history and memory of Biafra. The contributors argue that the war had important consequences for the socio-political developments in the post-war period, ushering in two differing ideologies: a paternalistic ideology of “co-option” of the Igbo by the Nigerian state, under the false premise of ‘No Victor, No Vanquished,” and the Igbo commitment to self-preservation on the other.

With her award-winning debut novel, Purple Hibiscus, Chimamanda Ngozi Adichie was heralded by the Washington Post Book World as the “21st century daughter” of Chinua Achebe. Now, in her masterly, haunting new novel, she recreates a seminal moment in modern African history: Biafra’s impassioned struggle to establish an independent republic in Nigeria during the 1960s. With the effortless grace of a natural storyteller, Adichie weaves together the lives of five characters caught up in the extraordinary tumult of the decade. Fifteen-year-old Ugwu is houseboy to Odenigbo, a university professor who sends him to school, and in whose living room Ugwu hears voices full of revolutionary zeal. Odenigbo’s beautiful mistress, Olanna, a sociology teacher, is running away from her parents’ world of wealth and excess; Kainene, her urbane twin, is taking over their father’s business; and Kainene’s English lover, Richard, forms a bridge between their two worlds. As we follow these intertwined lives through a military coup, the Biafran secession and the subsequent war, Adichie brilliantly evokes the promise, and intimately, the devastating disappointments that marked this time and place. Epic, ambitious and triumphantly realized, Half of a Yellow Sun is a more powerful, dramatic and intensely emotional picture of modern Africa than any we have had before.

Almost half a century has passed since the Nigerian Civil War ended. But memories die hard, because a million or more people perished in that internecine struggle, the majority women and children, who were starved to death. Biafra’s war was modern Africa’s first extended conflict. It lasted almost three years and was based largely on ethnic, by inference, tribal grounds. It involved, on the one side, a largely Christian or animist southeastern quadrant of Nigeria which called itself Biafra, pitted militarily against the country’s more populous and preponderant Islamic north. These divisions – almost always brutal – persist. Not a week goes by without reports coming in of Christian communities or individuals persecuted by Islamic zealots. It was also a conflict that saw significant Cold War involvement: the Soviets (and Britain) siding and supplying Federal Nigeria with weapons, aircraft and expertise and several Western states – Portugal, South Africa and France especially – providing clandestine help to the rebel state. For that reason alone, this book is an important contribution towards understanding Nigeria’s ethnic divisions, which are no better today than they were then. Biafra was the first of a series of religious wars that threaten to engulf much of Africa. Similar conflicts have recently taken place in the Ivory Coast, Kenya, Southern Sudan, the Central African Republic, Senegal (Cassamance), both Congo Republics and elsewhere. As the war progressed, Biafra also attracted mercenary involvement, many of whom arriving from the Congo which had already seen much turmoil. Western pilots were hired by Lagos and they flew the first Soviet MiG-17 jet fighters to have played an active role in a ‘Western’ war. Al Venter spent time covering this struggle. He left the rebel enclave in December 1969, only weeks before it ended and claims the distinction of being the only foreign correspondent to have been rocketed by both sides: first by Biafra’s tiny Swedish-built Minicon fighter planes while he was on a ship lying at anchor in Warri harbour and thereafter, by MiG jets flown by mercenaries. Among his colleagues inside the beleaguered territory were the celebrated Italian photographer Romano Cagnoni as well as Frederick Forsyth who originally reported for the BBC and then resigned because of the partisan, pro-Nigerian stance taken by Whitehall. He briefly shared quarters with French photographer Giles Caron who was later killed in Cambodia. Prior to that Venter had been working for John Holt in Lagos. It is interesting that his office at the time was at Ikeja International Airport (Murtala Muhammed today) where the second Nigerian army mutiny was plotted and from where it was launched. From this perspective he had a proverbial ‘ringside seat’ of the tribal divisions that followed as hostilities escalated. Venter took numerous photos while on this West African assignment, both in Nigeria while he was based there and later in Biafra itself. Others come from various sources, including some from the same mercenary pilots who originally targeted him from the air.